Film Remakes - Film/Cinema Studies bibliographies - in Harvard style

In-text: (1994 Yearly Box Office Results - Box Office Mojo, 2015)

Your Bibliography: Boxofficemojo.com. 2015. 1994 Yearly Box Office Results - Box Office Mojo. [online] Available at: <http://www.boxofficemojo.com/yearly/chart/?yr=1994&p=.htm> [Accessed 10 January 2015].

In-text: (2004 Yearly Box Office Results - Box Office Mojo, 2015)

Your Bibliography: Boxofficemojo.com. 2015. 2004 Yearly Box Office Results - Box Office Mojo. [online] Available at: <http://www.boxofficemojo.com/yearly/chart/?yr=2004&p=.htm> [Accessed 10 January 2015].

In-text: (2014 Yearly Box Office Results - Box Office Mojo, 2015)

Your Bibliography: Boxofficemojo.com. 2015. 2014 Yearly Box Office Results - Box Office Mojo. [online] Available at: <http://www.boxofficemojo.com/yearly/chart/?yr=2014&p=.htm> [Accessed 10 January 2015].

I loved City on Fire. I got the poster framed in my house,

In-text: (Clarkson, 2007)

Your Bibliography: Clarkson, W., 2007. Quentin Tarantino. London: John Blake, p.246.

The movie is rhythmless, shapeless, and, with the exception of a few shots, cheesy-looking.

In-text: (Denby, 2015)

Your Bibliography: Denby, D., 2015. Transcendence - Movie Reviews - Rotten Tomatoes. [online] Rottentomatoes.com. Available at: <http://www.rottentomatoes.com/m/transcendence_2014/reviews/?type=top_critics> [Accessed 11 January 2015].

The old wheel turns, and the same spoke comes up. It's all been done before, and will be again.

In-text: (Doyle, 1914)

Your Bibliography: Doyle, A., 1914. The Valley of Fear. United Kingdom: George H.Doran Company.

Apart from Selznick's interest in the project, why would Hitchcock choose this of all his earlier films to remake?

In-text: (Horton and McDougal, 1998)

Your Bibliography: Horton, A. and McDougal, S., 1998. Play it again, Sam. Berkeley: University of California Press, pp.58-59.

In-text: (“Disturbia” Decision: Not Just a Remake of “Rear Window” Case, 2015)

Your Bibliography: Lexisnexis.com. 2015. “Disturbia” Decision: Not Just a Remake of “Rear Window” Case. [online] Available at: <http://www.lexisnexis.com/legalnewsroom/intellectual-property/b/copyright-trademark-law-blog/archive/2010/10/03/disturbia-decision-not-just-a-remake-of-rear-window-case.aspx> [Accessed 12 January 2015].

In-text: (Reynolds, 2014)

Your Bibliography: Reynolds, S., 2014. Chloë Grace Moretz: 'I'm done with playing Hit-Girl'. [online] Digital Spy. Available at: <http://www.digitalspy.co.uk/movies/interviews/a591530/chloe-grace-moretz-im-done-with-playing-hit-girl.html#~p17uqQH3kUMEmv> [Accessed 12 January 2015].

In-text: (Soter, 1988)

Your Bibliography: Soter, T., 1988. Born Again Films: Remakes with a twist renew famous and forgotton movies. Entertament News Service,.

Most older viewers will probably feel that RoboCop cannot match Verhoeven's satirical originality, but the computer age has made the core ethos more relevant to contemporary society. - Birmingham Mail

In-text: (Young, 2015)

Your Bibliography: Young, G., 2015. RoboCop - Movie Reviews - Rotten Tomatoes. [online] Rottentomatoes.com. Available at: <http://www.rottentomatoes.com/m/1200731-robocop/reviews/?sort=fresh> [Accessed 11 January 2015].