Guernica - Film/Cinema Studies bibliographies - in Harvard style

In-text: (Clark, 2013)

Your Bibliography: Clark, T., 2013. Picasso and Truth: From Cubism to Guernica. 1st ed. Italy: Princeton University Press.

In-text: (Clark, 1941)

Your Bibliography: Clark, V., 1941. The Guernica Mural—Picasso and Social Protest. Science & Society, [online] 5(1), pp.72-78. Available at: <https://www.jstor.org/stable/40399373> [Accessed 27 March 2022].

In-text: (Kopper, 2014)

Your Bibliography: Kopper, A., 2014. Why Guernica became a Globally Used Icon of Political Protest? Analysis of its Visual Rhetoric and Capacity to Link Distinct Events of Protests into a Grand Narrative. International Journal of Politics, Culture, and Society, [online] 27(4), pp.443-457. Available at: <https://link.springer.com/article/10.1007/s10767-014-9176-9#citeas> [Accessed 27 March 2022].

In-text: (Paret, 1997)

Your Bibliography: Paret, P., 1997. Imagined Battles: Reflections of War in European Art. 1st ed. London: The University of North Carolina Press.

In-text: (Russell, 2010)

Your Bibliography: Russell, P., 2010. Effort after meaning and the hedonic value of paintings. British Journal of Psychology, [online] 94(1), pp.99-110. Available at: <https://bpspsychub.onlinelibrary.wiley.com/doi/abs/10.1348/000712603762842138> [Accessed 27 March 2022].

In-text: (Rutledge Southworth, 1977)

Your Bibliography: Rutledge Southworth, H., 1977. Guernica! Guernica!: A Study of a Journalism, Diplomacy, Propaganda and History. 1st ed. London: University of California Press, Ltd.

In-text: (Xifra and Heath, 2018)

Your Bibliography: Xifra, J. and Heath, R., 2018. Publicizing atrocity and legitimizing outrage: Picasso’s Guernica. Public Relations Review, [online] 44(1), pp.28-36. Available at: <https://www.sciencedirect.com/science/article/pii/S0363811117303570> [Accessed 27 March 2022].