These are the sources and citations used to research GHanan music. This bibliography was generated on Cite This For Me on
In-text: (Ampene, 2005)
Your Bibliography: Ampene, K., 2005. Female song tradition and the Akan of Ghana. Aldershot, Hampshire, England: Ashgate.
In-text: (Ampofo and Asiedu, 2012)
Your Bibliography: Ampofo, A. and Asiedu, A., 2012. Changing representations of women in Ghanaian popular music: Marrying research and advocacy. Current Sociology, 60(2), pp.258-279.
In-text: (Aning, 1968)
Your Bibliography: Aning, B., 1968. Factors That Shape and Maintain Folk Music in Ghana. Journal of the International Folk Music Council, 20, p.13.
In-text: (Atiemo, 2006)
Your Bibliography: Atiemo, A., 2006. 'Singing with Understanding': the Story of Gospel Music in Ghana. Studies in World Christianity, 12(2), pp.142-163.
In-text: (Bergseth, 2011)
Your Bibliography: Bergseth, H., 2011. MUSIC OF GHANA AND TANZANIA: A BRIEF COMPARISON AND DESCRIPTION OF VARIOUS AFRICAN MUSIC SCHOOLS. Master of Music. Bowling Green State University.
In-text: (Burns, 2006)
Your Bibliography: Burns, J., 2006. My Mother Has A Television, Does Yours? Transformation and Secularization in an Ewe Funeral Drum Tradition. Oral Tradition, 20(2), pp.300-319.
In-text: (Burns, 2009)
Your Bibliography: Burns, J., 2009. Female voices from an Ewe dance-drumming community in Ghana. Farnham, England: Ashgate.
In-text: (Feld, 2012)
Your Bibliography: Feld, S., 2012. Jazz cosmopolitanism in Accra. Durham: Duke University Press.
In-text: (Flolu, 1993)
Your Bibliography: Flolu, E., 1993. A Dilemma for Music Education in Ghana. Brit. J. Mus. Ed., 10(02), p.111.
In-text: (Nketia, 1959)
Your Bibliography: Nketia, J., 1959. Changing Traditions of Folk Music in Ghana. Journal of the International Folk Music Council, 11, p.31.
In-text: (Nketia, 1965)
Your Bibliography: Nketia, J., 1965. Ghana: music, dance, and drama. [Accra-Tema]: [Ghana Information Services].
In-text: (Osumare, 2012)
Your Bibliography: Osumare, H., 2012. The hiplife in Ghana. Basingstoke: Palgrave Macmillan.
In-text: (Plageman, 2013)
Your Bibliography: Plageman, N., 2013. Highlife Saturday night. Bloomington: Indiana University Press.
In-text: (Salamone, 1998)
Your Bibliography: Salamone, F., 1998. Nigerian and Ghanaian Popular Music: Two Varieties of Creolization. J Popular Culture, 32(2), pp.11-25.
In-text: (Shipley, 2013)
Your Bibliography: Shipley, J., 2013. Transnational circulation and digital fatigue in Ghana's Azonto dance craze. American Ethnologist, 40(2), pp.362-381.
In-text: (Younge, 2011)
Your Bibliography: Younge, P., 2011. Music and dance traditions of Ghana. Jefferson, N.C.: McFarland & Co.
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