The use of live camera in theatre - Lit Review & Bibliography - Comparative Literature bibliographies - in Harvard style

In-text: (Forbidden Zone - 59 Productions, 2019)

Your Bibliography: 59 Productions. 2019. Forbidden Zone - 59 Productions. [online] Available at: <https://59productions.co.uk/project/forbidden-zone/> [Accessed 24 August 2019].

In-text: (59Productions, 2014)

Your Bibliography: 59Productions, 2014. Forbidden Zone - The Making of a Live Cinema Show. [video] Available at: <https://vimeo.com/101517150> [Accessed 21 August 2019].

In-text: (Digital Theatre +, 2019)

Your Bibliography: Digital Theatre +, 2019. STAGES AND SCREENS: KATIE MITCHELL’S THEATRE AESTHETICS | JANIS JEFFERIES IN CONVERSATION WITH LEO WARNER. [video] Available at: <https://www.digitaltheatreplus.com/education/collections/digital-theatre/stages-and-screens-katie-mitchell-theatre-aesthetics?0=ip_login_no_cache%3De3ffffa7c30a56bd0b0ce37985a5f206> [Accessed 21 August 2019].

In-text: (Gardner, 2006)

Your Bibliography: Gardner, L., 2006. Waves sets a high-water mark for multimedia theatre. [online] the Guardian. Available at: <https://www.theguardian.com/stage/theatreblog/2006/dec/04/wavessetsahighwatermarkfo> [Accessed 21 August 2019].

In-text: (James, 2013)

Your Bibliography: James, J., 2013. Edward II Background pack. [online] Nationaltheatre.org.uk. Available at: <https://www.nationaltheatre.org.uk/sites/default/files/edwardii_backgroundpack_finalv1.pdf> [Accessed 21 August 2019].

In-text: (Jefferies, 2011)

Your Bibliography: Jefferies, J., 2011. ‘… some trace of her’: Katie Mitchell's Waves in Multimedia Performance. Women: A Cultural Review, [online] 22(4), pp.400-410. Available at: <https://www.tandfonline.com/doi/full/10.1080/09574042.2011.618674?scroll=top&needAccess=true> [Accessed 21 August 2019].

In-text: (Kershaw and Nicholson, 2011)

Your Bibliography: Kershaw, B. and Nicholson, H., 2011. Research methods in theatre and performance. Edinburgh: Edinburgh University Press.

In-text: (Mitchell, 2006)

Your Bibliography: Mitchell, K., 2006. Director Katie Mitchell on her adaptation of Virginia Woolf's The Waves. [online] the Guardian. Available at: <https://www.theguardian.com/stage/2006/nov/11/theatre.stage> [Accessed 21 August 2019].

In-text: (Reilly, 2018)

Your Bibliography: Reilly, K., 2018. Contemporary approaches to adaptation in theatre. London: Palgrave Macmillan.

In-text: (Spencer, 2013)

Your Bibliography: Spencer, C., 2013. Edward II, National Theatre, review. [online] Telegraph.co.uk. Available at: <https://www.telegraph.co.uk/culture/theatre/theatre-reviews/10288653/Edward-II-National-Theatre-review.html> [Accessed 21 August 2019].

In-text: (Swed, 2015)

Your Bibliography: Swed, M., 2015. Review: In 'Half Life,' Cloud Eye Control tries to see the unseen. [online] Los Angeles Times. Available at: <https://www.latimes.com/entertainment/arts/la-et-cm-half-life-redcat-review-20150116-column.html> [Accessed 21 August 2019].

In-text: (Walker, 2013)

Your Bibliography: Walker, T., 2013. Edward II, National Theatre, review. [online] Telegraph.co.uk. Available at: <https://www.telegraph.co.uk/culture/theatre/theatre-reviews/10287082/Edward-II-National-Theatre-review.html> [Accessed 21 August 2019].

In-text: (Willis, 2016)

Your Bibliography: Willis, H., 2016. Fast Forward: The Future(s) of the Cinematic Arts. London: Wallflower Press.