classic hollywood narrative or art cinema narrative - Film/Cinema Studies bibliographies - in Harvard style

Usually, the agents of cause and effect are characters. By reacting to events, they create causes and react to the twists and turns in the story.

In-text: (Film Narrative, 2015)

Your Bibliography: Facstaff.gpc.edu. 2015. Film Narrative. [online] Available at: <http://facstaff.gpc.edu/~lbowen/Film/Film%20Narrative%20notes.htm> [Accessed 21 January 2015].

Editing in the invisible style serves to hide any jumps or discontinuities that would alert the viewer to 'non-reality'.

In-text: (Classical Hollywood narrative, 2015)

Your Bibliography: http://darrenarcher. 2015. Classical Hollywood narrative. [online] Available at: <http://darrenarcher.name/ftv/PDF's/Hollywood%20narrative.pdf> [Accessed 21 January 2015].

It speeds narrative along and place us squarely in the story.

In-text: (Kolker, 2006)

Your Bibliography: Kolker, R., 2006. Film, form, and culture. Boston: McGraw-Hill, p.103.

Characters. They should invite viewer identification, be active, and seek goals.

In-text: (Pramaggiore and Wallis, 2005)

Your Bibliography: Pramaggiore, M. and Wallis, T., 2005. Film. London: Laurence King, p.46.

In-text: (Wreck-It Ralph, 2012)

Your Bibliography: Wreck-It Ralph. 2012. [film] USA: Rich Moore.