The representations of landscape in Encounters at the End of the End of the World and Manufactured Landscapes communicating the devastating ecological and social consequences of globalization - Film/Cinema Studies bibliographies - in Harvard style

In-text: (Herzog, 1999)

Your Bibliography: Herzog, W., 1999. Minnesota Declaration. [online] Werner Herzog Offical Website. Available at: <https://www.wernerherzog.com/complete-works-text.html> [Accessed 4 April 2021].

In-text: (Steinbach, 2017)

Your Bibliography: Steinbach, K., 2017. Werner Herzog and the Posthuman in encounters at the end of the world and cave of forgotten dreams. Studies in Documentary Film, 11(1), pp.16-27.

In-text: (Steingröver, 2012)

Your Bibliography: Steingröver, R., 2012. Encountering Werner Herzog at the End of the World. In: B. Prager, ed., A Companion to Werner Herzog. Somerset: John Wiley & Sons, pp.466-484.

In-text: (Völker, 2017)

Your Bibliography: Völker, O., 2017. Whiteout: Animal Traces in Werner Herzog’s Grizzly Man and Encounters at the End of the World. Humanities, 6(4), p.89.