Editing - Film/Cinema Studies bibliographies - in Harvard style

In-text: (Breathless, 1960)

Your Bibliography: Breathless. 1960. [DVD] Directed by J. Godard. France: Les Films Impéria.

In-text: (KOZAK, 2016)

Your Bibliography: KOZAK, E., 2016. Figure I.I. [image] Available at: <https://www.kozaksclassiccinema.com/double-indemnity-1944/> [Accessed 10 January 2022].

In-text: (Kulezic-Wilson, 2008)

Your Bibliography: Kulezic-Wilson, D., 2008. A Musical Approach to Filmmaking: Hip-hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky’s π. Music and the Moving Image, [online] (University of Illinois Press). Available at: <https://www.jstor.org/stable/10.5406/musimoviimag.1.1.0019> [Accessed 10 January 2022].

In-text: (Mercado, 2011)

Your Bibliography: Mercado, G., 2011. The Filmmaker’S Eye Learning (and breaking) the Rules of Cinematic Composition. Oxford: Elsevier Inc.

In-text: (Murch and Coppola, 2001)

Your Bibliography: Murch, W. and Coppola, F., 2001. In the blink of an eye. 2nd ed. Los Angeles, California: Silman-James Press.

In-text: (Pearlman, 2009)

Your Bibliography: Pearlman, K., 2009. Cutting Rhythms Shaping the Film Edit. Oxford: Elsevier Inc.

In-text: (Pearlman, 2017)

Your Bibliography: Pearlman, K., 2017. Editing and Cognition beyond Continuity. [online] Academia.edu. Available at: <https://www.academia.edu/37220551/Editing_and_Cognition_Beyond_Continuity> [Accessed 10 January 2022].

In-text: (Reynolds and Reason, 2012)

Your Bibliography: Reynolds, D. and Reason, M., 2012. Kinesthetic empathy in creative and cultural practices. Bristol, UK: Intellect.

In-text: (Sterritt, 1999)

Your Bibliography: Sterritt, D., 1999. The Films of Jean-Luc Godard. Cambridge: THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE.