Studio production - Music bibliographies - in Harvard style

In-text: (Four Places You Never Thought of Using A Ribbon, n.d.)

Your Bibliography: AEA Ribbon Mics & Preamps. n.d. Four Places You Never Thought of Using A Ribbon. [online] Available at: <https://www.aearibbonmics.com/four-places-you-never-thought-of-using-a-ribbon/> [Accessed 13 May 2021].

In-text: (Binaural Panning Explained – Creating Tracks, 2019)

Your Bibliography: Ambisonics - VR-Audio. 2019. Binaural Panning Explained – Creating Tracks. [online] Available at: <https://ambisonics.de/3d-audio-sound-berlin/binaural-panning-explained-creating-tracks> [Accessed 13 May 2021].

In-text: (Anderton, 2018)

Your Bibliography: Anderton, C., 2018. What Is LUFS, and Why Should I Care?. [online] Sweetwater. Available at: <https://www.sweetwater.com/insync/what-is-lufs-and-why-should-i-care/> [Accessed 13 May 2021].

In-text: (An Easy Guide To Reamping, n.d.)

Your Bibliography: Audient. n.d. An Easy Guide To Reamping. [online] Available at: <https://audient.com/tutorial/reamping/> [Accessed 12 May 2021].

In-text: (How To Mix Bass Synth, 2020)

Your Bibliography: Mastering The Mix. 2020. How To Mix Bass Synth. [online] Available at: <https://www.masteringthemix.com/blogs/learn/how-to-mix-bass-synth> [Accessed 13 May 2021].

You can’t just duplicate one take and pan it left and right for the same effect. The width and power of layering guitars comes from the slight differences in performance each time you play the part.

In-text: (McAllister, 2020)

Your Bibliography: McAllister, M., 2020. Tips for Recording Metal Guitar - Produce Like A Pro. [online] Produce Like A Pro. Available at: <https://producelikeapro.com/blog/recording-metal-guitar/> [Accessed 13 May 2021].

In-text: (Mynett, 2009)

Your Bibliography: Mynett, M., 2009. Extreme Metal. [online] Soundonsound.com. Available at: <https://www.soundonsound.com/techniques/extreme-metal> [Accessed 12 May 2021].

In-text: (Rijlaarsdam, n.d.)

Your Bibliography: Rijlaarsdam, M., n.d. The benefits of hardware synthesizers - OptThe oproductions. [online] Optoproductions - Music Production, Mixing, Composing. Available at: <https://www.optoproductions.com/the-benefits-of-hardware-synthesizers/> [Accessed 12 May 2021].

In-text: (Rothstein, 2020)

Your Bibliography: Rothstein, A., 2020. How Do Music Producers Use MIDI? - IPR. [online] IPR. Available at: <https://www.ipr.edu/blogs/audio-production/how-do-music-producers-use-midi/> [Accessed 12 May 2021].

Oblique Strategies aims to avoid all the tedious, pointless agonising, and short-cut you straight to a solution.

In-text: (Sheperd, 2009)

Your Bibliography: Sheperd, I., 2009. Brian Eno’s Oblique Strategies – the Ultimate Music Production Tool. [online] production advice. Available at: <https://productionadvice.co.uk/oblique-strategies/> [Accessed 12 May 2021].

In-text: (Stallworth, 2020)

Your Bibliography: Stallworth, J., 2020. Complete Guide to Recording Death Metal Vocals (Hardware and Software). [online] Jason Stallworth. Available at: <https://www.jasonstallworth.com/recording-death-metal-vocals/> [Accessed 13 May 2021].

In-text: (Tozzoli, 2012)

Your Bibliography: Tozzoli, R., 2012. Pros and Cons of Real Amps VS. Software Amps. [online] Premier Guitar. Available at: <https://www.premierguitar.com/pros-and-cons-of-real-amps-vs-software-amps> [Accessed 12 May 2021].

In-text: (White, 2018)

Your Bibliography: White, P., 2018. Sound Design For Ambient Music. [online] Soundonsound.com. Available at: <https://www.soundonsound.com/techniques/sound-design-ambient-music> [Accessed 12 May 2021].