How does Mapantsula (1988) offer a critique of apartheid? - Film/Cinema Studies bibliographies - in Harvard style

In-text: (Balseiro and Masilela, 2003)

Your Bibliography: Balseiro, I. and Masilela, N. ed., 2003. To Change Reels: Film and Film Culture in South Africa. 1st ed. Detroit: Wayne State University Press.

In-text: (Beittel, 1990)

Your Bibliography: Beittel, M., 1990. Mapantsula: cinema, crime and politics on the Witwatersrand. Journal of Southern African Studies, [online] 16(4), pp.751-760. Available at: <http://www.jstor.org/stable/2637046> [Accessed 6 January 2015].

In-text: (Botha, 2012)

Your Bibliography: Botha, M., 2012. South African cinema. Bristol: Intellect, pp.131-134.

In-text: (Cancel, 2004)

Your Bibliography: Cancel, R., 2004. "Come Back South Africa:: Cinematic Representations of Apartheid over Three Eras of Resistance. In: F. Pfaff, ed., Focus on African Films, 1st ed. Indianapolis: Indiana University Press.

In-text: (Dovey, 2009)

Your Bibliography: Dovey, L., 2009. African film and literature. New York: Columbia University Press, pp.49-51.

In-text: (Gerima, 2003)

Your Bibliography: Gerima, H. ed., 2003. Afterword. In: To Change Reels: Film and Film Culture in South Africa, 1st ed. Detroit: Wayne State University Press.

In-text: (Magogodi, 2003)

Your Bibliography: Magogodi, K., 2003. Sexuality, Power and the Black Body in Mapantsula and Fools’. In: N. Masilela and I. Balseiro, ed., To Change Reels: Film and Culture in South Africa, 1st ed. Detroit: Wayne State University Press.

In-text: (Maingard, 1994)

Your Bibliography: Maingard, J., 1994. New South African cinema: Mapantsula and Sarafina. Screen, 35(3), pp.235-243.

In-text: (Maingard, 2007)

Your Bibliography: Maingard, J., 2007. South African national cinema. London: Routledge.

In-text: (Maingard, 2014)

Your Bibliography: Maingard, J., 2014. Film and Television Histories Week 9.

In-text: (Mapantsula, 1988)

Your Bibliography: Mapantsula. 1988. [film] South Africa: Oscar Schmidt.

In-text: (Modisane, 2013)

Your Bibliography: Modisane, L., 2013. South Africa's renegade reels. New York: Palgrave Macmillan.

In-text: (South Africa: Overcoming Apartheid, 2015)

Your Bibliography: Overcomingapartheid.msu.edu. 2015. South Africa: Overcoming Apartheid. [online] Available at: <http://overcomingapartheid.msu.edu/sidebar.php?id=65-258-3> [Accessed 13 January 2015].

In-text: (Rivers, 2007)

Your Bibliography: Rivers, P., 2007. Governing Images: The Politics of Film and Video Distribution in Late-Apartheid and Postapartheid South Africa. Journal of Film and Video, [online] 59(1), pp.19-31. Available at: <http://www.jstor.org/stable/20688546> [Accessed 7 January 2015].

In-text: (Ahmed Timol | South African History Online, n.d.)

Your Bibliography: Sahistory.org.za. n.d. Ahmed Timol | South African History Online. [online] Available at: <http://www.sahistory.org.za/people/ahmed-timol> [Accessed 9 January 2015].

In-text: (Tomaselli, 1989)

Your Bibliography: Tomaselli, K., 1989. The Cinema of Apartheid: Race and Class in South African Film. London: Routledge.

In-text: (Tomaselli, 1996)

Your Bibliography: Tomaselli, K., 1996. African Cinema: Theoretical Perspectives on Some Unresolved Questions. In: I. Bakari and M. Cham, ed., African Experiences of Cinema, 1st ed. London: British Film Institute, p.166.

In-text: (Tomaselli, 2006)

Your Bibliography: Tomaselli, K., 2006. Encountering modernity. Amsterdam: Rozenberg.

In-text: (Wayne, 2001)

Your Bibliography: Wayne, M., 2001. Political film. London: Pluto Press, pp.84-85.