COMM 658 - Black Women in Organized Crime Films - Gender Studies bibliographies - in Harvard style

In-text: (Black Dynamite, 2009)

Your Bibliography: Black Dynamite. 2009. [film] Directed by S. Sanders. Los Angeles, CA: Destination Films.

In-text: (Bogle, 2001)

Your Bibliography: Bogle, D., 2001. Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films. New York, NY: Continuum.

In-text: (Clarens, 1997)

Your Bibliography: Clarens, C., 1997. Crime movies: An Illustrated History. Cambridge, MA: Da Capo Press.

In-text: (Cleopatra Jones, 1973)

Your Bibliography: Cleopatra Jones. 1973. [film] Directed by J. Starrett. Los Angeles, CA: Warner Bros.

In-text: (Coffy, 1973)

Your Bibliography: Coffy. 1973. [film] Directed by J. Hill. Los Angeles, CA: Warner Bros.

In-text: (Covey, 2003)

Your Bibliography: Covey, W., 2003. The Genre Don't Know Where It Came From: African American Neo-Noir Since the 1960s. Journal of Film and Video, 55(2/3).

In-text: (Dunn, 2008)

Your Bibliography: Dunn, S., 2008. "Baad Bitches" and Sassy Supermamas: Black Power Action Films. Champaign, IL: University of Illinois Press.

In-text: (Foxy Brown, 1974)

Your Bibliography: Foxy Brown. 1974. [film] Directed by J. Hill. Los Angeles, CA: American International Pictures (AIP).

In-text: (I'm Gonna Git You Sucka, 1988)

Your Bibliography: I'm Gonna Git You Sucka. 1988. [film] Directed by K. Wayans. Gary, IN: Front Films.

In-text: (Jones, 1991)

Your Bibliography: Jones, J., 1991. The New Ghetto Aesthetic. Wide Angle, 13(3-4: Black Cinema Issue).

In-text: (Lawrence, 2019)

Your Bibliography: Lawrence, N., 2019. Strictly a Laughing Matter?: The Significance of the Blaxploitation Movement and Black Dynamite as Parody. Black Camera, 10(2), p.7.

In-text: (Manigault-Bryant, 2014)

Your Bibliography: Manigault-Bryant, L., 2014. Black Women and Popular Culture: The Conversation Continues,. Washington, DC: Lexington Books.

In-text: (New Jack City, 1991)

Your Bibliography: New Jack City. 1991. [film] Directed by M. Van Peebles. New York, NY: Warner Bros.

In-text: (O'Day, 2004)

Your Bibliography: O'Day, M., 2004. ‘Beauty in motion: Gender, spectacle and action babe cinema’. Routledge: London, UK.

In-text: (Pattillo-McCoy, 2000)

Your Bibliography: Pattillo-McCoy, M., 2000. Black Picket Fences: Privilege and Peril Among the Black Middle Class. Chicago, IL: University of Chicago Press.

In-text: (Poussaint, 1974)

Your Bibliography: Poussaint, A., 1974. Cheap Thrills that Degrade Blacks. Psychology Today, 7(9).

In-text: (Quinn, 2012)

Your Bibliography: Quinn, E., 2012. From Oppositional Readers to Positional Producers: The Making of Black Female Heroism in Coffy. Screen, 53(3).

In-text: (Set It Off, 1996)

Your Bibliography: Set It Off. 1996. [film] Directed by F. Gray. Los Angeles, CA: New Line Cinema.

In-text: (Sims, 2006)

Your Bibliography: Sims, Y., 2006. How the Black Action Film Heroine Changed American Popular Culture. Jefferson, N.C.: McFarland.

In-text: (Smith-Shomade, 2003)

Your Bibliography: Smith-Shomade, B., 2003. "Rock-a-Bye, Baby!";: Black Women Disrupting Gangs and Constructing Hip-Hop Gangsta Films. Cinema Journal, 42(2), pp.25-40.

In-text: (Sugar Hill, 1993)

Your Bibliography: Sugar Hill. 1993. [film] Directed by L. Ichaso. New York, NY: Beacon Communications.