Christopher Nolan - Film/Cinema Studies bibliographies - in Harvard style

In-text: (Belton, 1994)

Your Bibliography: Belton, J., 1994. American cinema/American culture. New York: McGraw-Hill.

In-text: (Boggs and Jackson, 1978)

Your Bibliography: Boggs, J. and Jackson, K., 1978. The art of watching films. Menlo Park, Calif.: Benjamin/Cummings Pub. Co., pp.332-357.

In-text: (Caughie, 1981)

Your Bibliography: Caughie, J., 1981. Theories of authorship. London: Routledge & Kegan Paul in association with the British Film Institute.

In-text: (Freud and Strachey, 1962)

Your Bibliography: Freud, S. and Strachey, J., 1962. The ego and the id. New York: Norton.

In-text: (Harry, 2015)

Your Bibliography: Harry, F., 2015. Introduction to Boolean Logic. [online] I-programmer.info. Available at: <http://www.i-programmer.info/babbages-bag/235-logic-logic-everything-is-logic.html> [Accessed 10 January 2015].

In-text: (Kirsner, 2011)

Your Bibliography: Kirsner, I., 2011. Inception. Praktische Theologie, 46(2).

In-text: (Murphy, 1997)

Your Bibliography: Murphy, R., 1997. The British cinema book. London: British Film Institute.

In-text: (Ryall, 2001)

Your Bibliography: Ryall, T., 2001. Britain and the American cinema. London: SAGE Publications.

In-text: (Shafrir, 2006)

Your Bibliography: Shafrir, D., 2006. Can screenwriters and directors be considered auteurs?. [online] Slate Magazine. Available at: <http://www.slate.com/articles/news_and_politics/the_gist/2006/10/bored_of_directors.html> [Accessed 10 January 2015].

In-text: (Walker, 2005)

Your Bibliography: Walker, A., 2005. Icons in the fire. London: Orion.

In-text: (Wollen, 1972)

Your Bibliography: Wollen, P., 1972. Signs and meaning in the cinema. Bloomington: Indiana University Press.