These are the sources and citations used to research chapter 2. This bibliography was generated on Cite This For Me on

  • Website

    Brophy, A.

    Nine in ten Brits are nostalgic | YouGov

    2019 - YouGov

    In-text: (Brophy, 2019)

    Your Bibliography: Brophy, A., 2019. Nine in ten Brits are nostalgic | YouGov. [online] Yougov.co.uk. Available at: <https://yougov.co.uk/topics/lifestyle/articles-reports/2019/11/12/nine-ten-brits-are-nostalgic> [Accessed 5 December 2021].

  • Music or recording

    Costello, E.

    She

    1999 - Mercury Records, Island Records - London

    In-text: (Costello, 1999)

    Your Bibliography: Costello, E., 1999. She. London: Mercury Records, Island Records. Available at: <https://www.youtube.com/watch?v=6pjON5Y3O_Q> [Accessed 16 April 2022].

  • Online image or video

    GQ

    Hugh Grant Breaks Down His Most Iconic Characters | GQ

    2018

    In-text: (GQ, 2018)

    Your Bibliography: GQ, 2018. Hugh Grant Breaks Down His Most Iconic Characters | GQ. [video] Available at: <https://youtu.be/c2YoUbAEFTI> [Accessed 10 May 2022].

  • Journal

    Hoeckner, B., Wyatt, E. W., Decety, J. and Nusbaum, H.

    Film music influences how viewers relate to movie characters.

    2011 - Psychology of Aesthetics, Creativity, and the Arts

    In-text: (Hoeckner, Wyatt, Decety and Nusbaum, 2011)

    Your Bibliography: Hoeckner, B., Wyatt, E., Decety, J. and Nusbaum, H., 2011. Film music influences how viewers relate to movie characters. Psychology of Aesthetics, Creativity, and the Arts, [online] 5(2), pp.146-153. Available at: <https://apexlab.uchicago.edu/docs/papers/FilmMusic.pdf> [Accessed 6 March 2022].

  • Dissertation

    Kirkendoll, E.

    Slightly Overlooked Professionally”: Popular Music in Postmillennial Romantic Comedies

    2018

    In-text: (Kirkendoll, 2018)

    Your Bibliography: Kirkendoll, E., 2018. Slightly Overlooked Professionally”: Popular Music in Postmillennial Romantic Comedies. PhD. The Ohio State University.

  • Book

    Mernit, B.

    Writing the romantic comedy

    2020 - HarperCollins - New York

    In-text: (Mernit, 2020)

    Your Bibliography: Mernit, B., 2020. Writing the romantic comedy. 2nd ed. New York: HarperCollins.

  • Music or recording

    Mitchell, J.

    Both Sides, Now

    1969 - Reprise - Hollywood, CA

    In-text: (Mitchell, 1969)

    Your Bibliography: Mitchell, J., 1969. Both Sides, Now. Hollywood, CA: Reprise. Available at: <https://www.youtube.com/watch?v=7m_t3_1vbX8> [Accessed 10 April 2022].

  • Music or recording

    Mitchell, J.

    Both Sides, Now

    2000 - Reprise - London

    In-text: (Mitchell, 2000)

    Your Bibliography: Mitchell, J., 2000. Both Sides, Now. London: Reprise. Available at: <https://www.youtube.com/watch?v=7cBf0olE9Yc> [Accessed 10 April 2022].

  • Music or recording

    Pointer Sisters, T.

    Jump (For My Love)

    1983 - Planet - Los Angeles

    In-text: (Pointer Sisters, 1983)

    Your Bibliography: Pointer Sisters, T., 1983. Jump (For My Love). Los Angeles: Planet.

  • Book

    Smith, J.

    The sounds of commerce

    1998 - Columbia University Press - New York

    In-text: (Smith, 1998)

    Your Bibliography: Smith, J., 1998. The sounds of commerce. New York: Columbia University Press, p.22.

  • Book

    Stilwell, R.

    Changing Tunes: The Use of Pre-existing Music in Film

    2017 - Routledge - Oxford

    In-text: (Stilwell, 2017)

    Your Bibliography: Stilwell, R., 2017. Changing Tunes: The Use of Pre-existing Music in Film. 1st ed. Oxford: Routledge.

  • Journal

    Tan, S., Spackman, M. P. and Bezdek, M. A.

    Viewers' Interpretations of Film Characters' Emotions: Effects of Presenting Film Music Before or After a Character is Shown

    2007 - Music Perception

    In-text: (Tan, Spackman and Bezdek, 2007)

    Your Bibliography: Tan, S., Spackman, M. and Bezdek, M., 2007. Viewers' Interpretations of Film Characters' Emotions: Effects of Presenting Film Music Before or After a Character is Shown. Music Perception, 25(2), pp.135-152.

  • Journal

    Tan, S., Spackman, M. P. and Wakefield, E. M.

    The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene

    2017 - Music Perception

    In-text: (Tan, Spackman and Wakefield, 2017)

    Your Bibliography: Tan, S., Spackman, M. and Wakefield, E., 2017. The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene. Music Perception, [online] 34(5), pp.605-607. Available at: <https://librarysearch.cardiff.ac.uk/discovery/fulldisplay?docid=cdi_proquest_journals_1971653504&context=PC&vid=44WHELF_CAR:44WHELF_CAR_VU1&lang=en&search_scope=CU_Search_ALL&adaptor=Primo%20Central&tab=CSCOP_EVERYTHING&query=any%2Ccontains%2Ccharacter%20film%20music&offset=0> [Accessed 12 March 2022].

  • Journal

    Wilhelm, K., Gillis, I., Schubert, E. and Whittle, E. L.

    On a Blue Note: Depressed Peoples' Reasons for Listening to Music

    2013 - Music and Medicine

    In-text: (Wilhelm, Gillis, Schubert and Whittle, 2013)

    Your Bibliography: Wilhelm, K., Gillis, I., Schubert, E. and Whittle, E., 2013. On a Blue Note: Depressed Peoples' Reasons for Listening to Music. Music and Medicine, [online] 5(2), pp.76-83. Available at: <https://www.researchgate.net/publication/236210214_On_a_Blue_Note_Depressed_Peoples%27_Reasons_for_Listening_to_Music> [Accessed 12 March 2022].

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