Sound and foley - Film/Cinema Studies bibliographies - in Harvard style

In-text: (Abercrombie and Longhurst, 1998)

Your Bibliography: Abercrombie, N. and Longhurst, B., 1998. Audiences. London: Sage.

In-text: (Altman, 1992)

Your Bibliography: Altman, R., 1992. Sound theory, sound practice. New York: Routledge.

In-text: (Altman, 2004)

Your Bibliography: Altman, R., 2004. Silent film sound. New York: Columbia University Press.

In-text: (Ament, 2014)

Your Bibliography: Ament, V., 2014. ˜Theœ Foley grail. Burlington, MA: Focal Press.

In-text: (BBC White Paper, 2012)

Your Bibliography: BBC White Paper, 2012. WHP221 Broadcaster's Take on Ambisonics. London: BBC R&D.

In-text: (Bordwell, 1985)

Your Bibliography: Bordwell, D., 1985. Narration in the fiction film. Madison, Wis.: University of Wisconsin Press.

In-text: (Branigan, 1992)

Your Bibliography: Branigan, E., 1992. Narrative comprehension and film. London: Routledge.

In-text: (Chion, Gorbman and Murch, 1994)

Your Bibliography: Chion, M., Gorbman, C. and Murch, W., 1994. Audio-vision. New York: Columbia University Press.

In-text: (Donnelly, 2005)

Your Bibliography: Donnelly, K., 2005. The spectre of sound. London: BFI.

In-text: (Galotti, 1994)

Your Bibliography: Galotti, K., 1994. Cognitive psychology in and out of the laboratory. Pacific Grove, Calif.: Brooks/Cole Pub. Co.

In-text: (Gauntlett, 1996)

Your Bibliography: Gauntlett, D., 1996. Video critical. Luton, Bedfordshire, UK: University of Luton Press.

In-text: (Genette, n.d.)

Your Bibliography: Genette, G., n.d. Paratexts.

In-text: (Gough, 2005)

Your Bibliography: Gough, L., 2005. Reading the script. Cardiff: WJEC.

In-text: (Gray and Leonard, 1983)

Your Bibliography: Gray, H. and Leonard, C., 1983. The concise Gray's anatomy. Secaucus, N.J.: Chartwell Books.

In-text: (Holst and LPO, 2010)

Your Bibliography: Holst, G. and LPO, 2010. The Planets Suite. [CD] London: LPO.

In-text: (Kozloff, 1988)

Your Bibliography: Kozloff, S., 1988. Invisible storytellers. Berkeley: University of California Press.

In-text: (Quinlan and Dyson, 2008)

Your Bibliography: Quinlan, P. and Dyson, B., 2008. Cognitive psychology. Harlow, Essex, England: Pearson/Prentice Hall.

In-text: (Smith, 1995)

Your Bibliography: Smith, M., 1995. Engaging characters. Oxford: Clarendon Press.

In-text: (Sonnenschein, 2001)

Your Bibliography: Sonnenschein, D., 2001. Sound design. Studio City, CA: Michael Wiese Productions.

In-text: (Tan, 1996)

Your Bibliography: Tan, E., 1996. Emotion and the structure of narrative film. Mahwah, N.J.: Erlbaum.

In-text: (Toop, 2010)

Your Bibliography: Toop, D., 2010. Sinister resonance. New York: Continuum.

In-text: (Viers and Edery, 2013)

Your Bibliography: Viers, R. and Edery, T., 2013. Le guide ultime du sound designer. Paris: Dixit éd.

In-text: (Viers, 2008)

Your Bibliography: Viers, R., 2008. The sound effects bible. Studio City, CA: Michael Wiese Productions.

In-text: (Voegelin, 2013)

Your Bibliography: Voegelin, S., 2013. Listening to noise and silence :$btowards a philosophy of sound art. London, UK.: Bloomsbury.

In-text: (Voegelin, 2014)

Your Bibliography: Voegelin, S., 2014. Sound, music, affect. Theorizing sonic experience. London: Continuum Publishing Co.

In-text: (Whittington, 2007)

Your Bibliography: Whittington, W., 2007. Sound design & science fiction. Austin, TX: University of Texas Press.