Popular music - Music bibliographies - in Harvard style

In-text: (Bruner, 2021)

Your Bibliography: Bruner, R., 2021. Here’s Why Taylor Swift Is Re-Releasing Her Old Albums. [online] Time. Available at: <https://time.com/5949979/why-taylor-swift-is-rerecording-old-albums/> [Accessed April 2021].

In-text: (Chittenden, 2012)

Your Bibliography: Chittenden, T., 2012. In My Rearview Mirror: Female teens’ prospective remembering of future romantic relationships through the lyrics in Taylor Swift songs. Journal of Children and Media, [online] 7(2), p.186. Available at: <https://www-tandfonline-com.dbgw.lis.curtin.edu.au/doi/full/10.1080/17482798.2012.673500> [Accessed April 2021].

In-text: (Cobb, 2014)

Your Bibliography: Cobb, R., 2014. The Paradox of Authenticity in a Globalized World. Palgrave Macmillan US, p.2.

In-text: (Dredge and Ellis-Petersen, 2015)

Your Bibliography: Dredge, S. and Ellis-Petersen, H., 2015. Apple Music to pay royalties during free trial: 'We hear you Taylor Swift'. [online] The Guardian. Available at: <https://www.theguardian.com/technology/2015/jun/22/apple-music-royalties-free-trial-taylor-swift> [Accessed April 2021].

In-text: (Driessen, 2020)

Your Bibliography: Driessen, S., 2020. Taylor Swift, political power, and the challenge of affect in popular music fandom. Fandom and Politics, [online] 32. Available at: <https://journal.transformativeworks.org/index.php/twc/article/view/1843> [Accessed April 2021].

In-text: (Duncan, 2017)

Your Bibliography: Duncan, D., 2017. Australian singer, American features: Performing authenticity in country music. Language & Communication, [online] 52, p.33. Available at: <https://www.sciencedirect.com/science/article/pii/S0271530916301082?casa_token=5DRgA6qtOsAAAAAA:XOmNjonoku5r1feAnoTs0LAD7BIbS5uwqFBCXkshMzgQBtK3AUZSSMynWqUOATYPdFVOqqlqOA> [Accessed April 2021].

In-text: (Hiatt, 2019)

Your Bibliography: Hiatt, B., 2019. The Rolling Stone Interview Taylor Swift. [online] Rolling Stone. Available at: <https://www.rollingstone.com/music/music-features/taylor-swift-rolling-stone-interview-880794/> [Accessed April 2021].

In-text: (Instagram, 2018)

Your Bibliography: Instagram, 2018. [image] Available at: <https://www.instagram.com/p/BopoXpYnCes/?utm_source=ig_embed> [Accessed April 2021].

In-text: (Instagram, 2021)

Your Bibliography: Instagram, 2021. [image] Available at: <https://www.instagram.com/p/CLJzk9MjcCe/> [Accessed April 2021].

In-text: (Jensen, 1998)

Your Bibliography: Jensen, J., 1998. The Nashville Sound: Authenticity, Commercialization, and Country Music. Nashville: Vanderbilt University Press.

In-text: (Till, 2016)

Your Bibliography: Till, R., 2016. Singer-Songwriter Authenticity, the Unconscious and Emotions. In: The Cambridge Companion to the Singer-Songwriter. [online] Cambridge: Cambridge University Press, p.9. Available at: <https://www.academia.edu/33966474/Singer_Songwriter_Authenticity_the_Unconscious_and_Emotions> [Accessed April 2021].

In-text: (Wilkinson, 2019)

Your Bibliography: Wilkinson, M., 2019. ‘Taylor Swift: the hardest working, zaniest girl in show business…’. Celebrity Studies, [online] 10(3), pp.441-444. Available at: <https://www-tandfonline-com.dbgw.lis.curtin.edu.au/doi/full/10.1080/19392397.2019.1630160> [Accessed April 2021].