These are the sources and citations used to research chicano renaissance. This bibliography was generated on Cite This For Me on

  • Website

    Assunçao, M.

    Queer Chicano Art Is as Timeless As It Is Vital

    2017

    In-text: (Assunçao, 2017)

    Your Bibliography: Assunçao, M., 2017. Queer Chicano Art Is as Timeless As It Is Vital. [online] Vice.com. Available at: <https://www.vice.com/en/article/8x8nxz/queer-chicano-art-is-as-timeless-as-it-is-vital> [Accessed 8 December 2020].

  • Journal

    Beaton, C.

    Richard Hamilton and the Queer, Transatlantic Origins of Pop Art

    2015

    In-text: (Beaton, 2015)

    Your Bibliography: Beaton, C., 2015. Richard Hamilton and the Queer, Transatlantic Origins of Pop Art.

  • Book

    Brown, W.

    Brown, Wendy. 2015. Undoing The Demos: Neoliberalism's Stealth Revolution.

    2015 - Zone Books - New York

    In-text: (Brown, 2015)

    Your Bibliography: Brown, W., 2015. Brown, Wendy. 2015. Undoing The Demos: Neoliberalism's Stealth Revolution.. New York: Zone Books, pp.44-57.

  • Book

    Brown, W.

    Undoing the Demos: Neoliberalism's Stealth Revolution

    2015 - Zone Books - New York

    In-text: (Brown, 2015)

    Your Bibliography: Brown, W., 2015. Undoing the Demos: Neoliberalism's Stealth Revolution. New York: Zone Books.

  • Website

    Carmen, C.

    Tosh Carrillo, "Arthur," c. 1970

    2018

    In-text: (Carmen, 2018)

    Your Bibliography: Carmen, C., 2018. Tosh Carrillo, "Arthur," c. 1970. [online] East of Borneo. Available at: <https://eastofborneo.org/archives/tosh-carrillo-arthurc-1970s/> [Accessed 8 December 2020].

  • Website

    Center, M. and ONE Gallery, W. H.

    Axis Mundo: Queer Networks in Chicano L.A. | ONE Archives

    2017

    In-text: (Center and ONE Gallery, 2017)

    Your Bibliography: Center, M. and ONE Gallery, W., 2017. Axis Mundo: Queer Networks in Chicano L.A. | ONE Archives. [online] One.usc.edu. Available at: <https://one.usc.edu/exhibition/axis-mundo-queer-networks-chicano-la> [Accessed 8 December 2020].

  • Journal

    Hernandez, R. L.

    ARCHIVAL BODY/ARCHIVAL SPACE: QUEER REMAINS OF THE CHICANO ART MOVEMENT, LOS ANGELES, 1969-2009.

    2011

    In-text: (Hernandez, 2011)

    Your Bibliography: Hernandez, R., 2011. ARCHIVAL BODY/ARCHIVAL SPACE: QUEER REMAINS OF THE CHICANO ART MOVEMENT, LOS ANGELES, 1969-2009.

  • Journal

    Hernandez, R.

    Drawing Offensive/Offensive Drawing: Toward a Theory of Mariconógraphy

    2014 - Oxfard Journals

    In-text: (Hernandez, 2014)

    Your Bibliography: Hernandez, R., 2014. Drawing Offensive/Offensive Drawing: Toward a Theory of Mariconógraphy. Oxfard Journals, 39(2), p.128.

  • Website

    Holmes, T.

    Joey Terrill: Chicano Artist, AIDS Advocate, and Favorite Son of East L.A.

    2018

    In-text: (Holmes, 2018)

    Your Bibliography: Holmes, T., 2018. Joey Terrill: Chicano Artist, AIDS Advocate, and Favorite Son of East L.A.. [online] UC Berkeley Library Update. Available at: <https://update.lib.berkeley.edu/2018/11/05/joey-terrill-chicano-artist-aids-advocate-and-favorite-son-of-east-l-a/> [Accessed 8 December 2020].

  • Website

    Manatakis, L.

    The untold stories of America’s queer Chicano art scene

    2017

    In-text: (Manatakis, 2017)

    Your Bibliography: Manatakis, L., 2017. The untold stories of America’s queer Chicano art scene. [online] Dazed. Available at: <https://www.dazeddigital.com/art-photography/article/37535/1/the-untold-stories-of-americas-queer-chicano-art-scene> [Accessed 6 December 2020].

  • Journal

    McCaughan, E. J.

    Queer subversions in Mexican and Chicana/o art activism

    2014

    In-text: (McCaughan, 2014)

    Your Bibliography: McCaughan, E., 2014. Queer subversions in Mexican and Chicana/o art activism. p.108.

  • Website

    Rosen, M.

    An inside look at LA’s queer Chicano networks

    2018

    In-text: (Rosen, 2018)

    Your Bibliography: Rosen, M., 2018. An inside look at LA’s queer Chicano networks. [online] Huck Magazine. Available at: <https://www.huckmag.com/art-and-culture/art-2/fascinating-look-inside-las-queer-chicano-networks/> [Accessed 8 December 2020].

  • Website

    Terrill, J.

    Joey Terrill | Artist

    In-text: (Terrill, n.d.)

    Your Bibliography: Terrill, J., n.d. Joey Terrill | Artist. [online] Joeyterrillart.com. Available at: <http://joeyterrillart.com/jp-chicanismo.html> [Accessed 8 December 2020].

  • Website

    Axis Mundo: Queer Networks in Chicano L.A.

    2017

    In-text: (Axis Mundo: Queer Networks in Chicano L.A., 2017)

    Your Bibliography: Williams College Museum of Art. 2017. Axis Mundo: Queer Networks in Chicano L.A.. [online] Available at: <https://artmuseum.williams.edu/axis-mundo-queer-networks-in-chicano-l-a/> [Accessed 8 December 2020].

  • Journal

    Wilson, K.

    Like A 'Girl in a Bikini Suit' and Other Stories: The Herman Miller Furniture Company, Gender and Race at Mid-Century

    2015 - Journal of Design History

    In-text: (Wilson, 2015)

    Your Bibliography: Wilson, K., 2015. Like A 'Girl in a Bikini Suit' and Other Stories: The Herman Miller Furniture Company, Gender and Race at Mid-Century. Journal of Design History, 28(2).

  • Book

    Wollstonecraft, M. and Brody, M.

    A vindication of the rights of woman

    In-text: (Wollstonecraft and Brody, n.d.)

    Your Bibliography: Wollstonecraft, M. and Brody, M., n.d. A vindication of the rights of woman.

  • Book

    Wollstonecraft, M. and Godwin, W.

    Posthumous works of the author of A vindication of the rights of woman

    1972 - A.M. Kelley - Clifton [N.J.]

    In-text: (Wollstonecraft and Godwin, 1972)

    Your Bibliography: Wollstonecraft, M. and Godwin, W., 1972. Posthumous works of the author of A vindication of the rights of woman. Clifton [N.J.]: A.M. Kelley.

  • Journal

    Zepeda, S. J.

    TRACING QUEER LATINA DIASPORAS: ESCARVANDO HISTORICAL NARRATIVES OF ANCESTRIES AND SILENCES

    2012

    In-text: (Zepeda, 2012)

    Your Bibliography: Zepeda, S., 2012. TRACING QUEER LATINA DIASPORAS: ESCARVANDO HISTORICAL NARRATIVES OF ANCESTRIES AND SILENCES. pp.5-6.

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