Has music technology enabled music makers and/ or sound artists to subvert dominant ideologies? - Music bibliographies - in Harvard style

In-text: (Cascone, 1999)

Your Bibliography: Cascone, K., 1999. THE AESTHETICS OF FAILURE: 'Post-Digital' Tendencies in Contemporary Computer Music. Computer Music Journal,.

Sounds that were considered eerie and unnatural in the 1920s evolved to become a part of an aural vocabulary that modern listeners take for granted, and electronically derived sound appeared everywhere

In-text: (Dunbar, 2011)

Your Bibliography: Dunbar, J., 2011. Women, music, culture. New York: Routledge, p.287.

In-text: (Empire, 2005)

Your Bibliography: Empire, K., 2005. Admit it guys, shes a genius. the independant review, p.14.

In-text: (Morgan, 1999)

Your Bibliography: Morgan, N., 1999. Beyond Art? Colloquium:. [online] Users.ox.ac.uk. Available at: <http://users.ox.ac.uk/~ctitext2/beyond/morgan.html> [Accessed 9 January 2015].

In-text: (Whitehead, 1999)

Your Bibliography: Whitehead, C., 1999. The intuitionist. New York: Anchor Books.