These are the sources and citations used to research folder references. This bibliography was generated on Cite This For Me on
In-text: (Barbieri and Trimingham, 2017)
Your Bibliography: Barbieri, D. and Trimingham, M. (2017). Costume in performance. London [etc.]: Bloomsbury Academic an imprint of Bloomsbury Publishing Plc.
In-text: (Barker, Barker and profile, 2017)
Your Bibliography: Barker, G., Barker, G. and profile, V. (2017). The rise of contemporary drawing. [online] Fineartdrawinglca.blogspot.co.uk. Available at: http://fineartdrawinglca.blogspot.co.uk/2014/11/the-rise-of-contemporary-drawing.html [Accessed 30 May 2017].
In-text: (Contemporary Art, 2018)
Your Bibliography: Contemporary Art. (2018). Rebecca Horn: Body Art, Performance & Installations | Installation Art, Performance Art | Anxious Objects, Conceptual Art, Desire, Machines, Memory, Play, Rebecca Horn, Sexuality |. [online] Available at: http://www.marthagarzon.com/contemporary_art/2012/07/rebecca-horn-body-art-performance-installations/ [Accessed 25 May 2017].
In-text: (Feuvre, 2016)
Your Bibliography: Feuvre, L. (2016). Extending bodies. [online] (36). Available at: http://elenawardart.myblog.arts.ac.uk/2016/01/27/extending-bodies-essay-by/ [Accessed 28 Aug. 2017].
In-text: (Geczy and Karaminas, 2012)
Your Bibliography: Geczy, A. and Karaminas, V. (2012). Fashion and Art. 2nd ed. New York: Berg.
In-text: (Gough, 2010)
Your Bibliography: Gough, R. (2010). The Exhausted Body in Performance. [online] Available at: http://cadair.aber.ac.uk/dspace/bitstream/handle/2160/7180/The+Exhausted+Body+in+Performance.+CADAIR+VERSION.pdf?sequence=1 [Accessed 21 May 2017].
In-text: (Harper, 2003)
Your Bibliography: Harper, B. (2003). Drawing of the Mind. pp.1-6.
In-text: (Heathfield and Glendinning, 2012)
Your Bibliography: Heathfield, A. and Glendinning, H. (2012). Live. London: Tate Publishing, pp.12-110.
In-text: (Heinrich, 2014)
Your Bibliography: Heinrich, F. (2014). Flesh as Communication -- Body Art and Body Theory. [online] Contempaesthetics.org. Available at: http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=633 [Accessed 22 May 2017].
In-text: (Jones, 1997)
Your Bibliography: Jones, A. (1997). "Presence" in Absentia: Experiencing Performance as Documentation. Art Journal, [online] 56(4), p.11. Available at: http://www.jstor.org/stable/777715 [Accessed 28 May 2017].
In-text: (Jones, 2005)
Your Bibliography: Jones, A. (2005). Performing the body, performing the text. London [u.a.]: Routledge, p.1.
In-text: (Marranca, 2018)
Your Bibliography: Marranca, B. (2018). Bodies of action, Bodies of Thought: Performance and its Critics. 21, pp.11-23.
In-text: (Molesworth, 2011)
Your Bibliography: Molesworth, H. (2011). Dance/Draw. Ostfildern: Hatje Cantz, pp.11-56.
In-text: (Payne, 2017)
Your Bibliography: Payne, S. (2017). Tony Orrico Performance Drawing. [online] Available at: http://www.thecodist.com/tony-orrico-performance-drawing [Accessed 22 May 2017].
In-text: (Phelan, 1994)
Your Bibliography: Phelan, P. (1994). Unmarked: The Politics of Performance. The Journal of Aesthetics and Art Criticism, 52(4), pp.151-152.
In-text: (Popat, 2017)
Your Bibliography: Popat, P. (2017). Prosthetic Limbs, Digital Avatars and Bodily Extensions.
In-text: (Richard Long, 2017)
Your Bibliography: Richard Long. (2017). .
In-text: (Tate, 2017)
Your Bibliography: Tate. (2017). Rebecca Horn born 1944 | Tate. [online] Available at: http://www.tate.org.uk/art/artists/rebecca-horn-2269 [Accessed 22 May 2017].
In-text: (Veniceperformanceart.org, 2018)
Your Bibliography: Veniceperformanceart.org. (2018). CATALOGUES. [online] Available at: http://www.veniceperformanceart.org/index.php?page=237&lang=en [Accessed 26 May 2017].
In-text: (Walker, 2018)
Your Bibliography: Walker, J. (2018). The Body is Present Even if in Disguise: Tracing the Trace in the Artwork of Nancy Spero and Ana Mendieta. [online] Tate.org.uk. Available at: http://www.tate.org.uk/research/publications/tate-papers/11/the-body-is-present-even-if-in-disguise-tracing-the-trace-in-the-artwork-of-nancy-spero-and-ana-mendieta [Accessed 27 May 2017].
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