Posisjoner i Filmvitenskap eksamen - Film/Cinema Studies bibliographies - in Harvard style

In-text: (Barthes, 1977)

Your Bibliography: Barthes, R., 1977. Rhetoric og the Image. In: S. Heath, ed., Image, Music, Text. London: Fontana Press, pp.152-163.

In-text: (Bordwell and Carroll, 1996)

Your Bibliography: Bordwell, D. and Carroll, N., 1996. Post-Theory: Reconstructing Film Theory. Madison: University of Wisconsin Press.

In-text: (Bordwell, 1985)

Your Bibliography: Bordwell, D., 1985. Narration in the fiction film. Madison Wisconsin: Madison Wisconsin Press, pp.29-48.

In-text: (Bordwell, 2008)

Your Bibliography: Bordwell, D., 2008. Poetics of Cinema. New York: Routledge, pp.11-57.

In-text: (Ferencz-Flatz and Hanich, 2016)

Your Bibliography: Ferencz-Flatz, C. and Hanich, J., 2016. Editor’s Introduction: What is Film Phenomenology?. Studia Phaenomenologica, 16, pp.11-61.

In-text: (Grodal, 2016)

Your Bibliography: Grodal, T., 2016. Emotionsteori og Die Hard. In: J. Christensen and S. Christiansen, ed., Filmanalyse, 5th ed. Alborg: Alborg Universitet, pp.325-339.

In-text: (Kuhn and Westwell, 2012)

Your Bibliography: Kuhn, A. and Westwell, G., 2012. Screen theory. [online] Oxford Reference. Available at: <https://www.oxfordreference.com/view/10.1093/acref/9780199587261.001.0001/acref-9780199587261-e-0612> [Accessed 26 November 2020].

In-text: (Metz, 1974)

Your Bibliography: Metz, C., 1974. Film Language: A Semiotics of the Cinema. New York: Oxford University Press, pp.92-107.

In-text: (Sobchack, 2004)

Your Bibliography: Sobchack, V., 2004. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: University of California Press, pp.53-85.

In-text: (Sobchak, 1992)

Your Bibliography: Sobchak, V., 1992. Address of the Eye: A Phenomenology of the Eye. New Jersey: Princeton University Press, pp.3-26.

In-text: (Stam, 2014)

Your Bibliography: Stam, R., 2014. Film theory: An Introduction. Malden: Blackwell Publishing.