Digital Music Report - Music bibliographies - in Harvard style

In-text: (Amazon: Digital Music, 2015)

Your Bibliography: Amazon. 2015. Amazon: Digital Music. [online] Available at: <http://www.amazon.co.uk/Digital-Music/b/ref=dm_wcp_ws?ie=UTF8&node=77197031> [Accessed 19 February 2015].

In-text: (Anderson, 2006)

Your Bibliography: Anderson, C., 2006. The long tail. New York: Hyperion.

In-text: (Apple, 2007)

Your Bibliography: Apple, 2007. Creating Content for iPod + iTunes. Apple Education. [online] Apple. Available at: <http://www.apple.com/support/itunes_u/docs/iTunes_U_Creating_Content.pdf> [Accessed 18 February 2015].

In-text: (Apple, 2011)

Your Bibliography: Apple, 2011. Apple Lossless Audio Codec. [online] Alac.macosforge.org. Available at: <http://alac.macosforge.org> [Accessed 19 February 2015].

In-text: (Apple, 2012)

Your Bibliography: Apple, 2012. Mastered for iTunes: Music as the Artist and Sound Engineer Intended. Technology Brief. [online] Apple. Available at: <https://www.apple.com/itunes/mastered-for-itunes/docs/mastered_for_itunes.pdf> [Accessed 17 February 2015].

In-text: (Apple (United Kingdom) - iTunes - Everything you need to be entertained., 2015)

Your Bibliography: Apple. 2015. Apple (United Kingdom) - iTunes - Everything you need to be entertained.. [online] Available at: <https://www.apple.com/uk/itunes/> [Accessed 19 February 2015].

In-text: (BBC - BBC World News global mobile study - Media centre, 2014)

Your Bibliography: Bbc.co.uk. 2014. BBC - BBC World News global mobile study - Media centre. [online] Available at: <http://www.bbc.co.uk/mediacentre/worldnews/wn-smartphone-study.html> [Accessed 27 March 2015].

In-text: (Bell, 2012)

Your Bibliography: Bell, D., 2012. iTunes Match vs. Amazon Cloud Player: What's the better option? - CNET. [online] CNET. Available at: <http://www.cnet.com/uk/how-to/itunes-match-vs-amazon-cloud-player-whats-the-better-option/> [Accessed 19 February 2015].

In-text: (Bockstedt, Kauffman and Riggins, 2006)

Your Bibliography: Bockstedt, J., Kauffman, R. and Riggins, F., 2006. The Move to Artist-Led On-Line Music Distribution: A Theory-Based Assessment and Prospects for Structural Changes in the Digital Music Market. International Journal of Electronic Commerce, 10(3).

In-text: (FAQ | Frequently Asked Questions | CD Baby Help, 2015)

Your Bibliography: CD Baby. 2015. FAQ | Frequently Asked Questions | CD Baby Help. [online] Available at: <http://members.cdbaby.com/faq.aspx#digital20> [Accessed 19 February 2015].

In-text: (Coalson, 2009)

Your Bibliography: Coalson, J., 2009. FLAC - Free Lossless Audio Codec. [online] Xiph.org. Available at: <https://xiph.org/flac/> [Accessed 19 February 2015].

In-text: (What is Content Marketing?, 2015)

Your Bibliography: Content Marketing Institute. 2015. What is Content Marketing?. [online] Available at: <http://www.contentmarketinginstitute.com/what-is-content-marketing/> [Accessed 27 March 2015].

In-text: (Denegri‐Knott and Tadajewski, 2010)

Your Bibliography: Denegri‐Knott, J. and Tadajewski, M., 2010. The emergence of MP3 technology. Jnl of Hist Res in Mrkting, 2(4), pp.397-425.

In-text: (Dovey et al., 2008)

Your Bibliography: Dovey, J., Lister, M., Giddings, S., Grant, I. and Kelly, K., 2008. New media. 2nd ed. London: Routledge.

In-text: (Ellis-Petersen, 2014)

Your Bibliography: Ellis-Petersen, H., 2014. Album spins closer towards its final track as a viable format. [online] the Guardian. Available at: <http://www.theguardian.com/music/2014/jul/29/album-music-format-streaming-playlists-extinction> [Accessed 29 March 2015].

In-text: (Gitelman and Pingree, 2003)

Your Bibliography: Gitelman, L. and Pingree, G., 2003. What's New About New Media?. Introductory essay to New Media,.

In-text: (Holland, 2015)

Your Bibliography: Holland, S., 2015. Mobile clicks overtake desktop in UK for the first time. [online] Marketing Tech News. Available at: <http://www.marketingtechnews.net/news/2015/jan/20/mobile-clicks-overtake-desktop-uk-first-time/> [Accessed 27 March 2015].

In-text: (IFPI, 2014)

Your Bibliography: IFPI, 2014. IFPI Digital Music Report 2014. IFPI Digital Music Report. [online] International Federation of the Phonographic Industry. Available at: <http://www.ifpi.org> [Accessed 16 February 2015].

In-text: (Kefauver and Patschke, 2007)

Your Bibliography: Kefauver, A. and Patschke, D., 2007. Fundamentals of digital audio. Wisconsin: A-R Editions.

In-text: (King and Feist, 2009)

Your Bibliography: King, M. and Feist, J., 2009. Music marketing. Boston, Mass.: Berklee Press.

In-text: (Koiso-Kanttila, 2004)

Your Bibliography: Koiso-Kanttila, N., 2004. Digital Content Marketing: A Literature Synthesis. Journal of Marketing Management, 20(1-2), pp.45-65.

In-text: (Kusek, Leonhard and Lindsay, 2005)

Your Bibliography: Kusek, D., Leonhard, G. and Lindsay, S., 2005. The future of music. Boston: Berklee Press.

In-text: (Leskovec, Adamic and Huberman, 2007)

Your Bibliography: Leskovec, J., Adamic, L. and Huberman, B., 2007. The dynamics of viral marketing. TWEB, 1(1), p.5-es.

In-text: (Linshi, 2014)

Your Bibliography: Linshi, J., 2014. Here's Why Taylor Swift Pulled Her Music From Spotify. [online] TIME.com. Available at: <http://time.com/3554468/why-taylor-swift-spotify/> [Accessed 29 March 2015].

In-text: (Lussier, 2001)

Your Bibliography: Lussier, D., 2001. Beyond Napster: Online Music Distribution and the Future of Copyright. Baltimore Intellectual Property Law Journal, 10.

In-text: (Manovich, 2002)

Your Bibliography: Manovich, L., 2002. The language of new media. Cambridge, Mass.: MIT Press.

In-text: (Matin, 2008)

Your Bibliography: Matin, A., 2008. DIGITAL RIGHTS MANAGEMENT (DRM) IN ONLINE MUSIC STORES: DRM-ENCUMBERED MUSIC DOWNLOADS' INEVITABLE DEMISE AS A RESULT OF THE NEGATIVE EFFECTS OF HEAVY-HANDED COPYRIGHT LAW. Loyola of Los Angeles Entertainment Law Review, 28(3), p.265.

In-text: (Mewton, 2001)

Your Bibliography: Mewton, C., 2001. All you need to know about music & the internet revolution. London: Sanctuary.

In-text: (Moraru, 2008)

Your Bibliography: Moraru, M., 2008. E-Commerce. Romanian Economic and Business Review, 3(4).

In-text: (Nemat, 2011)

Your Bibliography: Nemat, R., 2011. Taking a look at different types of e-commerce. World Applied Programming, 1(2), pp.100-104.

In-text: (BBC NEWS | Technology | Q&A: What is DRM?, 2007)

Your Bibliography: News.bbc.co.uk. 2007. BBC NEWS | Technology | Q&A: What is DRM?. [online] Available at: <http://news.bbc.co.uk/1/hi/technology/6337781.stm> [Accessed 18 February 2015].

In-text: (U.S. Music Industry Year-End Review: 2013, 2014)

Your Bibliography: Nielsen.com. 2014. U.S. Music Industry Year-End Review: 2013. [online] Available at: <http://www.nielsen.com/us/en/insights/reports/2014/u-s-music-industry-year-end-review-2013.html> [Accessed 29 March 2015].

In-text: (Apple Continues Music Download Dominance - npd.com, 2013)

Your Bibliography: Npd.com. 2013. Apple Continues Music Download Dominance - npd.com. [online] Available at: <https://www.npd.com/wps/portal/npd/us/news/press-releases/the-npd-group-after10-years-apple-continues-music-download-dominance-in-the-u-s/> [Accessed 18 February 2015].

In-text: (Online Music Licences (OML), 2015)

Your Bibliography: Prsformusic.com. 2015. Online Music Licences (OML). [online] Available at: <http://www.prsformusic.com/users/broadcastandonline/onlinemobile/musicservices/oml/pages/onlinemusiclicences.aspx> [Accessed 29 March 2015].

In-text: (Online Retailing Research - Centre for Retail Research, Nottingham UK, 2015)

Your Bibliography: Retailresearch.org. 2015. Online Retailing Research - Centre for Retail Research, Nottingham UK. [online] Available at: <http://www.retailresearch.org/onlineretailing.php> [Accessed 27 March 2015].

In-text: (Richardson, 2014)

Your Bibliography: Richardson, J., 2014. The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Services Can Save the Music Industry. UCLA Entertainment Law Review, 22(1).

In-text: (Rouchon, 2001)

Your Bibliography: Rouchon, P., 2001. Radio station digital music distribution system and method. US2001/0025259A1.

In-text: (Sawyer, 2013)

Your Bibliography: Sawyer, M., 2013. Why are artists removing their music from Spotify?. [online] BBC Culture. Available at: <http://www.bbc.com/culture/story/20130724-thom-yorke-v-spotify-the-facts> [Accessed 29 March 2015].

In-text: (Search Engine Optimization, 2006)

Your Bibliography: Search Engine Optimization, 2006. Search Engine Optimization. Journal Of Visual Communication In Medicine, 29(1), pp.39-40.

In-text: (Socha and Eber-Schmid, 2014)

Your Bibliography: Socha, B. and Eber-Schmid, B., 2014. WHAT IS NEW MEDIA?. [online] Newmedia. Available at: <http://www.newmedia.org/what-is-new-media.html> [Accessed 19 February 2015].

In-text: (Sterne, 2006)

Your Bibliography: Sterne, J., 2006. The mp3 as cultural artifact. New Media & Society, 8(5), pp.825-842.

In-text: (Stewart and Pavlou, 2002)

Your Bibliography: Stewart, D. and Pavlou, P., 2002. From Consumer Response to Active Consumer: Measuring the Effectiveness of Interactive Media. Journal of the Academy of Marketing Science, 30(4), pp.376-396.

In-text: (Stone, 2009)

Your Bibliography: Stone, B., 2009. Apple Drops Anticopying Measures in iTunes - NYTimes.com. [online] Nytimes.com. Available at: <http://www.nytimes.com/2009/01/07/technology/companies/07apple.html?_r=0> [Accessed 18 February 2015].

In-text: (Waldfogel, 2010)

Your Bibliography: Waldfogel, J., 2010. Music file sharing and sales displacement in the iTunes era. Information Economics and Policy, 22(4), pp.306-314.

In-text: (Zhu and MacQuarrie, 2003)

Your Bibliography: Zhu, K. and MacQuarrie, B., 2003. The economics of digital bundling: The Impact of Digitization and Bundling on the Music Industry. Communications of the ACM, 46(9).