These are the sources and citations used to research Guerrilla Girls. This bibliography was generated on Cite This For Me on

  • Online image or video

    Anon

    2021

    In-text: (2021)

    Your Bibliography: 2021. [image] Available at: <https://www.youtube.com/results?search_query=john+berger+ways+of+seeing+episode+2> [Accessed 26 May 2021].

  • Newspaper

    Anon

    2021

    In-text: (2021)

    Your Bibliography: 2021. [online] Available at: <https://www.nytimes.com/2019/09/19/arts/design/female-art-agency-partners-sothebys-artists-auction.html> [Accessed 16 April 2021].

  • Online image or video

    American Film Society

    Womanhouse / Documentary

    1972

    In-text: (American Film Society, 1972)

    Your Bibliography: American Film Society, 1972. Womanhouse / Documentary. [video] Available at: <https://www.youtube.com/watch?v=xx0ZPfLrsfk> [Accessed April 2021].

  • Website

    Richard Meyer on Lynda Benglis

    2021

    Benglis conceived the photograph as a project for Artforum, initially proposing that it appear as a centerfold insert to Pincus-Witten’s article and offering to pay for its printing.

    In-text: (Richard Meyer on Lynda Benglis, 2021)

    Your Bibliography: Artforum.com. 2021. Richard Meyer on Lynda Benglis. [online] Available at: <https://www.artforum.com/print/200409/lynda-benglis-7803> [Accessed 21 May 2021].

  • Website

    Richard Meyer on Lynda Benglis

    2021

    In-text: (Richard Meyer on Lynda Benglis, 2021)

    Your Bibliography: Artforum.com. 2021. Richard Meyer on Lynda Benglis. [online] Available at: <https://www.artforum.com/print/200409/lynda-benglis-7803#:~:text=The%20photograph%2C%20which%20Pincus%2DWitten,Betty%20Grable%20from%20the%201940s.> [Accessed 25 May 2021].

  • Website

    Anon

    2021

    Feminism is an ideology, a value system, a revolutionary strategy, a way of life

    In-text: (2021)

    Your Bibliography: Artjournal.collegeart.org. 2021. [online] Available at: <http://artjournal.collegeart.org/wp-content/uploads/2011/01/Lippard-Sweeping-Exchanges-Smith.pdf> [Accessed 21 May 2021].

  • Website

    Lynda Benglis on the Pleasures of Decoration, and Why She's 'Very Uncomfortable' Being Called a Feminist Artist | Artnet News

    2021

    In-text: (Lynda Benglis on the Pleasures of Decoration, and Why She's 'Very Uncomfortable' Being Called a Feminist Artist | Artnet News, 2021)

    Your Bibliography: Artnet News. 2021. Lynda Benglis on the Pleasures of Decoration, and Why She's 'Very Uncomfortable' Being Called a Feminist Artist | Artnet News. [online] Available at: <https://news.artnet.com/art-world/lynda-benglis-on-the-pleasures-of-decoration-and-why-shes-very-uncomfortable-being-called-a-feminist-artist-1297064> [Accessed 27 May 2021].

  • Online image or video

    BBC

    Ways of Seeing Episode 2

    1971

    Men look at women. Women watch themselves being looked at. Men dream of women. Women dream of themselves being dreamt of

    In-text: (BBC, 1971)

    Your Bibliography: BBC, 1971. Ways of Seeing Episode 2. [video] Available at: <https://www.youtube.com/watch?v=m1GI8mNU5Sg&list=PLn6KyJ4PmZsPhigNqPlWGEoCgBHJbhib3&index=5> [Accessed May 2021].

  • Book

    Berger, J.

    Ways of seeing

    1972 - BBC and Penguin - London

    In-text: (Berger, 1972)

    Your Bibliography: Berger, J., 1972. Ways of seeing. London: BBC and Penguin.

  • Book

    Berger, J.

    Ways of seeing

    2012 - British Broadcasting Corp. - London

    In-text: (Berger, 2012)

    Your Bibliography: Berger, J., 2012. Ways of seeing. London: British Broadcasting Corp.

  • Website

    Lynda Benglis by Federica Bueti - BOMB Magazine

    2021

    LB I’ve always thought of women’s rights as a humanist issue. Unless these rights are recognized and accepted by both men and women, they’re meaningless. We’re made up of both genders really, nothing is black or white, you know. It’s of no interest to me to put labels on things.

    In-text: (Lynda Benglis by Federica Bueti - BOMB Magazine, 2021)

    Your Bibliography: Bombmagazine.org. 2021. Lynda Benglis by Federica Bueti - BOMB Magazine. [online] Available at: <https://bombmagazine.org/articles/lynda-benglis/> [Accessed 20 May 2021].

  • Book

    Chadwick, W.

    Confessions of the Guerilla Girls

    1995 - HarperCollins - New York

    All the artists were white, either from Europe or the US. That was bad enough, but the curator, Kynaston McShine, said any artist who wasn't in the show should rethink “his” career.

    In-text: (Chadwick, 1995)

    Your Bibliography: Chadwick, W., 1995. Confessions of the Guerilla Girls. New York: HarperCollins.

  • Website

    confessions_interview — Guerrilla Girls

    2021

    All the artists were white, either from Europe or the US. That was bad enough, but the curator, Kynaston McShine, said any artist who wasn't in the show should rethink “his” career. And that really annoyed a lot of artists because obviously the guy was completely prejudiced.

    In-text: (confessions_interview — Guerrilla Girls, 2021)

    Your Bibliography: Guerrilla Girls. 2021. confessions_interview — Guerrilla Girls. [online] Available at: <https://www.guerrillagirls.com/confessions_interview> [Accessed 2021].

  • Website

    Selected work « Judy Chicago

    2021

    In-text: (Selected work « Judy Chicago, 2021)

    Your Bibliography: Judychicago.com. 2021. Selected work « Judy Chicago. [online] Available at: <https://www.judychicago.com/gallery/the-dinner-party/dp-artwork/> [Accessed 20 May 2021].

  • Website

    Selected work « Judy Chicago

    2021

    Judy Chicago’s original concept for The Dinner Party was multi-faceted in that her goal was to introduce the richness of women’s heritage into the culture in three ways; a monumental work of art, a book and a film because she had discovered so much unknown information.

    In-text: (Selected work « Judy Chicago, 2021)

    Your Bibliography: Judychicago.com. 2021. Selected work « Judy Chicago. [online] Available at: <https://www.judychicago.com/gallery/the-dinner-party/dp-artwork/> [Accessed 20 May 2021].

  • Website

    Selected work « Judy Chicago

    2021

    Judy Chicago’s original concept for The Dinner Party was multi-faceted in that her goal was to introduce the richness of women’s heritage into the culture in three ways; a monumental work of art, a book and a film because she had discovered so much unknown information.

    In-text: (Selected work « Judy Chicago, 2021)

    Your Bibliography: Judychicago.com. 2021. Selected work « Judy Chicago. [online] Available at: <https://www.judychicago.com/gallery/the-dinner-party/dp-artwork/> [Accessed 20 May 2021].

  • Online image or video

    Kruger, B.

    Your body is a battleground

    2021

    In-text: (Kruger, 2021)

    Your Bibliography: Kruger, B., 2021. Your body is a battleground. [image].

  • Website

    Lippard, L. R.

    2021

    Feminism is an ideology, a value system, a revolutionary strategy, a way of life

    In-text: (Lippard, 2021)

    Your Bibliography: Lippard, L., 2021. [online] Artjournal.collegeart.org. Available at: <http://artjournal.collegeart.org/wp-content/uploads/2011/01/Lippard-Sweeping-Exchanges-Smith.pdf> [Accessed 21 May 2021].

  • Website

    Meyer, R.

    Richard Meyer on Lynda Benglis

    2021

    In-text: (Meyer, 2021)

    Your Bibliography: Meyer, R., 2021. Richard Meyer on Lynda Benglis. [online] Artforum.com. Available at: <https://www.artforum.com/print/200409/lynda-benglis-7803#:~:text=The%20photograph%2C%20which%20Pincus%2DWitten,Betty%20Grable%20from%20the%201940s.> [Accessed May 2021].

  • Website

    Meyer, R.

    Richard Meyer on Lynda Benglis

    2021

    Benglis conceived the photograph as a project for Art Forum, initially proposing that it appear as a centerfold insert to Pincus-Witten’s article and offering to pay for its printing.

    In-text: (Meyer, 2021)

    Your Bibliography: Meyer, R., 2021. Richard Meyer on Lynda Benglis. [online] Artforum.com. Available at: <https://www.artforum.com/print/200409/lynda-benglis-7803#:~:text=The%20photograph%2C%20which%20Pincus%2DWitten,Betty%20Grable%20from%20the%201940s.> [Accessed 25 May 2021].

  • Website

    Nicholson, L.

    Feminism in "Waves": Useful Metaphor or Not? - New Politics

    2010

    In-text: (Nicholson, 2010)

    Your Bibliography: Nicholson, L., 2010. Feminism in "Waves": Useful Metaphor or Not? - New Politics. [online] New Politics. Available at: <https://newpol.org/issue_post/feminism-waves-useful-metaphor-or-not/> [Accessed May 2021].

  • Website

    Pincus-Witten, R.

    Lynda Benglis: the Frozen Gesture

    2021

    In-text: (Pincus-Witten, 2021)

    Your Bibliography: Pincus-Witten, R., 2021. Lynda Benglis: the Frozen Gesture. [online] Artforum.com. Available at: <https://www.artforum.com/print/197409/lynda-benglis-the-frozen-gesture-37649> [Accessed 25 May 2021].

  • Newspaper

    Smith, R.

    Art or Ad or What? It Caused a Lot of Fuss

    New York Times

    Several of the magazine’s associate editors, all well-known art critics, stormed and huffed at Mr. Coplans’s acceptance of the ad, and simmering feuds escalated into schisms. Two of the critics, Rosalind Krauss and Annette Michelson left to found the redoubtable, strait-laced and theory-driven magazine October. (Another wrinkle: it turned out that Ms. Krauss took the photograph of Mr. Morris in chains.)

    In-text: (Smith, n.d.)

    Your Bibliography: Smith, R., n.d. Art or Ad or What? It Caused a Lot of Fuss. New York Times, [online] Available at: <https://www.nytimes.com/2009/07/25/arts/design/25benglis.html> [Accessed May 2021].

  • Book

    Suleiman, S. R.

    Subversive intent

    1990 - Harvard University Press - Cambridge, Mass. and London, England

    We finally agreed that if it is the artist prerogative to reject all critical labels, it is the critic's or theorist's prerogative to invent them.

    In-text: (Suleiman, 1990)

    Your Bibliography: Suleiman, S., 1990. Subversive intent. Cambridge, Mass. and London, England: Harvard University Press, pp.198,199, 202, 203, 250.

  • Book

    Suleiman, S. R.

    Subversive intent

    1998 - Harvard University Press - Cambridge, Mass.

    We finally agreed that if it is the artist's prerogative to reject all critical labels it is the critic's or theorist's prerogative to invent them.

    In-text: (Suleiman, 1998)

    Your Bibliography: Suleiman, S., 1998. Subversive intent. Cambridge, Mass.: Harvard University Press, p.50.

  • Website

    Who are the Guerrilla Girls? | Tate

    2021

    To add insult to injury the curator, Kynaston McShine, stated in interviews that “any artist who wasn’t in the show should rethink ‘his’ career.”

    In-text: (Who are the Guerrilla Girls? | Tate, 2021)

    Your Bibliography: Tate. 2021. Who are the Guerrilla Girls? | Tate. [online] Available at: <https://www.tate.org.uk/art/artists/guerrilla-girls-6858/who-are-guerrilla-girls> [Accessed 20 May 2021].

  • Website

    Who are the Guerrilla Girls? | Tate

    2021

    In-text: (Who are the Guerrilla Girls? | Tate, 2021)

    Your Bibliography: Tate. 2021. Who are the Guerrilla Girls? | Tate. [online] Available at: <https://www.tate.org.uk/art/artists/guerrilla-girls-6858/who-are-guerrilla-girls> [Accessed 20 May 2021].

  • Website

    Who are the Guerrilla Girls? | Tate

    2021

    In-text: (Who are the Guerrilla Girls? | Tate, 2021)

    Your Bibliography: Tate. 2021. Who are the Guerrilla Girls? | Tate. [online] Available at: <https://www.tate.org.uk/art/artists/guerrilla-girls-6858/who-are-guerrilla-girls> [Accessed 20 May 2021].

  • Website

    Who are the Guerrilla Girls? | Tate

    2021

    To add insult to injury the curator, Kynaston McShine, stated in interviews that “any artist who wasn’t in the show should rethink ‘his’ career.”

    In-text: (Who are the Guerrilla Girls? | Tate, 2021)

    Your Bibliography: Tate. 2021. Who are the Guerrilla Girls? | Tate. [online] Available at: <https://www.tate.org.uk/art/artists/guerrilla-girls-6858/who-are-guerrilla-girls> [Accessed 20 May 2021].

  • Website

    Who are the Guerrilla Girls? | Tate

    2021

    In-text: (Who are the Guerrilla Girls? | Tate, 2021)

    Your Bibliography: Tate. 2021. Who are the Guerrilla Girls? | Tate. [online] Available at: <https://www.tate.org.uk/art/artists/guerrilla-girls-6858/who-are-guerrilla-girls> [Accessed 20 May 2021].

  • Website

    Who are the Guerrilla Girls? | Tate

    2021

    In-text: (Who are the Guerrilla Girls? | Tate, 2021)

    Your Bibliography: Tate. 2021. Who are the Guerrilla Girls? | Tate. [online] Available at: <https://www.tate.org.uk/art/artists/guerrilla-girls-6858/who-are-guerrilla-girls> [Accessed 20 May 2021].

  • Website

    What Gamergate should have taught us about the 'alt-right'

    2021

    Game developer Zoe Quinn was the original target. Anita Sarkeesian’s videos applying basic feminist theory to video games had already made her a target (because so many people have a difficulty differentiating cultural criticism from censorship) but this hate was powerfully amplified by Gamergate – leading to death threats, rape threats, and the public leaking of personal information.

    In-text: (What Gamergate should have taught us about the 'alt-right', 2021)

    Your Bibliography: the Guardian. 2021. What Gamergate should have taught us about the 'alt-right'. [online] Available at: <https://www.theguardian.com/technology/2016/dec/01/gamergate-alt-right-hate-trump> [Accessed 20 May 2021].

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