Guide: How to cite a Email in Harvard (German/Deutsch) style

Guide: How to cite a Email in Harvard (German/Deutsch) style

Cite A Email in Harvard (German/Deutsch) style

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Use the following template to cite a email using the Harvard (German/Deutsch) citation style. For help with other source types, like books, PDFs, or websites, check out our other guides. To have your reference list or bibliography automatically made for you, try our free citation generator.


Pink text = information that you will need to find from the source.
Black text = text required by the Harvard (German/Deutsch) style.

Reference list

Place this part in your bibliography or reference list at the end of your assignment.


Author Surname, Author Initial. (Year Published). Title. [email].


Short, J. (2014). Re: Questions for Barry's MA course.. [email].

In-text citation

Place this part right after the quote or reference to the source in your assignment.


(Author Surname, Year Published)


Don’t let crazy people run production companies!  I think the world has changed since the days of Palace and Goldcrest in the sense that people running production and distribution companies are much more business minded or have a board/financiers who are business people – not that they don’t also have creative instinct and passion but they are better at combining the Art v Commerce issue.  I am assuming you have read the books about these two companies so sure you have your thoughts.  When I came into the industry (in the old days) I was staggered how unbusiness-like the industry was having come from a huge multi national ad agency working with big brands who as you know are extremely strategic – I was amazed how little market research was done on films, audiences, analysis of media spend, tendering etc that has now all changed as many MD’s in distribution companies are not film industry born and bred but come in from other commercial industries and have bought with them a much more analytical/professionalism.  From a production perspective, the old time producers came from money and could afford to not make films then Palace came along run by two people who had to make movies in order to get a producer fee to survive, the lessons have been learned by the newer generation and realise you have to make films for an audience, for the right amount of money, that buyers want otherwise you can not build a sustainable business. (Short, 2014)

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