These are the sources and citations used to research time and music. This bibliography was generated on Cite This For Me on
In-text: (Bigand, 1997)
Your Bibliography: Bigand, E., 1997. The Musical Timespace: A Theory of Music Listening Erik Christensen. Music Perception: An Interdisciplinary Journal, 15(1), pp.112-118.
In-text: (de Bertola, 1972)
Your Bibliography: de Bertola, E., 1972. On Space and Time in Music and the Visual Arts. Leonardo, 5(1), p.27.
In-text: (Dowling, Tillman and Ayers, 2001)
Your Bibliography: Dowling, W., Tillman, B. and Ayers, D., 2001. Memory and the Experience of Hearing Music. Music Perception, 19(2), pp.249-276.
In-text: (Erickson, 1963)
Your Bibliography: Erickson, R., 1963. Time-Relations. Journal of Music Theory, 7(2), p.174.
In-text: (Garrett, 1972)
Your Bibliography: Garrett, A., 1972. On Space and Time in Art. Leonardo, 5(4), p.329.
In-text: (Grisey, 1987)
Your Bibliography: Grisey, G., 1987. Tempus ex Machina: A composer's reflections on musical time. Contemporary Music Review, 2(1), pp.239-275.
In-text: (Hammer, 1994)
Your Bibliography: Hammer, S., 1994. Schiller, Time and Again. The German Quarterly, 67(2), p.153.
In-text: (Hubbard, 1999)
Your Bibliography: Hubbard, J., 1999. A Tale of Two Times: Preaching in the Latter Age of the Dharma. Numen, 46(2), pp.186-210.
In-text: (Kern, n.d.)
Your Bibliography: Kern, S., n.d. The culture of time and space 1880-1918.
In-text: (Kramer, 1981)
Your Bibliography: Kramer, J., 1981. New Temporalities in Music. CRIT INQUIRY, 7(3), p.539.
In-text: (London, 1995)
Your Bibliography: London, B., 1995. Time as Medium: Five Artists' Video Installations. Leonardo, 28(5), p.423.
In-text: (Mayr, 1990)
Your Bibliography: Mayr, A., 1990. Temporal Notations: Four Lessons in the Visualization of Time. Leonardo, 23(2/3), p.281.
In-text: (Renwick, 2006)
Your Bibliography: Renwick, W., 2006. Of Time and Eternity: Reflections on "Das alte Jahr vergangen ist." Journal of Music Theory, 50(1), pp.65-76.
In-text: (Strogatz, 2003)
Your Bibliography: Strogatz, S., 2003. Sync. New York: Hyperion.
In-text: (TRIPPETT, 2007)
Your Bibliography: TRIPPETT, D., 2007. Composing Time: Zeno's Arrow, Hindemith's Erinnerung , and Satie's Instantanéisme. Journal of Musicology, 24(4), pp.522-580.
In-text: (Vaggione, 1993)
Your Bibliography: Vaggione, H., 1993. Determinism and the false collective about models of time in early computer-aided composition. Contemporary Music Review, 7(2), pp.91-104.
In-text: (Yao, 2007)
Your Bibliography: Yao, Z., 2007. Four-Dimensional Time in Dzogchen and Heidegger. Philosophy East and West, 57(4), pp.512-532.
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