pathway to audience - Film/Cinema Studies bibliographies - in Harvard style

In-text: (BFI Film Forever, 2015)

Your Bibliography: BFI Film Forever, 2015. Audiences. BFI Research and Statistics. [online] London: BFI Film Forever, pp.5, 6. Available at: <https://www2.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-audiences-2015-11.pdf> [Accessed 4 August 2022].

In-text: (Screen Australia, 2022)

Your Bibliography: Screen Australia, 2022. Age Profile of Cinema Audiences by Gender. Australia: Screen Australia.

In-text: (Screen Australia, 2022)

Your Bibliography: Screen Australia, 2022. Cinema Audience Attendance Patterns by Lifestyle and Values. Australia: Screen Australia.

In-text: (Screen Australia, 2022)

Your Bibliography: Screen Australia, 2022. Cinema Audience Attendance Patterns By Age. Australia: Screen Australia.

In 2018, films with casts that were 21-30% minority enjoyed the highest median global box office receipts. In 2019, this honor went to films with casts that were 41-50% minority. Films with casts that were 41-50% minority were released in the most international markets, on average, in both 2018 and 2019.

In-text: (Facts to Know About Women in Hollywood, n.d.)

Your Bibliography: Women and Hollywood, n.d. Facts to Know About Women in Hollywood. Available at: <https://womenandhollywood.com/resources/statistics/> [Accessed 4 August 2022].