Dissertation - Film/Cinema Studies bibliographies - in Harvard style

In-text: (Alexander, 2017)

Your Bibliography: Alexander, B., 2017. Denis Villeneuve answers your burning 'Blade Runner 2049' questions. [online] Usatoday.com. Available at: <https://www.usatoday.com/story/life/movies/2017/10/16/denis-villeneuve-answers-your-burning-blade-runner-2049-questions/760654001/> [Accessed 3 January 2022].

In-text: (Barnett, 2019)

Your Bibliography: Barnett, D., 2019. Are we living in a Blade Runner world?. [online] Bbc.com. Available at: <https://www.bbc.com/culture/article/20191111-are-we-living-in-a-blade-runner-world> [Accessed 6 January 2022].

In-text: (BBC, 2017)

Your Bibliography: BBC, 2017. Chernobyl, 30 years on. [image] Available at: <https://www.bbc.com/future/article/20170103-the-bold-plan-to-give-chernobyl-a-new-life-> [Accessed 11 January 2022].

In-text: (Beauchamp, 2019)

Your Bibliography: Beauchamp, Z., 2019. The extremist philosophy that’s more violent than the alt-right and growing in popularity. [online] Vox. Available at: <https://www.vox.com/the-highlight/2019/11/11/20882005/accelerationism-white-supremacy-christchurch> [Accessed 10 December 2021].

In-text: (Becho, 2016)

Your Bibliography: Becho, A., 2016. How radical Japanese fashion inspired Belgium's avant garde. [online] Dazed. Available at: <https://www.dazeddigital.com/fashion/article/30853/1/how-radical-japanese-fashion-inspired-belgiums-avant-garde> [Accessed 2 November 2021].

In-text: (Beckett, 2022)

Your Bibliography: Beckett, A., 2022. Accelerationism: how a fringe philosophy predicted the future we live in. [online] the Guardian. Available at: <https://www.theguardian.com/world/2017/may/11/accelerationism-how-a-fringe-philosophy-predicted-the-future-we-live-in> [Accessed 28 October 2021].

In-text: (Blanco, 2021)

Your Bibliography: Blanco, R., 2021. Fashion, Dress and Post-Postmodernism Available from: ProQuest Ebook Central. [16 January 2022].. [ebook] London: Bloomsbury Publishing USA, pp.75, 95. Available at: <https://ebookcentral.proquest.com/lib/ual/reader.action?docID=6465215> [Accessed 3 January 2022].

In-text: (Bursdall, 2022)

Your Bibliography: Bursdall, L., 2022. Fast Fashion Folly: The Problems with Influencer Culture and Consumerism - UCSD Guardian. [online] The University of California San Diego Guardian. Available at: <https://ucsdguardian.org/2019/02/24/fast-fashion-folly-problems-influencer-culture-consumerism/> [Accessed 19 February 2019].

In-text: (Cavallaro, 2000)

Your Bibliography: Cavallaro, D., 2000. Cyberpunk and Cyberculture: Science Fiction and the work of William Gibson. London: Bloomsbury Pubslishing plc, pp.13, 208.

In-text: (Charlton, 2016)

Your Bibliography: Charlton, W., 2016. Aesthetics : An Introduction. 2nd ed. [ebook] New York: Taylor & Francis Group. Available at: <https://ebookcentral.proquest.com/lib/ual/detail.action?docID=4524463> [Accessed 3 December 2021].

In-text: (Comme des Garcons, 2013)

Your Bibliography: Comme des Garcons, 2013. Comme des Garcon F13, suit shoulders. [image] Available at: <https://www.vogue.com/fashion-shows/fall-2013-ready-to-wear/comme-des-garcons/slideshow/collection#8> [Accessed 17 January 2022].

In-text: (Derrida and Kamuf, 1994)

Your Bibliography: Derrida, J. and Kamuf, P., 1994. Specters of Marx. London: Routledge.

In-text: (Dick, 2011)

Your Bibliography: Dick, P., 2011. Do androids dream of electric sheep?. 18th ed. London: Gollancz.

In-text: (Dixon, 2009)

Your Bibliography: Dixon, W., 2009. Film noir and the cinema of paranoia. 1st ed. Edinburgh: Edinburgh University Press, pp.3, 150-151.

In-text: (Driver, 2005)

Your Bibliography: Driver, C., 2005. HEAD OVER HEELS FOR ARTIFICIAL WOMEN, OR SACRIFICE, LOVE, AND TECHNOLOGY IN THE MODERN SCIENCE FICTION FILM: HUMAN CULTURE AND OBSESSION IN BLADE RUNNER AND SOLARIS. Masters Thesis. Middle Tennessee State University.

In-text: (Emerson, 2017)

Your Bibliography: Emerson, s., 2017. Cyberpunk Cities Fetishize Asian Culture But Have No Asians. [online] Vice.com. Available at: <https://www.vice.com/en/article/mb7yqx/cyberpunk-cities-fetishize-asian-culture-but-have-no-asians-blade-runner> [Accessed 3 January 2022].

In-text: (Fisher, 2012)

Your Bibliography: Fisher, M., 2012. What Is Hauntology?. Film Quarterly, [online] 66(1), pp.16-24. Available at: <https://www.jstor.org/stable/10.1525/fq.2012.66.1.16> [Accessed 21 December 2021].

In-text: (Gallardo and Russel, 2014)

Your Bibliography: Gallardo, P. and Russel, E., 2014. Gallardo, P, & Russell, E (eds) 2014, Yesterday's Tomorrows : On Utopia and Dystopia, Cambridge Scholars Publisher, Newcastle-upon-Tyne. Available from: ProQuest Ebook Central.. 1st ed. [ebook] Newcastle-upon-Tyne: Cambridge Scholars Publisher. Available at: <https://ebookcentral.proquest.com/lib/ual/detail.action?docID=1661279#> [Accessed 2 December 2022].

In-text: (Gaugele, n.d.)

Your Bibliography: Gaugele, E., n.d. Aesthetic politics in fashion. 1st ed. Berlin: Sternberg Press, p.200.

In-text: (Getty Images, 2022)

Your Bibliography: Getty Images, 2022. Beijing 2013. [image] Available at: <https://www.bbc.com/culture/article/20191111-are-we-living-in-a-blade-runner-world> [Accessed 11 January 2022].

In-text: (Giorgio Armani, 2020)

Your Bibliography: Giorgio Armani, 2020. Giorgio Armani editorial reveal of the Power Suit (1980). [image] Available at: <https://theamaranta.com/brillo/power-suit-evolucion/> [Accessed 11 December 2020].

In-text: (Giroux, 2017)

Your Bibliography: Giroux, H., 2017. White nationalism, armed culture and state violence in the age of Donald Trump. Philosophy & Social Criticism, [online] 43(9), p.889. Available at: <https://journals.sagepub.com/doi/pdf/10.1177/0191453717702800?casa_token=LW_sJkgz368AAAAA:s6mCAgWaZ2BwHDpBZKzzepJEJLWpGxtN1r05VtIpTH2WKQAsvnpyRwDD4KaZ3cuTmNhckI2GARA> [Accessed 3 January 2022].

In-text: (Gorunway.com, 2013)

Your Bibliography: Gorunway.com, 2013. Comme Des Garcons F13 Ready to Wear. [image] Available at: <https://www.vogue.com/fashion-shows/fall-2013-ready-to-wear/comme-des-garcons/slideshow/collection#1> [Accessed 10 January 2022].

In-text: (Gorunway.com, 2013)

Your Bibliography: Gorunway.com, 2013. Gareth Pugh ready to wear 2013. [image] Available at: <https://www.vogue.com/fashion-shows/fall-2011-ready-to-wear/gareth-pugh> [Accessed 13 November 2021].

In-text: (Gorunway.com, 2022)

Your Bibliography: Gorunway.com, 2022. Comme des Garcons F13 Ready to Wear. [image] Available at: <https://www.vogue.com/fashion-shows/fall-2013-ready-to-wear/comme-des-garcons/slideshow/collection#3> [Accessed 10 January 2022].

In-text: (Gorunway.com, 2022)

Your Bibliography: Gorunway.com, 2022. Prada FW22 runway, Hourglass Jacket. [image] Available at: <https://www.vogue.com/fashion-shows/fall-2022-menswear/prada/slideshow/collection#29> [Accessed 17 January 2022].

In-text: (Gorunway.com, 2022)

Your Bibliography: Gorunway.com, 2022. Prada FW22, Black Leather Trench Coat. [image] Available at: <https://www.vogue.com/fashion-shows/fall-2022-menswear/prada/slideshow/collection#7> [Accessed 17 January 2022].

In-text: (Guynes, 2020)

Your Bibliography: Guynes, S., 2020. Dystopia fatigue doesn’t cut it, or,Blade Runner 2049’s utopian longings. Science Fiction Film & Television, [online] 13(1), pp.143-148. Available at: <https://muse.jhu.edu/article/750552/pdf> [Accessed 5 January 2022].

In-text: (Hall, 2013)

Your Bibliography: Hall, M., 2013. ANALYSIS AND CHARACTERIZATION OF “GOWNS BY ADRIAN”: THE COSTUME DESIGN AESTHETIC AND PHILOSOPHY OF GILBERT ADRIAN, 1928-1941.. Post Graduate Thesis. University of Deleware.

In-text: (Hoffman and Jenss, 2019)

Your Bibliography: Hoffman, V. and Jenss, H. ed., 2019. Fashion and Materiality : Cultural Practices in Global Context. London: Bloomsbury Publishing USA, pp.181, 194.

In-text: (i.imgur.com, 2017)

Your Bibliography: i.imgur.com, 2017. Kabukicho, Shinjuku, Toyko. [image] Available at: <https://places.branipick.com/kabukicho-shinjuku-toyko/> [Accessed 11 January 2022].

In-text: (K and Michael Hviid, 2012)

Your Bibliography: K, T. and Michael Hviid, J., 2012. Utopia: Social Theory and the Future. [ebook] Farham: Ashgate Publishing, pp.2, 47-48, 145-151. Available at: <https://www-vlebooks-com.arts.idm.oclc.org/Product/Index/118896?page=0> [Accessed 1 December 2021].

In-text: (Kaplan, 2016)

Your Bibliography: Kaplan, E., 2016. Climate trauma: foreseeing the future in dystopian film and fiction. 18th ed. Rutgers University Press, pp.13-75.

In-text: (Klein, 2014)

Your Bibliography: Klein, N., 2014. This changes everything. New York: Simon & Schuster.

In-text: (Lack, 2012)

Your Bibliography: Lack, H., 2012. Michael Kaplan on Blade Runner's Iconic Costumes. [online] AnOther. Available at: <https://www.anothermag.com/art-photography/2286/michael-kaplan-on-blade-runners-iconic-costumes> [Accessed 10 December 2021].

In-text: (Lambert, 1993)

Your Bibliography: Lambert, S., 1993. Form follows function?. [London]: Victoria & Albert Museum.

Every eutopia contains a dystopia, every dystopia contains a eutopia.

In-text: (Le Guin, 2022)

Your Bibliography: Le Guin, U., 2022. 97. Utopiyn, Utopiyang. [Blog] Ursula K. Le Guin, Available at: <https://www.ursulakleguin.com/blog/97-utopiyin-utopiyang> [Accessed 30 November 2021].

In-text: (Logan, 2016)

Your Bibliography: Logan, M., 2016. A Scientific Explanation of 'Blade Runner" Precipitations. [online] Inverse. Available at: <https://www.inverse.com/article/18458-blade-runner-sequel-concept-art-rain-meteorology-climate-change-harrison-ford> [Accessed 10 December 2021].

In-text: (Met Museum of Art, 1938)

Your Bibliography: Met Museum of Art, 1938. Elsa Schiapareli FW38. [image] Available at: <https://www.metmuseum.org/art/collection/search/83213> [Accessed 8 December 2021].

In-text: (Metropolitan Museum of Art, 1947)

Your Bibliography: Metropolitan Museum of Art, 1947. Gilbert Adrian 1949. [image] Available at: <https://www.metmuseum.org/art/collection/search/83132> [Accessed 8 December 2021].

In-text: (Moreno, 2022)

Your Bibliography: Moreno, G., 2022. Editorial—“Accelerationist Aesthetics” - Journal #46 June 2013 - e-flux. [online] E-flux.com. Available at: <https://www.e-flux.com/journal/46/60062/editorial-accelerationist-aesthetics/> [Accessed 8 January 2022].

In-text: (Nathan and Scobell, 2013)

Your Bibliography: Nathan, A. and Scobell, A., 2013. Globalization as a Security Strategy: Power and Vulnerability in the “China Model”. Political Science Quarterly, [online] 128(3), pp.427-454. Available at: <http://www.eastlaw.net/wp-content/uploads/2016/09/How-China-sees-America-91ForeignAff32.pdf> [Accessed 10 December 2021].

In-text: (National Geographic, 2019)

Your Bibliography: National Geographic, 2019. Chernobyl aftermath, a scientist collection data from a tree. [image] Available at: <https://www.nationalgeographic.es/historia/2019/05/el-desastre-de-chernobil-que-ocurrio-y-sus-consecuencias-a-largo-plazo> [Accessed 11 January 2022].

In-text: (Noys, 2014)

Your Bibliography: Noys, B., 2014. Malign velocities. 1st ed. Winchester, UK: Zero Books, p.43.

In-text: (O&#039;Falt, 2017)

Your Bibliography: O&#039;Falt, C., 2017. 5 Ways ‘Blade Runner’ Changed the Look of Sci-Fi Forever. [online] IndieWire. Available at: <https://www.indiewire.com/2017/10/blade-runner-influence-cyberpunk-sci-fi-ridley-scott-1201883053/> [Accessed 21 December 2021].

In-text: (Pendrell, Mackay and Fisher, n.d.)

Your Bibliography: Pendrell, L., Mackay, R. and Fisher, M., n.d. Speculative aesthetics. 2nd ed. Falmouth: Urbanomic Media, pp.49-53.

In-text: (Photofest, 2014)

Your Bibliography: Photofest, 2014. Rachael in Adrian-esque suit. [image] Available at: <http://silverscreenmodes.com/the-look-of-blade-runner/> [Accessed 10 December 2021].

In-text: (Reilly and Blanco, 2021)

Your Bibliography: Reilly, A. and Blanco, F., 2021. Fashion, Dress and Post- Postmodernism. Bloomsbury Publishing USA, p.75.

In-text: (Sammon, 1996)

Your Bibliography: Sammon, P., 1996. Future Noir. 1st ed. New York: Harper.

In-text: (Schwartz, 2005)

Your Bibliography: Schwartz, R., 2005. Neo-noir. Lanham, Md.: Scarecrow, p.ix.

In-text: (Shapiro and Conforto, 1980)

Your Bibliography: Shapiro, R. and Conforto, B., 1980. Presidential Performance the Economy, and the Public's Evaluation of Economic Conditions. The Journal of Politics, [online] 42(1), p.56. Available at: <https://www.journals.uchicago.edu/doi/pdf/10.2307/2130013?casa_token=BAfIgFa-ZWQAAAAA:eDYALtPDKeU0WEeiTBP2dzByloY-ipclk2YeW5On9ZXUcSEIjhCADf3KFL7KIKIi9LRN0Xp20Q> [Accessed 3 January 2022].

In-text: (Shaviro, 2010)

Your Bibliography: Shaviro, S., 2010. Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales. Film-Philosophy, [online] 14(1). Available at: <https://www.euppublishing.com/doi/pdfplus/10.3366/film.2010.0001> [Accessed 10 November 2021].

In-text: (Shaviro, 2015)

Your Bibliography: Shaviro, S., 2015. No speed limit. 1st ed. Minneapolis: University of Minnesota Press, pp.6, 12-18.

In-text: (Sillars, 2021)

Your Bibliography: Sillars, J., 2021. COVID-19: ASOS profits leap 275% as pandemic restrictions drive fashion sales online. [online] Sky News. Available at: <https://news.sky.com/story/covid-19-asos-profits-leap-275-as-pandemic-restrictions-drive-fashion-sales-online-12268971> [Accessed 11 December 2021].

In-text: (Suvin, 1972)

Your Bibliography: Suvin, D., 1972. On the Poetics of the Science Fiction Genre. College English, [online] 34(3), p.372. Available at: <https://jewlscholar.mtsu.edu/server/api/core/bitstreams/49619bbe-79d5-4fb6-8c34-cbb46583c949/content .> [Accessed 3 January 2022].

In-text: (Tandt, 2013)

Your Bibliography: Tandt, C., 2013. Cyberpunk as Naturalist Science Fiction. Studies in American Naturalism, [online] 8(1), p.101. Available at: <https://muse.jhu.edu/article/520128> [Accessed 3 January 2022].

In-text: (The Ladd Company, 1982)

Your Bibliography: The Ladd Company, 1982. Blade Runner 1982 via Amazon Prime Video. [image] Available at: <https://www.amazon.co.uk/Amazon-Video/b/?node=3010085031&ref=atv_surl_aiv&redirectToCMP=1> [Accessed 6 December 2021].

In-text: (The Ladd Company, 1982)

Your Bibliography: The Ladd Company, 1982. Richard Deckard on the job as a Blade Runner. [image] Available at: <https://i.pinimg.com/originals/6c/05/45/6c0545eff52d99ac9bef59c8268f87b3.jpg> [Accessed 11 December 2021].

In-text: (Victoria and Albert Museum, 2012)

Your Bibliography: Victoria and Albert Museum, 2012. Blade Runner Sketch by Michael Kaplan. [image] Available at: <https://www.anothermag.com/art-photography/2286/michael-kaplan-on-blade-runners-iconic-costumes> [Accessed 10 December 2021].

In-text: (W Magazine, 2017)

Your Bibliography: W Magazine, 2017. Zara's knockoff of Kanye West's Yeezy trainer. [image] Available at: <https://www.wmagazine.com/gallery/most-shameless-high-fashion-knockoffs-2017> [Accessed 11 December 2021].

In-text: (Warner Bros. Pictures, 1942)

Your Bibliography: Warner Bros. Pictures, 1942. Humphrey Bogart, Casablanca 1942. [image] Available at: <https://bamfstyle.com/2015/04/30/casablanca-bogart-suit-trench/> [Accessed 6 December 2021].

In-text: (Warner Bros., 2017)

Your Bibliography: Warner Bros., 2017. Blade Runner 2049 via Amazon Prime Video. [image] Available at: <https://www.amazon.co.uk/Amazon-Video/b/?node=3010085031&ref=atv_surl_aiv&redirectToCMP=1> [Accessed 6 December 2021].

In-text: (Warrick, Nakashima and Fifield, 2017)

Your Bibliography: Warrick, J., Nakashima, E. and Fifield, A., 2017. North Korea now making missile-ready nuclear weapons, U.S. analysts say. [online] Washington Post Online. Available at: <https://www.washingtonpost.com/world/national-security/north-korea-now-making-missile-ready-nuclear-weapons-us-analysts-say/2017/08/08/e14b882a-7b6b-11e7-9d08-b79f191668ed_story.html> [Accessed 8 December 2022].

In-text: (Wiese, 2019)

Your Bibliography: Wiese, J., 2019. How Blade Runner 2049 Compares To The Original. [online] CINEMABLEND. Available at: <https://www.cinemablend.com/news/2476596/how-blade-runner-2049-compares-to-the-original> [Accessed 10 November 2021].