These are the sources and citations used to research Music & Sound for Media. This bibliography was generated on Cite This For Me on

  • Book

    Allen, C.

    Arranging in the Digital World

    2000 - Hal Leonard Corp. - Boston

    In-text: (Allen, 2000)

    Your Bibliography: Allen, C., 2000. Arranging in the Digital World. Boston: Hal Leonard Corp., pp.1, 2, 3.

  • E-book or PDF

    BARBOSA, Á. and DIZON, K.

    THE FILM SOUND ANALYSIS FRAMEWORK: A CONCEPTUAL TOOL TO INTERPRET THE CINEMATIC EXPERIENCE

    2020 - Connecticut

    In-text: (BARBOSA and DIZON, 2020)

    Your Bibliography: BARBOSA, Á. and DIZON, K., 2020. THE FILM SOUND ANALYSIS FRAMEWORK: A CONCEPTUAL TOOL TO INTERPRET THE CINEMATIC EXPERIENCE. [ebook] Connecticut, pp.6, 7, 8. Available at: <http://www.kristinedizon.com/uploads/2/4/2/8/24282013/journal-artigo05-2020-07-08__1_.pdf> [Accessed 15 November 2021].

  • Book

    Bernstein, E.

    The Aesthetics of Film Scoring: A Highly Personal View

    1978 - Film Music Society

    What better companion for such a medium than music? Music is, quite possibly, the one most removed from reality. Of all the arts, music makes the most direct appeal to the emotions. It is a non-plastic, non-intellectual communication between sound vibration and spirit. This listener is not generally burdened with a need to ask what it means. This listener assesses how it made him feel.

    In-text: (Bernstein, 1978)

    Your Bibliography: Bernstein, E., 1978. The Aesthetics of Film Scoring: A Highly Personal View. 1st ed. Film Music Society.

  • Online image or video

    Blender Studio Org.

    Frames of Spring Animation

    2019

    In-text: (Blender Studio Org., 2019)

    Your Bibliography: Blender Studio Org., 2019. Frames of Spring Animation. [image] Available at: <https://ddz4ak4pa3d19.cloudfront.net/cache/f8/11/f8112fa7dbcc9a79056b88536e903f1c.jpg> [Accessed 14 November 2021].

  • Online image or video

    Blender Studio

    Spring Animation

    2019

    In-text: (Blender Studio, 2019)

    Your Bibliography: Blender Studio, 2019. Spring Animation. [video] Available at: <https://www.youtube.com/watch?v=WhWc3b3KhnY> [Accessed 10 November 2021].

  • Book

    Brinkmann, S. and Kvale, S.

    InterViews

    2008 - SAGE Publications Inc.

    In-text: (Brinkmann and Kvale, 2008)

    Your Bibliography: Brinkmann, S. and Kvale, S., 2008. InterViews. 2nd ed. SAGE Publications Inc., pp.134, 135, 136.

  • Book

    Burt, G. D.

    The Art of Film Music

    1995 - Northeastern University Press [Imprint] - Lebanon

    ...communicating link between the screen and the audience, reaching out and enveloping all into one single experience "the purpose of film music is not to be noticed for itself. Its great usefulness is the way in which it performs its role without an intervening conscious act of perception.

    In-text: (Burt, 1995)

    Your Bibliography: Burt, G., 1995. The Art of Film Music. 1st ed. Lebanon: Northeastern University Press [Imprint], pp.4, 5, 6, 10, 11, 69, 70, 217.

  • Website

    Carlsson, S. E.

    Audiovisual Contract

    In-text: (Carlsson, n.d.)

    Your Bibliography: Carlsson, S., n.d. Audiovisual Contract. [online] Filmsound.org. Available at: <http://filmsound.org/chion/av-contr.htm> [Accessed 17 November 2021].

  • Blog

    Chervenyakova, M.

    The Importance of Music in Animation: An Essay

    2017

    In-text: (Chervenyakova, 2017)

    Your Bibliography: Chervenyakova, M., 2017. The Importance of Music in Animation: An Essay. [Blog] Available at: <https://chervenyakova.wordpress.com/2017/12/13/essay-the-importance-of-music-in-animation/> [Accessed 5 November 2021].

  • Book

    Chion, M.

    Audio-Vision: Sound on Screen

    1994 - Columbia Univeristy Press

    hears without seeing their originating cause natural and preexisitng harmony between image and sound

    In-text: (Chion, 1994)

    Your Bibliography: Chion, M., 1994. Audio-Vision: Sound on Screen. Columbia Univeristy Press, pp.3, 13, 25, 71, 81, 89, 190.

  • Online image or video

    Doisneau, R.

    Composer, Theorist and Writer - Pierre Schaeffer, 1961

    2019

    In-text: (Doisneau, 2019)

    Your Bibliography: Doisneau, R., 2019. Composer, Theorist and Writer - Pierre Schaeffer, 1961. [image] Available at: <https://www.theguardian.com/artanddesign/gallery/2019/feb/07/robert-doisneau-sounds-of-20th-century-paris-in-pictures> [Accessed 15 November 2021].

  • Online image or video

    Frieze

    Pierre Schaeffer with the phonogene in his studio, 1951.

    2010

    In-text: (Frieze, 2010)

    Your Bibliography: Frieze, 2010. Pierre Schaeffer with the phonogene in his studio, 1951.. [image] Available at: <https://static.frieze.com/files/inline-images/editorial-articles-musique.jpeg> [Accessed 17 November 2021].

  • Online image or video

    G, N. and O, D.

    Film Director / Cinematographer NG. - Music & Sound for Media

    2021

    In-text: (G and O, 2021)

    Your Bibliography: G, N. and O, D., 2021. Film Director / Cinematographer NG. - Music & Sound for Media. [video] Available at: <https://www.youtube.com/watch?v=hE2rs7tg-7I> [Accessed 16 November 2021].

  • Interview

    G, N.

    Film Director / Cinematographer NG. - Music & Sound for Media

    2021 - https://www.youtube.com/watch?v=hE2rs7tg-7I

    ...if the visuals weren't as good as they could be, you could probably get away with it, but sound on you know if you've got poor sound in your film, then it's kind of game over...

    In-text: (G, 2021)

    Your Bibliography: G, N., 2021. Film Director / Cinematographer NG. - Music & Sound for Media.

  • Website

    Great Big Story

    The Magic of Making Sound

    2017

    In-text: (Great Big Story, 2017)

    Your Bibliography: Great Big Story, 2017. The Magic of Making Sound. [online] Youtube.com. Available at: <https://www.youtube.com/watch?v=UO3N_PRIgX0&t=69s> [Accessed 11 November 2021].

  • Website

    Institute, B.

    Spring: About - Blender Studio

    In-text: (Institute, n.d.)

    Your Bibliography: Institute, B., n.d. Spring: About - Blender Studio. [online] Blender Studio. Available at: <https://studio.blender.org/films/spring/pages/about/> [Accessed 11 November 2021].

  • Book

    Kumar, R.

    Research methodology

    2014 - SAGE - Los Angeles, London, New Delhi, Singapore

    In-text: (Kumar, 2014)

    Your Bibliography: Kumar, R., 2014. Research methodology. 4th ed. Los Angeles, London, New Delhi, Singapore: SAGE, pp.13, 14, 19, 20, 48, 106, 107, 285, 360.

  • Website

    MasterClass

    Film 101: Understanding Foley Sound

    2021

    In-text: (MasterClass, 2021)

    Your Bibliography: MasterClass, 2021. Film 101: Understanding Foley Sound. [online] MasterClass. Available at: <https://www.masterclass.com/articles/film-101-understanding-foley-sound-and-why-foley-sound-is-important#the-3-types-of-foley-sound> [Accessed 12 November 2021].

  • Website

    Masterclass, S.

    Dieagetic & Non-Dieagetic Sound - What is the difference?

    2021

    In-text: (Masterclass, 2021)

    Your Bibliography: Masterclass, S., 2021. Dieagetic & Non-Dieagetic Sound - What is the difference?. [online] Masterclass. Available at: <https://www.masterclass.com/articles/diegetic-sound-and-non-diegetic-sound-whats-the-difference#what-is-transdiegetic-sound> [Accessed 17 November 2021].

  • Online image or video

    Melbourne International Film Festival

    Michel Chion

    2017

    In-text: (Melbourne International Film Festival, 2017)

    Your Bibliography: Melbourne International Film Festival, 2017. Michel Chion. [image] Available at: <https://miff.com.au/assets/uploads/2017-08/michelchion.jpg> [Accessed 14 November 2021].

  • Website

    Patrick, J.

    A guide to Pierre Schaeffer, godfather of sampling

    In-text: (Patrick, n.d.)

    Your Bibliography: Patrick, J., n.d. A guide to Pierre Schaeffer, godfather of sampling. [online] Fact Magazine. Available at: <https://www.factmag.com/2016/02/23/pierre-schaeffer-guide/> [Accessed 17 November 2021].

  • Interview

    Schaeffer, P. and Hodgkinson, T.

    Interview (2.5.86)

    1986 - https://soundart.zone/pierre-schaeffer-an-interview-with-the-pioneer-of-musique-concrete/

    ...that was my starting point, Musique Concrete with the tape-recorder, now electronic music, etc...

    In-text: (Schaeffer and Hodgkinson, 1986)

    Your Bibliography: Schaeffer, P. and Hodgkinson, T., 1986. Interview (2.5.86).

  • Book

    Silverman, D.

    Doing Qualitative Research

    2005 - SAGE PUBLICATIONS - London, California, New Delhi, Singapore

    In-text: (Silverman, 2005)

    Your Bibliography: Silverman, D., 2005. Doing Qualitative Research. 2nd ed. London, California, New Delhi, Singapore: SAGE PUBLICATIONS, pp.6, 223, 368.

  • Website

    Smith, C.

    Strings in film: Leading screen composers discuss their use of the broad string palette

    2018

    Strings are so evocative – they immediately create a visceral, emotional response. The combination of harmony and strings can have quite a devastating emotional impact.’

    In-text: (Smith, 2018)

    Your Bibliography: Smith, C., 2018. Strings in film: Leading screen composers discuss their use of the broad string palette. [online] The Strad. Available at: <https://www.thestrad.com/debate/strings-in-film-leading-screen-composers-discuss-their-use-of-the-broad-string-palette-/7623.article> [Accessed 3 March 2021].

  • Website

    Pierre Schaeffer - Soundart.zone

    2021

    In-text: (Pierre Schaeffer - Soundart.zone, 2021)

    Your Bibliography: Soundart.zone. 2021. Pierre Schaeffer - Soundart.zone. [online] Available at: <https://soundart.zone/pierre-schaeffer-an-interview-with-the-pioneer-of-musique-concrete/> [Accessed 16 November 2021].

  • DVD, video, or film

    McLeod, N. Z.

    The Secret Life of Walter Mitty

    1947 - The New Yorker - United States

    In-text: (The Secret Life of Walter Mitty, 1947)

    Your Bibliography: The Secret Life of Walter Mitty. 1947. [film] Directed by N. McLeod. United States: The New Yorker.

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