These are the sources and citations used to research commercial. This bibliography was generated on Cite This For Me on

  • Website

    Franz, D.

    Producing in the Home Studio with Pro Tools

    2001

    You can essentially route any signal anywhere and - if you’re not using outboard gear - you won’t need any patch chords to do it!

    In-text: (Franz, 2001)

    Your Bibliography: Franz, D., 2001. Producing in the Home Studio with Pro Tools. [online] Google Books. Available at: <https://books.google.co.uk/books?hl=en&lr=&id=42SxqWQusvIC&oi=fnd&pg=PP6&dq=bus+sends+music+production&ots=IWWDLdYndq&sig=MqSNqAwTZvvl4UYLNi73Iti1r1Y&redir_esc=y#v=onepage&q&f=false> [Accessed 6 April 2022].

  • Music or recording

    Harvey, P. J.

    Long Snake Moan

    1995 - Island Records

    In-text: (Harvey, 1995)

    Your Bibliography: Harvey, P., 1995. Long Snake Moan. [Online] Island Records. Available at: <https://www.youtube.com/watch?v=mbuvj1k_LIc> [Accessed 3 April 2022].

  • Music or recording

    Hossler, J.

    One Minute

    2021 - WMG (on behalf of Atlantic Records); UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, Warner Chappell, LatinAutor - Warner Chappell, CMRRA, Kobalt Music Publishing, SOLAR Music Rights Management, UMPI, AMRA BR, AMRA, BMI - Broadcast Music Inc., LatinAutorPerf, Polaris Hub AB, LatinAutor - SonyATV, LatinAutor, Sony Music Publishing, and 4 music rights societies - Los Angeles

    In-text: (Hossler, 2021)

    Your Bibliography: Hossler, J., 2021. One Minute. [Online] Los Angeles: WMG (on behalf of Atlantic Records); UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, Warner Chappell, LatinAutor - Warner Chappell, CMRRA, Kobalt Music Publishing, SOLAR Music Rights Management, UMPI, AMRA BR, AMRA, BMI - Broadcast Music Inc., LatinAutorPerf, Polaris Hub AB, LatinAutor - SonyATV, LatinAutor, Sony Music Publishing, and 4 music rights societies. Available at: <https://www.youtube.com/watch?v=mc2wJThHPXs> [Accessed 4 April 2022].

  • Website

    Koo, J.

    Reverb Conversion Of Mixed Vocal Tracks Using An End-To-End Convolutional Deep Neural Network

    2021

    In-text: (Koo, 2021)

    Your Bibliography: Koo, J., 2021. Reverb Conversion Of Mixed Vocal Tracks Using An End-To-End Convolutional Deep Neural Network. [online] Ieeexplore.ieee.org. Available at: <https://ieeexplore.ieee.org/abstract/document/9414038> [Accessed 10 April 2022].

  • Website

    Langford, S.

    2013

    ‘Whether you’re comping a vocal track, restoring an old recording, working with dialogue or sound effects for film, or imposing your own vision with mash-ups or remixes, audio editing is a key skill to successful sound production’

    In-text: (Langford, 2013)

    Your Bibliography: Langford, S., 2013. [online] Available at: <https://www.taylorfrancis.com/books/mono/10.4324/9780203512890/digital-audio-editing-simon-langford> [Accessed 7 April 2022].

  • Music or recording

    Omoregie, D.

    Hangman

    2018 - Warner Chappell

    In-text: (Omoregie, 2018)

    Your Bibliography: Omoregie, D., 2018. Hangman. Warner Chappell. Available at: <https://www.youtube.com/watch?v=KAS8zQt6Wik> [Accessed 3 April 2022].

  • Website

    Partonen, T.

    2012

    Seasonal affective disorder (SAD) is characterised by recurrent depressive episodes, occurring typically in winter (i.e. winter SAD). The atypical symptoms of depression frequently precede the onset of each episode and are closely associated with the recurrence of the episodes. Winter depressive episodes are mostly of mild to moderate severity’

    In-text: (Partonen, 2012)

    Your Bibliography: Partonen, T., 2012. [online] Available at: <https://link.springer.com/article/10.2165/00023210-199809030-00004> [Accessed 4 April 2022].

  • Website

    Percino, G.

    2014

    In contrast, album sales of a given style typically increase with decreasing instrumentational complexity. This can be interpreted as music becoming increasingly formulaic in terms of instrumentation once commercial or mainstream success sets in, (Percino, 2014).

    In-text: (Percino, 2014)

    Your Bibliography: Percino, G., 2014. [online] Available at: <https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0115255> [Accessed 13 April 2022].

  • Website

    Piotrowska, A.

    Analyzing music in TV shows: some methodological considerations

    2018

    In-text: (Piotrowska, 2018)

    Your Bibliography: Piotrowska, A., 2018. Analyzing music in TV shows: some methodological considerations. [online] КиберЛенинка. Available at: <https://cyberleninka.ru/article/n/analyzing-music-in-tv-shows-some-methodological-considerations> [Accessed 9 April 2022].

  • Website

    White, P.

    Basic Mixing Techniques

    2000

    ‘If you record anything without EQ it will make your life easier when it comes to the mix, as it’s not always possible to reverse the effects of EQ that has been applied during the recording process.’

    In-text: (White, 2000)

    Your Bibliography: White, P., 2000. Basic Mixing Techniques. [online] Google Books. Available at: <https://books.google.co.uk/books?hl=en&lr=&id=8y7HDgAAQBAJ&oi=fnd&pg=PT7&dq=mixing+vocals+recording&ots=L6lUMixU6b&sig=2Cummiodmnt_HjoaW_o4oET1690&redir_esc=y#v=onepage&q=mixing%20vocals%20recording&f=false> [Accessed 7 April 2022].

  • Website

    Wu, D.

    2003

    Metamaterials, which contain engineered subwavelength microstructures, can be designed to have positive or negative ε and μ at desired frequencies. In this letter, we demonstrate a metamaterial which has a “plasmonic” response to electromagnetic waves in the terahertz (THz) range.

    In-text: (Wu, 2003)

    Your Bibliography: Wu, D., 2003. [online] Available at: <https://aip.scitation.org/doi/abs/10.1063/1.1591083> [Accessed 4 April 2022].

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