These are the sources and citations used to research Performance practice. This bibliography was generated on Cite This For Me on

  • Journal

    Broughton, M. and Stevens, C.

    Music, movement and marimba: an investigation of the role of movement and gesture in communicating musical expression to an audience

    2009 - Psychology of Music

    In-text: (Broughton and Stevens, 2009)

    Your Bibliography: Broughton, M. and Stevens, C., 2009. Music, movement and marimba: an investigation of the role of movement and gesture in communicating musical expression to an audience. Psychology of Music, 37(2), pp.137-153.

  • Website

    Charry, E.

    A Guide to the Jembe

    2020

    In-text: (Charry, 2020)

    Your Bibliography: Charry, E., 2020. A Guide To The Jembe. [online] Echarry.web.wesleyan.edu. Available at: <http://echarry.web.wesleyan.edu/jembearticle/article.html> [Accessed 5 October 2020].

  • Website

    OnMusic Dictionary

    2016

    In-text: (OnMusic Dictionary, 2016)

    Your Bibliography: Dictionary onmusic. 2016. Onmusic Dictionary. [online] Available at: <https://dictionary.onmusic.org/terms/2568-performance_practice#:~:text=%5BEnglish%5D,in%20some%20forms%20of%20jazz.> [Accessed 4 October 2020].

  • Journal

    Gabrielsson, A. and Juslin, P. N.

    Emotional Expression in Music Performance: Between the Performer's Intention and the Listener's Experience

    1996 - Psychology of Music

    In-text: (Gabrielsson and Juslin, 1996)

    Your Bibliography: Gabrielsson, A. and Juslin, P., 1996. Emotional Expression in Music Performance: Between the Performer's Intention and the Listener's Experience. Psychology of Music, [online] 24(1), pp.68-91. Available at: <https://journals.sagepub.com/doi/pdf/10.1177/0305735608094511> [Accessed 8 October 2020].

  • Journal

    Kawase, S.

    Importance of Communication Cues in Music Performance according to Performers and Audience

    2014 - International Journal of Psychological Studies

    In-text: (Kawase, 2014)

    Your Bibliography: Kawase, S., 2014. Importance of Communication Cues in Music Performance according to Performers and Audience. International Journal of Psychological Studies, 6(2).

  • Journal

    Nakamura, T.

    The communication of dynamics between musicians and listeners through musical performance

    1987 - Perception & Psychophysics

    In-text: (Nakamura, 1987)

    Your Bibliography: Nakamura, T., 1987. The communication of dynamics between musicians and listeners through musical performance. Perception & Psychophysics, [online] 41(6), pp.525-533. Available at: <https://link.springer.com/article/10.3758/BF03210487> [Accessed 8 October 2020].

  • Journal

    Prichard, S.

    Listening to Learn: The Status of Listening Activities in Secondary Instrumental Ensemble Classes

    2012 - Contributions to Music Education

    In-text: (Prichard, 2012)

    Your Bibliography: Prichard, S., 2012. Listening to Learn: The Status of Listening Activities in Secondary Instrumental Ensemble Classes. Contributions to Music Education, 39, pp.101-115.

  • Journal

    Rager, D.

    The History of the Marimba

    2008 - Music Faculty Publications

    In-text: (Rager, 2008)

    Your Bibliography: Rager, D., 2008. The History of the Marimba. Music Faculty Publications, [online] 1. Available at: <https://engagedscholarship.csuohio.edu/clmusic_facpub/1> [Accessed 9 October 2020].

  • Journal

    Zerull, D. S.

    Developing Musical Listening in Performance Ensemble Classes

    2006 - Arts Education Policy Review

    In-text: (Zerull, 2006)

    Your Bibliography: Zerull, D., 2006. Developing Musical Listening in Performance Ensemble Classes. Arts Education Policy Review, [online] 107(3), pp.41-46. Available at: <https://www.tandfonline.com/doi/pdf/10.3200/AEPR.107.3.41-46?casa_token=FwD6I8ziMGYAAAAA:B1poOV7yBMGTpcW3SS-FkKjmSmiWsNakGNYOhdN2PMaD2fobWlGt8e4U5MntF6WwrOFExDZrytek> [Accessed 9 October 2020].

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