Dissertation - Film/Cinema Studies bibliographies - in Harvard style

In-text: (Aliens, 1986)

Your Bibliography: Aliens. 1986. [film] Directed by J. Cameron. United States: Brandywine Productions.

In-text: (Avater, 2009)

Your Bibliography: Avater. 2009. [film] Directed by J. Cameron. United States: 20th Century Fox.

In-text: (Baudrillard, 1981)

Your Bibliography: Baudrillard, J., 1981. Simulacra and Simulation. Paris: Galilée.

In-text: (Bound, 1996)

Your Bibliography: Bound. 1996. [film] Directed by L. Wachowski and L. Wachowski. United States: Dino De Laurentiis Company.

In-text: (Brown, 1994)

Your Bibliography: Brown, R., 1994. Overtones and undertones. Berkeley, Calif.: Univ. of California Press.

In-text: (Chao, 2019)

Your Bibliography: Chao, Y., 2019. Music in Film Terminology. [Blog] Shine RIght, Available at: <https://shinerightstudio.com/posts/music-in-film-terminology/> [Accessed 12 April 2021].

In-text: (Ciafardini, 2019)

Your Bibliography: Ciafardini, M., 2019. The Matrix Revisited: Composer Don Davis Reveals Secrets from His Score to Celebrate the 20th Anniversary of ‘The Matrix’. [online] Goseetalk.com. Available at: <http://goseetalk.com/composer-don-davis-reveals-secrets-from-his-score-to-the-matrix-20-year-later/> [Accessed 12 April 2021].

In-text: (Cooke, 2017)

Your Bibliography: Cooke, M., 2017. A history of film music. Cambridge: Cambridge University Press.

In-text: (Darby and Du Bois, 1990)

Your Bibliography: Darby, W. and Du Bois, J., 1990. American film music: Major Composers, Techniques, Trends, 1915-1990. Jefferson, NC u.a.: McFarland, p.xi.

In-text: (Davis, 1999)

Your Bibliography: Davis, D., 1999. The Matrix Composer Commentary.

In-text: (Davis, 2000)

Your Bibliography: Davis, D., 2000. Interview with Don Davis (Composer) from The Matrix Reloaded (2003). [Blog] Matrix Fans, Available at: <https://www.matrixfans.net/interview-with-don-davis-composer-from-the-matrix-reloaded-2003/> [Accessed 7 April 2021].

In-text: (DePaul Visiting Artists Series, 2014)

Your Bibliography: DePaul Visiting Artists Series, 2014. The Wachowskis | DePaul VAS. [video] Available at: <https://www.youtube.com/watch?v=ARoKJ00cEZ8&ab_channel=DePaulVisitingArtistsSeries> [Accessed 6 April 2021].

In-text: (Diatonic | music, 2021)

Your Bibliography: Encyclopedia Britannica. 2021. Diatonic | music. [online] Available at: <https://www.britannica.com/art/diatonic> [Accessed 12 April 2021].

In-text: (Gilmartin and Warren, 2019)

Your Bibliography: Gilmartin, A. and Warren, M., 2019. Know The Score: Minimalism Meets Film Music - Film Independent. [online] Film Independent. Available at: <https://www.filmindependent.org/blog/know-the-score-minimalism-meets-film-music/> [Accessed 12 April 2021].

In-text: (Hill, 2017)

Your Bibliography: Hill, A., 2017. Scoring the Screen: The Secret Language of Film Music. Lanham, MD: Rowman & Littlefield.

In-text: (Hutchinson, n.d.)

Your Bibliography: Hutchinson, R., n.d. Serialism: Twelve-Tone Matrix. [image] Available at: <http://musictheory.pugetsound.edu/mt21c/section-195.html> [Accessed 8 April 2021].

In-text: (Inception, 2010)

Your Bibliography: Inception. 2010. [film] Directed by C. Nolan. United States: Legendary Pictures.

In-text: (King Kong, 1933)

Your Bibliography: King Kong. 1933. [film] Directed by M. Cooper and E. Schoedsack. United States: Radio Pictures.

In-text: (Maslin, 1999)

Your Bibliography: Maslin, J., 1999. FILM REVIEW; The Reality Is All Virtual, And Densely Complicated. The New York Times, [online] p.Section E, Page 1. Available at: <http://FILM REVIEW; The Reality Is All Virtual, And Densely Complicated> [Accessed 14 April 2021].

In-text: (Music, n.d.)

Your Bibliography: Music, U., n.d. Serialism - Music Theory Academy. [online] Music Theory Academy. Available at: <https://www.musictheoryacademy.com/understanding-music/serialism/> [Accessed 10 April 2021].

In-text: (Neumeyer and Cohen, 2014)

Your Bibliography: Neumeyer, D. and Cohen, A., 2014. The Oxford handbook of film music studies. Oxford: Oxford University Press, p.101.

In-text: (Provenzano, 2008)

Your Bibliography: Provenzano, C., 2008. Towards an Aesthetic of Film Music: Musicology Meets the Film Soundtrack. Music Reference Services Quarterly, 10(3-4), pp.79-94.

In-text: (Star Trek II: The Wrath of Khan, 1982)

Your Bibliography: Star Trek II: The Wrath of Khan. 1982. [film] Directed by N. Meyer. United States: Paramount Pictures.

In-text: (The Lord of the Rings: The Fellowship of the Ring, 2001)

Your Bibliography: The Lord of the Rings: The Fellowship of the Ring. 2001. [film] Directed by P. Jackson. New Zealand: Newline Cinema.

In-text: (The Matrix Reloaded, 2003)

Your Bibliography: The Matrix Reloaded. 2003. [film] Directed by L. Wachowski and L. Wachowski. United States: Warner Bros.

In-text: (The Matrix Revolutions, 2003)

Your Bibliography: The Matrix Revolutions. 2003. [film] Directed by L. Wachowski and L. Wachowski. United States: Warner Bros.

In-text: (The Matrix, 1999)

Your Bibliography: The Matrix. 1999. [film] Directed by L. Wachowski and L. Wachowski. United States: Warner Bros.

In-text: (Symbolism - Vienna Symphonic Library, 2021)

Your Bibliography: Vsl.co.at. 2021. Symbolism - Vienna Symphonic Library. [online] Available at: <https://www.vsl.co.at/en/Trumpet_in_C/Symbolism> [Accessed 11 April 2021].

In-text: (Wachowski and Wachowski, 2000)

Your Bibliography: Wachowski, L. and Wachowski, L., 2000. Wachowski's answer fan questions.

In-text: (Winter, 2021)

Your Bibliography: Winter, M., 2021. Musical Themes and Why They’re Important in Film. [online] Entertainment Creative Group. Available at: <https://www.ecgprod.com/musical-themes-why-they-are-important-in-film/#:~:text=Musical%20themes%20do%20a%20lot,more%20to%20it%20than%20that.&text=It%20is%20common%20knowledge%20that,with%20very%20few%20visual%20cues.> [Accessed 15 April 2021].