These are the sources and citations used to research Site specific. This bibliography was generated on Cite This For Me on
In-text: (Besley, 2005)
Your Bibliography: Besley, T., 2005. Confessional practices of the self in schools. Peter Lang AG.
In-text: (Biehl-Missal, 2016)
Your Bibliography: Biehl-Missal, B., 2016. Filling the ‘empty space’: Site-specific dance in a techno club. [online] Taylor & Francis. Available at: <https://www.tandfonline.com/doi/full/10.1080/14759551.2016.1206547> [Accessed 6 December 2021].
In-text: (Dobkin, 2021)
Your Bibliography: Dobkin, J., 2021. Attending | Jess Dobkin. [online] Jessdobkin.com. Available at: <https://www.jessdobkin.com/jd_work/attending/> [Accessed 11 December 2021].
In-text: (Dupuis, 2021)
Your Bibliography: Dupuis, C., 2021. Jess Dobkin, a Performance Artist With a Unique Sense of Humor. [online] Hyperallergic. Available at: <https://hyperallergic.com/677439/jess-dobkin-a-performance-artist-with-a-unique-sense-of-humor/> [Accessed 11 December 2021].
In-text: (Govan, Nicholson and Normington, 2008)
Your Bibliography: Govan, E., Nicholson, H. and Normington, K., 2008. Making a performance. Abingdon: Routledge.
In-text: (Heddon, Iball and Zerihan, 2012)
Your Bibliography: Heddon, D., Iball, H. and Zerihan, R., 2012. Come Closer: Confessions of Intimate Spectators in One to One Performance. [online] Taylor & Francis. Available at: <https://www.tandfonline.com/doi/full/10.1080/10486801.2011.645233?scroll=top&needAccess=true> [Accessed 25 November 2021].
In-text: (Howells, 2012)
Your Bibliography: Howells, A., 2012. Foot Washing for the Sole. [online] Taylor & Francis. Available at: <https://doi.org/10.1080/13528165.2012.671082> [Accessed 7 December 2021].
In-text: (Howells, Heddon and Johnson, 2016)
Your Bibliography: Howells, A., Heddon, D. and Johnson, D., 2016. It's all allowed. Live Art Development Agency.
In-text: (Hunter, 2015)
Your Bibliography: Hunter, V., 2015. Moving sites. Routledge.
In-text: (Macintyre and Homel, 1997)
Your Bibliography: Macintyre, S. and Homel, R., 1997. Danger on the Dance Floor: A Study of Interior Design, Crowding and Aggression in nightclubs. [online] Research-repository.griffith.edu.au. Available at: <https://research-repository.griffith.edu.au/handle/10072/12384> [Accessed 7 December 2021].
In-text: (Mcauley, 2005)
Your Bibliography: Mcauley, G., 2005. [online] Core.ac.uk. Available at: <https://core.ac.uk/download/pdf/229426471.pdf> [Accessed 6 December 2021].
In-text: (O'Grady, 2009)
Your Bibliography: O'Grady, K., 2009. [online] Etheses.whiterose.ac.uk. Available at: <https://etheses.whiterose.ac.uk/937/1/OGradythesis.pdf> [Accessed 6 December 2021].
In-text: (Snow, 1991)
Your Bibliography: Snow, D., 1991. “COOLING OUT” MEN IN SINGLES BARS AND NIGHTCLUBS: Observations on the Interpersonal Survival Strategies of Women in Public Places - DAVID A. SNOW, CHERYLON ROBINSON, PATRICIA L. McCALL, 1991. [online] SAGE Journals. Available at: <https://journals.sagepub.com/doi/abs/10.1177/089124191019004003> [Accessed 6 December 2021].
In-text: (Werry and Schmidt, 2014)
Your Bibliography: Werry, M. and Schmidt, B., 2014. Review: Immersion and the Spectator on JSTOR. [online] Jstor.org. Available at: <https://www.jstor.org/stable/24580366> [Accessed 11 December 2021].
In-text: (Worth and Poynor, 2004)
Your Bibliography: Worth, L. and Poynor, H., 2004. Anna Halprin.
In-text: (Zerihan, 2006)
Your Bibliography: Zerihan, R., 2006. [online] Available at: <https://www.semanticscholar.org/paper/Intimate-Inter-actions%3A-Returning-to-the-Body-in-to-Zerihan/5200d20a7a7e17cf54126007871b142897256fc5> [Accessed 6 December 2021].
In-text: (Zerihan, 2009)
Your Bibliography: Zerihan, R., 2009. [online] Thisisliveart.co.uk. Available at: <https://www.thisisliveart.co.uk/wp-content/uploads/2020/02/OnetoOne_Final-copy.pdf> [Accessed 8 December 2021].
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