These are the sources and citations used to research CHAPTER NETFLIX. This bibliography was generated on Cite This For Me on
In-text: (Bansal, 2018)
Your Bibliography: Bansal, S., 2018. Why millennials are ditching TV for online content. [online] mint. Available at: <https://www.livemint.com/Consumer/ePS4JiEeb4iVECN7odUu0L/Why-millennials-are-ditching-TV-for-online-content.html>.
In-text: (Netflix's history: From DVD rentals to streaming success, 2018)
Your Bibliography: BBC News. 2018. Netflix's history: From DVD rentals to streaming success. [online] Available at: <https://www.bbc.co.uk/news/newsbeat-42787047#:~:text=Netflix%20used%20to%20have%20a,became%20available%20in%20the%20UK.>.
In-text: (Bhattacharya, 2004)
Your Bibliography: Bhattacharya, N., 2004. A ‘Basement’ Cinephilia. Indian Diaspora women watch Bollywood. South Asian Popular Culture, 2(2), pp.161-183.
In-text: (Boffey, 2015)
Your Bibliography: Boffey, D., 2015. TV and movie workers revolt at ‘unfair’ fees for job adverts. [online] The Guardian. Available at: <https://www.theguardian.com/media/2015/aug/23/runners-revolt-unfair-fees-job-adverts-tv-film-top-gear>.
In-text: (Caldwell, 2008)
Your Bibliography: Caldwell, J., 2008. Production Culture Industrial Reflexivity and Critical Practice in Film and Television. Durham: Duke University Press.
In-text: (Curtin and Sansom, 2016)
Your Bibliography: Curtin, M. and Sansom, K., 2016. Precarious Creativity: Global Media, Local Labor. Oakland, California: University of California Press.
In-text: (Devasundaram, 2018)
Your Bibliography: Devasundaram, A., 2018. India’s New Independent Cinema: Rise of the Hybrid. New York: Routledge.
In-text: (Ganti, 2012)
Your Bibliography: Ganti, T., 2012. Producing Bollywood: Inside the Contemporary Hindi Film Industry. Durham: Duke University Press.
In-text: (Leyda and Denson, 2016)
Your Bibliography: Leyda, J. and Denson, S., 2016. Post-Cinema: Theorizing 21st-Century Film. Falmer: Reframe Books.
In-text: (Lutgendorf, 2007)
Your Bibliography: Lutgendorf, P., 2007. Is There an Indian Way of Filmmaking?. International Journal of Hindu Studies, 10(3), pp.227-256.
In-text: (Naahar, 2019)
Your Bibliography: Naahar, R., 2019. Selection Day review: Netflix’s latest Indian series, produced by Anil Kapoor, is the weakest member of the team. [online] Hindustan Times. Available at: <https://www.hindustantimes.com/tv/selection-day-review-netflix-s-latest-indian-series-produced-by-anil-kapoor-is-the-weakest-member-of-the-team/story-cg7IZTmKOqrlNSiC3YcGCO.html>.
In-text: (TV streaming services overtake pay TV for first time, 2018)
Your Bibliography: Ofcom. 2018. TV streaming services overtake pay TV for first time. [online] Available at: <https://www.ofcom.org.uk/about-ofcom/latest/media/media-releases/2018/streaming-overtakes-pay-tv>.
In-text: (Parkin, Barker and Kazim, 2021)
Your Bibliography: Parkin, B., Barker, A. and Kazim, A., 2021. US video streaming giants face tough second act in India. [online] Ft.com. Available at: <https://www.ft.com/content/badfcb5d-ff7f-471a-ab91-5a4feed3021f>.
In-text: (Roxborough, 2019)
Your Bibliography: Roxborough, S., 2019. Giving Awards to 'Roma' Is a "Devaluation of the Oscars," Say European Exhibitors. [online] The Hollywood Reporter. Available at: <https://www.hollywoodreporter.com/news/giving-awards-roma-is-a-devaluation-oscars-say-european-exhibitors-1190434>.
In-text: (Roy, 2021)
Your Bibliography: Roy, L., 2021. OTT Boom: Did The Pandemic Hasten The Process?. [online] https://www.outlookindia.com/. Available at: <https://www.outlookindia.com/website/story/india-news-ott-boom-did-the-pandemic-hasten-the-process/374499>.
In-text: (Outstanding Drama Series Nominees / Winners 2013, 2013)
Your Bibliography: Television Academy. 2013. Outstanding Drama Series Nominees / Winners 2013. [online] Available at: <https://www.emmys.com/awards/nominees-winners/2013/outstanding-drama-series>.
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