Pros and cons of signing to a major and independent label - Music bibliographies - in Harvard style

In-text: (Britten, 2009)

Your Bibliography: Britten, A., 2009. Working in the music industry. Oxford: How To Books.

In-text: (Davis and Laing, 2001)

Your Bibliography: Davis, S. and Laing, D., 2001. The guerilla guide to the music business. London: Continuum.

In-text: (Hull, Hutchison, Strasser and Hull, 2011)

Your Bibliography: Hull, G., Hutchison, T., Strasser, R. and Hull, G., 2011. The music business and recording industry. New York: Routledge.

In-text: (Kane and Diehl, 2015)

Your Bibliography: Kane, T. and Diehl, L., 2015. 8 Musicians Talk Artistic Independence. [online] pastemagazine.com. Available at: <http://www.pastemagazine.com/blogs/lists/2012/07/8-working-musicians-talk-artistic-independence.html?a=1> [Accessed 13 January 2015].

a major label may call up a big music magazine and say, "hey, if you want to interview (insert mega selling artist), we suggest you review/feature (insert brand new, unknown label signing)."

In-text: (McDonald, 2015)

Your Bibliography: McDonald, H., 2015. The Pros and Cons of Signing a Deal With a Major Record Label. [online] About.com Careers. Available at: <http://musicians.about.com/od/beingamusician/a/majorlabelpandc.htm> [Accessed 12 January 2015].

In-text: (Michael, 2015)

Your Bibliography: Michael, D., 2015. Record Labels: Major vs. Indie. [online] Xnilorecords.com. Available at: <http://www.xnilorecords.com/record-labels-major-vs-indie/> [Accessed 12 January 2015].