Dissertation Reading List - Film/Cinema Studies bibliographies - in Harvard style

In-text: (Adams, 2003)

Your Bibliography: Adams, D., 2003. The Matrix Conclusions. Film Score Monthly, [online] (vol 8, no 9), pp.16 - 19. Available at: <https://www.filmscoremonthly.com/backissues/viewissue.cfm?issueID=83> [Accessed 3 December 2020].

In-text: (Brown, 1994)

Your Bibliography: Brown, R., 1994. Overtones and undertones. Berkeley, Calif.: Univ. of California Press.

In-text: (Clover, 2004)

Your Bibliography: Clover, J., 2004. The Matrix (BFI Film Classics). British Film Institute.

In-text: (Cooke, 2008)

Your Bibliography: Cooke, M., 2008. A history of film music. Cambridge: Cambridge University Press.

In-text: (Darby and Du Bois, 1991)

Your Bibliography: Darby, W. and Du Bois, J., 1991. American film music. Jefferson, N.C.: McFarland.

In-text: (Dawson, 2008)

Your Bibliography: Dawson, A., 2008. Studying The matrix. 1st ed. Leighton Buzzard [England]: Auteur.

In-text: (Hill, 2017)

Your Bibliography: Hill, A., 2017. Scoring the Screen. Lanham: Hal Leonard Corp.

In-text: (Neumeyer, 2014)

Your Bibliography: Neumeyer, D., 2014. The Oxford handbook of film music studies. New York: Oxford University Press.

In-text: (Provenzano, 2008)

Your Bibliography: Provenzano, C., 2008. Towards an Aesthetic of Film Music: Musicology Meets the Film Soundtrack. Music Reference Services Quarterly, 10(3-4), pp.79-94.