These are the sources and citations used to research Has music technology enabled music makers and/ or sound artists to subvert dominant ideologies?. This bibliography was generated on Cite This For Me on

  • Journal

    Cascone, K.

    THE AESTHETICS OF FAILURE: 'Post-Digital' Tendencies in Contemporary Computer Music

    1999 - Computer Music Journal

    In-text: (Cascone, 1999)

    Your Bibliography: Cascone, K., 1999. THE AESTHETICS OF FAILURE: 'Post-Digital' Tendencies in Contemporary Computer Music. Computer Music Journal,.

  • Book

    Dunbar, J. C.

    Women, music, culture

    2011 - Routledge - New York

    Sounds that were considered eerie and unnatural in the 1920s evolved to become a part of an aural vocabulary that modern listeners take for granted, and electronically derived sound appeared everywhere

    In-text: (Dunbar, 2011)

    Your Bibliography: Dunbar, J., 2011. Women, music, culture. New York: Routledge, p.287.

  • Newspaper

    Empire, K.

    Admit it guys, shes a genius

    2005 - the independant review

    In-text: (Empire, 2005)

    Your Bibliography: Empire, K., 2005. Admit it guys, shes a genius. the independant review, p.14.

  • Website

    Morgan, N.

    Beyond Art? Colloquium:


    In-text: (Morgan, 1999)

    Your Bibliography: Morgan, N., 1999. Beyond Art? Colloquium:. [online] Available at: <> [Accessed 9 January 2015].

  • Book

    Whitehead, C.

    The intuitionist

    1999 - Anchor Books - New York

    In-text: (Whitehead, 1999)

    Your Bibliography: Whitehead, C., 1999. The intuitionist. New York: Anchor Books.

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