These are the sources and citations used to research PhD application 2018 Bibliography. This bibliography was generated on Cite This For Me on
In-text: (Swain, 2011)
Your Bibliography: Swain, R. (2011). Directing - a handbook for emerging theatre directors. London: Methuen Drama.
In-text: (Shevtsova and Innes, 2009)
Your Bibliography: Shevtsova, M. and Innes, C. (2009). Directors - directing. New York: Cambridge Univ. Press.
In-text: (Innes, 2013)
Your Bibliography: Innes, C. (2013). The Cambridge Introduction to Theatre Directing. Cambridge University Press.
In-text: (Cury, 2002)
Your Bibliography: Cury, I. (2002). Directing and producing for television. 2nd ed. Boston: Focal Press.
In-text: (Rothschild, 2000)
Your Bibliography: Rothschild, B. (2000). The body remembers. New York: Norton.
In-text: (Foucault and Khalfa, 2006)
Your Bibliography: Foucault, M. and Khalfa, J. (2006). History of madness. London: Routledge.
In-text: (Braun, 1982)
Your Bibliography: Braun, E. (1982). The director & the stage: from naturalism to Grotowski. London: Methuen.
In-text: (Bermel, 2001)
Your Bibliography: Bermel, A. (2001). Artaud's theatre of cruelty. London: Methuen.
In-text: (Davis, 1995)
Your Bibliography: Davis, D. (1995). Scenes of madness. New York: Routledge.
In-text: (Dingwall-Jones, 2014)
Your Bibliography: Dingwall-Jones, C. (2014). 'Antic Dispositions?': The Representations of Madness in Modern British Theatre. Ph.D. University of Kent.
In-text: (Kuppers, 2004)
Your Bibliography: Kuppers, P. (2004). Disability and Contemporary Performance: Bodies on the Edge. London: Routledge.
In-text: (Rose, 2017)
Your Bibliography: Rose, S. (2017). From Split to Psycho: why cinema fails dissociative identity disorder. [online] the Guardian. Available at: https://www.theguardian.com/film/2017/jan/12/cinema-dissociative-personality-disorder-split-james-mcavoy [Accessed 5 Dec. 2017].
In-text: (Shinn, 2012)
Your Bibliography: Shinn, C. (2012). Sound and fury: What distance should art take from madness?. [online] Economist.com. Available at: https://www.economist.com/blogs/prospero/2012/05/christopher-shinn-madness-theatre [Accessed 5 Dec. 2017].
In-text: (Strasberg and Cohen, 2010)
Your Bibliography: Strasberg, L. and Cohen, L. (2010). The Lee Strasberg notes. London: Routledge.
In-text: (Wald, 2007)
Your Bibliography: Wald, C. (2007). Hysteria, trauma and melancholia. Basingstoke: Palgrave Macmillan.
In-text: (Proctor, 2013)
Your Bibliography: Proctor, R. (2013). Theatre should educate us about mental illness, not increase our paranoia. [online] Everything Theatre. Available at: http://everything-theatre.co.uk/2013/07/theatre-should-educate-us-about-mental.html [Accessed 5 Dec. 2017].
In-text: (Merlin, 2014)
Your Bibliography: Merlin, B. (2014). The complete Stanislavsky toolkit. London: Nick Hern Books.
In-text: (Harpin and Foster, 2014)
Your Bibliography: Harpin, A. and Foster, J. (2014). Performance, Madness and Psychiatry. Basingstoke: Palgrave Macmillan.
In-text: (Auslander and Sandahl, 2005)
Your Bibliography: Auslander, P. and Sandahl, C. (2005). Bodies in Commotion: Disability and Performance. Michigan: University of Michigan Press.
In-text: (Wedding, Boyd and Niemiec, 2005)
Your Bibliography: Wedding, D., Boyd, M. and Niemiec, R. (2005). Movies and mental illness: using films to understand psychopathology. Cambridge, MA: Hogrefe & Huber Publishers.
In-text: (Fleming and Manvell, 1985)
Your Bibliography: Fleming, M. and Manvell, R. (1985). Images of madness: the portrayal of insanity in the feature film. London: Fairleigh Dickinson University Press.
In-text: (Barba and Barba, 2009)
Your Bibliography: Barba, E. and Barba, J. (2009). On directing and dramaturgy: burning the house. Abingdon: Routledge.
In-text: (Unwin, 2014)
Your Bibliography: Unwin, S. (2014). The Complete Brecht Toolkit. New York: Nick Hern Books.
In-text: (Shepherd, 2012)
Your Bibliography: Shepherd, S. (2012). Direction Readings in Theatre Practice. Basingstoke: Palgrave Macmillan.
In-text: (Mitchell, 2009)
Your Bibliography: Mitchell, K. (2009). The director's craft: a handbook for the theatre. London: Routledge.
In-text: (Cantrell, 2010)
Your Bibliography: Cantrell, T. (2010). Acting processes in contemporary British verbatim theatre. PhD. The University of York.
In-text: (Cantrell, 2013)
Your Bibliography: Cantrell, T. (2013). Acting in documentary theatre. Houndmills: Palgrave Macmillan.
In-text: (Cantrell and Luckhurst, 2010)
Your Bibliography: Cantrell, T. and Luckhurst, M. (2010). Playing for real: actors on playing real people. Houndmills: Palgrave Macmillan.
In-text: (Kershaw, 2011)
Your Bibliography: Kershaw, B. (2011). Research methods in theatre and performance. Edinburgh: Edinburgh University Press.
In-text: (Marranca et al., 1996)
Your Bibliography: Marranca, B., Foreman, R., Breuer, L. and Wilson, R. (1996). The theatre of Images. Baltimore, Maryland: The Johns Hopkins University Press.
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