Paper proposal: Boyz N The Hood - Film/Cinema Studies bibliographies - in Harvard style

In-text: (Bouchard, 2022)

Your Bibliography: Bouchard, N., 2022. Ethnicity and the Classical Gangster Film: Mervyn LeRoy’s Little Caesar and Howard Hawks’s Scarface. In: D. Renga, ed., Mafia movies: a reader. Toronto: University of Toronto Press, pp.52-57.

In-text: (Massood, 1996)

Your Bibliography: Massood, P., 1996. Mapping the Hood: The Genealogy of City Space in "Boyz N the Hood" and "Menace II Society." Cinema Journal, 35(2), p.85.

In-text: (Munby, 1999)

Your Bibliography: Munby, J., 1999. From Gangster to Gangsta: Against a Certain Tendency of Film Theory and History. In: Public enemies, public heroes: screening the gangster from Little Caesar to Touch of Evil. Chicago: The University of Chicago Press, 1999, pp.221-226.

In-text: (Nadell, 1995)

Your Bibliography: Nadell, J., 1995. Boyz N The Hood: A Colonial Analysis. Journal of Black Studies, 25(4), pp.447-464.

In-text: (Wiggins, 2016)

Your Bibliography: Wiggins, B., 2016. Race and place at the city limits: imaginative geographies of South Central Los Angeles. Ethnic and Racial Studies, 39(14), pp.2583-2600.

In-text: (Winokur, 1995)

Your Bibliography: Winokur, M., 1995. Marginal marginalia: the African-American voice in the nouvelle gangster film. The Velvet light trap, 35, p.19-.