The Technological Developments of the Late 20th Have Functioned to Render Adorno’s Idealogies of Music Obsolete. Discuss. - Music bibliographies - in Harvard style

‘Of all major twentieth-century social theorists none is identified with music more than Adorno, and of all music analysts Adorno is the most widely influential in other fields’

In-text: (Adorno, 2002)

Your Bibliography: Adorno, T., 2002. Essays on Music. Berkley and Los Angeles, California: University of California Press, Ltd., p.vii.

In-text: (Cox and Warner, 2004)

Your Bibliography: Cox, C. and Warner, D., 2004. Audio culture. New York: Continuum.

In-text: (Shuker, 2008)

Your Bibliography: Shuker, R., 2008. Understanding Popular Music Culture. 3rd ed. Oxon: Routledge.

In-text: (Storey, 2012)

Your Bibliography: Storey, J., 2012. Cultural Theory and Popular Culture An Introduction. 6th ed. Harloe: Pearson Education Limited.

In-text: (Resistance and Responsibility - Why Enter Shikari Matter, 2014)

Your Bibliography: The Huffington Post UK. 2014. Resistance and Responsibility - Why Enter Shikari Matter. [online] Available at: <http://www.huffingtonpost.co.uk/olly-hunter/enter-shikari-resistance-responsibility_b_5554844.html> [Accessed 4 July 2014].