Psychological realism - Art bibliographies - in Harvard style

“Authenticity is the daily practice of letting go of who we’re told to be and embracing who we really are”

In-text: (A joosr guide to The gifts of imperfection by brene brown, 2016)

Your Bibliography: 2016. A joosr guide to The gifts of imperfection by brene brown. [United States]: Joosr Ltd.

In-text: (Allen and Fallow, 2015)

Your Bibliography: Allen, D. and Fallow, J., 2015. Stanislavski for beginners. Danbury, CT: For Beginners LLC.

‘Naturalism (for Stanislavski) implied the indiscriminate reproduction of the surface of life.’

In-text: (Benedetti, 2008)

Your Bibliography: Benedetti, J., 2008. Stanislavski. London: Methuen Drama.

In-text: (Darwin, 2013)

Your Bibliography: Darwin, C., 2013. On the origin of the species. Lexington, KY.

the scientific study of the human mind and its functions, especially those affecting behaviour in a given context.

In-text: (Hornblower, Spawforth and Eidinow, 2012)

Your Bibliography: Hornblower, S., Spawforth, A. and Eidinow, E., 2012. The Oxford classical dictionary. Oxford: Oxford University Press.

‘There is general agreement that the crucial factors inspiring Naturalism were the perceptions that all life, human as well as animal, is in a process of continual evolution, and that human behaviour can be explained through scientific analysis…the naturalistic approach is overtly scientific, presenting characters as case studies in human behaviour or social problems.’​

In-text: (Innes, 2005)

Your Bibliography: Innes, C., 2005. A Sourcebook on naturalist theatre. New York: Routledge.

In-text: (Jones, 2021)

Your Bibliography: Jones, J., 2021. Konstantin Stanislavski.

Where naturalism is ‘biological human behaviour,’ reproducing the surface of life’, realism is expressing the ‘meaning of human life

In-text: (Saint-Denis, n.d.)

Your Bibliography: Saint-Denis, M., n.d. Unknown from teachers slides.

Plays of this kind (Shakespeare etc..) he [S-D] asserted do not merely imitate life; instead they are nourished by a reality that they will ultimately move beyond

In-text: (Shirley, n.d.)

Your Bibliography: Shirley, D., n.d. Unknown from teachers slides. p.44.

In-text: (Realism vs. Naturalism, 2021)

Your Bibliography: Study.com. 2021. Realism vs. Naturalism. [online] Available at: <https://study.com/academy/lesson/realism-vs-naturalism-in-literature.html> [Accessed 13 January 2021].

Stanislavsky dreamed of the thinking actor, the actor-creator who knows how to interpret his own work and live actively in the given circumstances of a role.

In-text: (Thomas and Knebel?, 2016)

Your Bibliography: Thomas, J. and Knebel?, M., 2016. A director's guide to Stanislavsky's active analysis. p.88.

Without thought, acting becomes mechanical

In-text: (Whyman, n.d.)

Your Bibliography: Whyman, R., n.d. .