madonna - Music bibliographies - in Harvard style

In-text: (Auner and Lochhead, 2002)

Your Bibliography: Auner, J. and Lochhead, J., 2002. Postmodern Music, Postmodern Thought. 1st ed. New York: Routledge.

In-text: (Bean, 2010)

Your Bibliography: Bean, K., 2010. Post-Backlash Feminism. McFarland, Incorporated, Publishers, pp.15-20.

In-text: (Boteach, 2006)

Your Bibliography: Boteach, S., 2006. Hating women. 2nd ed. William Morrow Paperbacks.

In-text: (Brooks, 2013)

Your Bibliography: Brooks, A., 2013. Postfeminisms. Hoboken: Taylor and Francis.

In-text: (Cixous, 1976)

Your Bibliography: Cixous, H., 1976. The Laugh of the Medusa. Signs: Journal of Women in Culture and Society, 1(4), pp.875-893.

In-text: (de Jesus, 2021)

Your Bibliography: de Jesus, D., 2021. The Rebel Madame: Madonna’s Postmodern Revolution. Journal of Literature and Art Studies, 11(1).

In-text: (Fiske, 2010)

Your Bibliography: Fiske, J., 2010. Understanding popular culture. 2nd ed. London: Taylor & Francis.

In-text: (Forbes and Mahan, 2005)

Your Bibliography: Forbes, B. and Mahan, J., 2005. Religion and popular culture in America. Oakland: University of California Press.

In-text: (Fouz-Hernandez, 2004)

Your Bibliography: Fouz-Hernandez, S., 2004. Madonna's Drowned Worlds. 1st ed. Routledge.

In-text: (Fritz and Höpflinger, 2020)

Your Bibliography: Fritz, N. and Höpflinger, A., 2020. "And God Is Never Far Away" : Or the Sum of this Issue. Journal for Religion, Film and Media, 6(2), pp.91-102.

In-text: (Genz and Brabon, 2017)

Your Bibliography: Genz, S. and Brabon, B., 2017. Postfeminism: Cultural Texts and Theories. 2nd ed. Edinburgh: Edinburgh University Press.

In-text: (lanthier, 2021)

Your Bibliography: lanthier, s., 2021. Down on my Knees: Topics of Racism, Sexuality, and Christianity in Madonna’s “Like a Prayer”. [online] Medium. Available at: <https://medium.com/@sophieandrelanthier/down-on-my-knees-topics-of-racism-sexuality-and-christianity-in-madonnas-like-a-prayer-e9ff26bc7b6c> [Accessed 19 May 2021].

In-text: (Levy, 2014)

Your Bibliography: Levy, A., 2014. Female Chauvinist Pigs. Riverside: Simon & Schuster, Limited.

In-text: (Lyotard, 1979)

Your Bibliography: Lyotard, J., 1979. The Postmodern Condition. Manchester: Manchester University Press.

In-text: (McRobbie, 1994)

Your Bibliography: McRobbie, A., 1994. Postmodernism and Popular Culture. London: Taylor & Francis.

In-text: (O'Brien, 1995)

Your Bibliography: O'Brien, L., 1995. She Bop:The Definitive History of Women in Rock, Pop and Soul. London: Penguin Books, p.215.

In-text: (Pascual, 2000)

Your Bibliography: Pascual, M., 2000. Culture and Power: Challenging Discourses. 1st ed. Publisher:Publicacions de la Universitat de València, pp.83-86.

In-text: (Schwichtenberg, Pribram, Tetzlaff and Scott, 2019)

Your Bibliography: Schwichtenberg, R., Pribram, D., Tetzlaff, D. and Scott, R., 2019. The Madonna Connection. 1st ed. Taylor and Francis.

In-text: (St Michael, 1999)

Your Bibliography: St Michael, M., 1999. Madonna. London: Omnibus, p.59.

In-text: (Storey, 2021)

Your Bibliography: Storey, J., 2021. Cultural Theory and Popular Culture. Milton: Taylor & Francis Group.

In-text: (tavana, 2014)

Your Bibliography: tavana, a., 2014. Madonna was better than Michael Jackson. [online] Death and Taxes. Available at: <https://web.archive.org/web/20141007173355/http://www.deathandtaxesmag.com/221072/madonna-was-better-than-michael-jackson/> [Accessed 20 May 2021].

In-text: (Taylor, 2009)

Your Bibliography: Taylor, M., 2009. After God. Chicago: The University of Chicago Press.

In-text: (Whiteley, 2013)

Your Bibliography: Whiteley, S., 2013. Women and Popular Music: Sexuality, Identity and Subjectivity. Abingdon, Oxon: Taylor and Francis.