Animation History - Film/Cinema Studies bibliographies - in Harvard style

In-text: (Affects, 2015)

Your Bibliography: Affects, S., 2015. SCMS Dispatches: “Defining Experimental Animation”. [online] Special Affects. Available at: <http://www.fsgso.pitt.edu/2013/03/scms-dispatches-defining-experimental-animation/> [Accessed 10 January 2015].

In-text: (Anemic Cinema, 1926)

Your Bibliography: Anemic Cinema. 1926. [film] France: Marcel Duchamp.

In-text: (Apollinaire, 1913)

Your Bibliography: Apollinaire, G., 1913. Les peintres cubistes. Paris: Eugène Figuière et cie, éditeurs.

In-text: (Apollinaire, 1998)

Your Bibliography: Apollinaire, G., 1998. FROM THE CUBIST PAINTERS. In: V. Kolocotroni, J. Goldman and O. Taxidou, ed., Modernism, 1st ed. Great Britain: The University of Chicago Press, pp.262-267.

In-text: (Beckman, n.d.)

Your Bibliography: Beckman, K., n.d. Animating film theory.

In-text: (Elger and Grosenick, 2004)

Your Bibliography: Elger, D. and Grosenick, U., 2004. Dadaism. Koln: Taschen, pp.1-20.

In-text: (Frederick, 2013)

Your Bibliography: Frederick, S., 2013. Cinematic Collecting: The Continuous Discontinuity of the Still Frame in Oskar Fischinger's Walking from Munich to Berlin. Animation, 8(3), pp.235-251.

In-text: (Gan and Lodder, 1922)

Your Bibliography: Gan, A. and Lodder, C., 1922. Constructivism.

In-text: (Höch, 1919)

Your Bibliography: Höch, H., 1919. Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany. [image] Available at: <http://en.wikipedia.org/wiki/File:Hoch-Cut_With_the_Kitchen_Knife.jpg#file> [Accessed 15 January 2015].

In-text: (Hoffman, 2006)

Your Bibliography: Hoffman, J., 2006. Hans Richter: Constructivist Filmmaker. In: F. Stephen, ed., Hans Richter : Activism, Modernism, and the Avant-Garde, 1st ed. Cambridge, MA, USA: MIT Press, pp.72-91.

In-text: (Huelsenbeck, 1928)

Your Bibliography: Huelsenbeck, R., 1928. FROM 'ZURICH 1916, AS IT REALLY WAS. Die Neue Bücherschau, p.12.

In-text: (Humorous Phases of Funny Faces, 1906)

Your Bibliography: Humorous Phases of Funny Faces. 1906. [film] United States: James Stuart Blacktin.

In-text: (Kino-Eye, 1924)

Your Bibliography: Kino-Eye. 1924. [film] Soviet Union: Dziga Vertov.

In-text: (Kolocotroni, Goldman and Taxidou, 1998)

Your Bibliography: Kolocotroni, V., Goldman, J. and Taxidou, O., 1998. Modernism. Chicago: University of Chicago Press.

In-text: (Rhythmus 21, 1921)

Your Bibliography: Rhythmus 21. 1921. [film] Paris: Hans Richter.

In-text: (The Enchanted Drawing, 1900)

Your Bibliography: The Enchanted Drawing. 1900. [film] United States: James Stuart Blacktin.

In-text: (Vormittagsspuk, 1928)

Your Bibliography: Vormittagsspuk. 1928. [film] Germany: Hans Richter.

In-text: (Wells, 1998)

Your Bibliography: Wells, P., 1998. Understanding animation. London: Routledge.

In-text: (Wells, 2002)

Your Bibliography: Wells, P., 2002. Animation. London: Wallflower.

In-text: (Yacavone, 2012)

Your Bibliography: Yacavone, K., 2012. Benjamin, Barthes, and the singularity of photography. New York: Continuum.