These are the sources and citations used to research AGP730: What is value in craft?. This bibliography was generated on Cite This For Me on

  • E-book or PDF

    The Rise of the Creative Class

    2019 - Basic Books - New York

    class. If you are a scientist or engineer, an architect or designer, a writer, artist, or musician, or if your creativity is a key factor in your work in business, education, health care, law, or some other profession, you are a member. With 38 million members, more than 30 percent of the nation’s workforce, the Creative Class has shaped and will continue to shape deep and profound shifts in the ways we work, in our values and desires, and in the very fabric of our everyday lives. As with other classes, the defining basis of this new class is economic. Just as the feudal aristocracy derived its power and identity from its hereditary control of land and people, and the bourgeoisie from its members’ roles as merchants and factory owners, the Creative Class derives its identity from its members’ roles as purveyors of creativity. Because creativity is the driving force of economic growth, the Creative Class has become the dominant class in society in terms of its influence. Only by understanding the rise of this new class and its values can we begin to understand the sweeping and seemingly disjointed changes in our society and begin to shape our future more intelligently. Florida, Richard. The Rise of the Creative Class (p. xxiii). Basic Books. Kindle Edition.

    In-text: (The Rise of the Creative Class, 2019)

    Your Bibliography: 2019. The Rise Of The Creative Class. 2nd ed. New York: Basic Books, p.Preface to the original.

  • Website

    Anderson, P. C.

    We all want high social status

    2015 - University of California, Berkeley Haas School of Business

    “as comprising three components: respect or admiration; voluntary deference by others; and social value. Social value (also known as prestige) is bestowed upon individuals whose advice is sought by others. Prestige can also be measured by how much others defer to an individual.”

    In-text: (Anderson, 2015)

    Your Bibliography: Anderson, P., 2015. We All Want High Social Status. [online] ScienceDaily. Available at: <https://www.sciencedaily.com/releases/2015/05/150506094925.htm>.

  • Website

    Arnold, Z.

    2020

    In-text: (Arnold, 2020)

    Your Bibliography: Arnold, Z., 2020. [online] Zoearnold.com. Available at: <https://www.zoearnold.com/current-work>.

  • E-book or PDF

    B Wallace, D. and Gruber, H. E.

    Creative People at Work: Twelve Cognitive Case Studies

    1989 - Oxford University Press - New York

    In-text: (B Wallace and Gruber, 1989)

    Your Bibliography: B Wallace, D. and Gruber, H., 1989. Creative People At Work: Twelve Cognitive Case Studies. New York: Oxford University Press.

  • Website

    Bakemonger, T.

    The Bakemonger - handcrafted cakes from Frome, Somerset — The Bakemonger

    2020

    In-text: (Bakemonger, 2020)

    Your Bibliography: Bakemonger, T., 2020. The Bakemonger - Handcrafted Cakes From Frome, Somerset — The Bakemonger. [online] The Bakemonger. Available at: <http://www.thebakemonger.com/about>.

  • Website

    Bakery, A.

    2020

    In-text: (Bakery, 2020)

    Your Bibliography: Bakery, A., 2020. [online] Ardbakery.com. Available at: <https://www.ardbakery.com/about>.

  • Website

    Battersby, M.

    https://www.independent.co.uk/arts-entertainment/art/features/eat-your-art-out-artists-develop-a-taste-for-food-2056095.html

    2010 - The Independent

    In-text: (Battersby, 2010)

    Your Bibliography: Battersby, M., 2010. Https://Www.Independent.Co.Uk/Arts-Entertainment/Art/Features/Eat-Your-Art-Out-Artists-Develop-A-Taste-For-Food-2056095.Html. [online] Static1.squarespace.com. Available at: <https://static1.squarespace.com/static/562401d5e4b0bca6fa601cf9/t/562d4be8e4b0ccf5cdc4aa03/1445809128458/10_Kaleidoscope_6.13.pdf>.

  • Website

    Beckett, A.

    A user's guide to art-speak

    2013

    "The more you can muddy the waters around the meaning of a work," says Levine, "the more you can keep the value high."

    In-text: (Beckett, 2013)

    Your Bibliography: Beckett, A., 2013. A User's Guide To Art-Speak. [online] the Guardian. Available at: <https://www.theguardian.com/artanddesign/2013/jan/27/users-guide-international-art-english>.

  • Journal

    Bergadaà, M.

    Craftsmen of Art, and Their Craft: The Experience of Authenticity and Its Materialization in the Places Where Craftspeople and Enlightened Clients Meet

    2008 - Recherche et Applications en Marketing (English Edition)

    It is the craftsperson who produces an experience of authenticity through the process of construction of the object, but also through the relationship s/he develops with the buyer p7

    In-text: (Bergadaà, 2008)

    Your Bibliography: Bergadaà, M., 2008. Craftsmen of Art, and Their Craft: The Experience of Authenticity and Its Materialization in the Places Where Craftspeople and Enlightened Clients Meet. Recherche et Applications en Marketing (English Edition), 23(3), pp.5-24.

  • Website

    IS SILICONE BIODEGRADABLE? NO IT IS NOT | Sinplástico

    2020

    In-text: (IS SILICONE BIODEGRADABLE? NO IT IS NOT | Sinplástico, 2020)

    Your Bibliography: Blog.sinplastico.com. 2020. IS SILICONE BIODEGRADABLE? NO IT IS NOT | Sinplástico. [online] Available at: <http://blog.sinplastico.com/en/es-la-silicona-biodegradable-todas-tus-dudas-sobre-este-material-en-un-solo-post/>.

  • Website

    Bompas & Parr

    2020

    In-text: (Bompas & Parr, 2020)

    Your Bibliography: Bompasandparr.com. 2020. Bompas & Parr. [online] Available at: <http://bompasandparr.com/projects/>.

  • DVD, video, or film

    Brilliant Ideas: Artist Grayson Perry

    2020

    In-text: (Brilliant Ideas: Artist Grayson Perry, 2020)

    Your Bibliography: Brilliant Ideas: Artist Grayson Perry. 2020. [DVD].

  • Online image or video

    British Museum

    Grayson Perry Tomb of the Unknown Craftsman

    2020

    In-text: (British Museum, 2020)

    Your Bibliography: British Museum, 2020. Grayson Perry Tomb Of The Unknown Craftsman. [image] Available at: <https://www.britishmuseum.org/exhibitions/grayson-perry-tomb-unknown-craftsman> [Accessed 14 September 2020].

  • Website

    Burch, N.

    1970 - Gordon Training International

    In-text: (Burch, 1970)

    Your Bibliography: Burch, N., 1970. [online] Mccc.edu. Available at: <https://www.mccc.edu/~lyncha/documents/stagesofcompetence.pdf>.

  • Online image or video

    Busnell, I.

    Isabelle Busnell

    2020

    In-text: (Busnell, 2020)

    Your Bibliography: Busnell, I., 2020. Isabelle Busnell. [image] Available at: <https://www.isabellebusnel.co.uk/> [Accessed 14 September 2020].

  • Website

    Camberwell College of Arts, U.

    MA Designer Maker

    2020 - U>A.L

    In-text: (Camberwell College of Arts, 2020)

    Your Bibliography: Camberwell College of Arts, U., 2020. MA Designer Maker. [online] UAL. Available at: <https://www.arts.ac.uk/subjects/3d-design-and-product-design/postgraduate/ma-designer-maker-camberwell#>.

  • Journal

    Carnevale, M., Luna, D. and Lerman, D.

    Brand linguistics: A theory-driven framework for the study of language in branding

    2017 - International Journal of Research in Marketing

    In-text: (Carnevale, Luna and Lerman, 2017)

    Your Bibliography: Carnevale, M., Luna, D. and Lerman, D., 2017. Brand linguistics: A theory-driven framework for the study of language in branding. International Journal of Research in Marketing, 34(2), pp.572-591.

  • Website

    Carrigan, M.

    The Artists Busting the Myth That Big Paintings Sell Better

    2020

    In-text: (Carrigan, 2020)

    Your Bibliography: Carrigan, M., 2020. The Artists Busting The Myth That Big Paintings Sell Better. [online] Observer. Available at: <https://observer.com/2018/03/artists-betty-tompkins-peter-shear-find-success-with-small-paintings/>.

  • E-book or PDF

    Chapman, J.

    Emotional Durability Design Nine—A Tool for Product Longevity

    2015 - Routledge - New York

    ❤️ biodegradability – although a theoretically bright idea – rarely functions on the mass scale that we expect it to.

    In-text: (Chapman, 2015)

    Your Bibliography: Chapman, J., 2015. Emotional Durability Design Nine—A Tool For Product Longevity. 2nd ed. New York: Routledge, p.Chapter 1.

  • Website

    Cohen, A.

    8 Artists Using Silicone to Create Strange, Radical Artworks

    2019

    In-text: (Cohen, 2019)

    Your Bibliography: Cohen, A., 2019. 8 Artists Using Silicone To Create Strange, Radical Artworks. [online] Artsy. Available at: <https://www.artsy.net/article/artsy-editorial-8-artists-silicone-create-strange-radical-artworks>.

  • Website

    Corning, D.

    Dr. James Franklin Hyde | History | Dow Corporate

    2020

    In-text: (Corning, 2020)

    Your Bibliography: Corning, D., 2020. Dr. James Franklin Hyde | History | Dow Corporate. [online] Corporate.dow.com. Available at: <https://corporate.dow.com/en-us/about/company/history/james-franklin-silicone-inventor.html>.

  • Website

    Council, C.

    Added Value?

    2012 - Craft Council

    “Ambiguity is introduced when raw materials are processed, mixed and worked, by machine or by hand, and subjected to design and influence. At once value judgements of a different nature are key. Questions quality, taste, personality, and brand are raided. Is it here, through craft’s ability to reshape, personalise and elevate materials, that its value can be found?”.

    In-text: (Council, 2012)

    Your Bibliography: Council, C., 2012. Added Value?. [online] Addedvalue.org.uk. Available at: <http://addedvalue.org.uk/>.

  • Website

    Council, C.

    Added Value?

    2012

    “What makes a material valuable? If a material in its raw state is defined by its financial value in the global market, the answer to this question is straightforward. Ambiguity is introduced when raw materials are processed, mixed and worked, by machine or by hand, and subjected to design and influence. At once value judgements of a different nature are key. Questions quality, taste, personality and brand are raided. Is it here, through craft’s ability to reshape, personalise and elevate materials, that its value can be found?

    In-text: (Council, 2012)

    Your Bibliography: Council, C., 2012. Added Value?. [online] Addedvalue.org.uk. Available at: <http://addedvalue.org.uk/>.

  • Online image or video

    Craft Scotland

    Cutting Edge Jewellery Katharina Vones

    2017

    In-text: (Craft Scotland, 2017)

    Your Bibliography: Craft Scotland, 2017. Cutting Edge Jewellery Katharina Vones. [image] Available at: <https://www.craftscotland.org/journal/article/cutting-edge-jewellery-artist-katharina-vones> [Accessed 14 September 2020].

  • Book

    Crawford, M. B.

    Shop class as soulcraft: An inquiry into the value of work

    2009 - Penguin Books - New York

    The building of expertise provides for fulfillment and builds confidence. Self-identity and creative abilities grow. In gaining expertise the person learns to perceive things that are invisible to the novice

    In-text: (Crawford, 2009)

    Your Bibliography: Crawford, M., 2009. Shop Class As Soulcraft: An Inquiry Into The Value Of Work. New York: Penguin Books, p.132.

  • Newspaper

    Crawford, M.

    The Case for Working With Your Hands

    2009 - The New York Times

    .. it is the tradesman who exemplifies an economically viable way of life, one that is broadly available and provides many of the same satisfactions we associate with craftsmanship. p6

    In-text: (Crawford, 2009)

    Your Bibliography: Crawford, M., 2009. The Case for Working With Your Hands. The New York Times, [online] p.6. Available at: <http://faculty.wwu.edu/dunnc3/rprnts.TheCaseforWorkingWithYourHands-NYTimes.com.pdf> [Accessed 4 September 2020].

  • Book

    Crawford, M. B.

    The case for working with your hands, or, Why office work is bad for us and fixing things feels good

    2011 - Penguin - London

    With experience, the learner moves from knowing what to knowing how and realizes how wide the gulf is between these two forms of knowledge. The building of expertise provides for fulfillment and builds confidence. Self-identity and creative abilities grow. In gaining expertise the person learns to perceive things that are invisible to the novice

    In-text: (Crawford, 2011)

    Your Bibliography: Crawford, M., 2011. The Case For Working With Your Hands, Or, Why Office Work Is Bad For Us And Fixing Things Feels Good. London: Penguin, p.168.

  • Book

    Crawford, M. B.

    The case for working with your hands, or, Why office work is bad for us and fixing things feels good

    2011 - Penguin - London

    As a rough working formula, we might say that craftsmanship, as an ideal, provides the standards, but that in a mass-market economy such as ours, it is the tradesman who exemplifies an economically viable way of life

    In-text: (Crawford, 2011)

    Your Bibliography: Crawford, M., 2011. The Case For Working With Your Hands, Or, Why Office Work Is Bad For Us And Fixing Things Feels Good. London: Penguin, p.6.

  • Book

    Crawford, M. B.

    The case for working with your hands, or, Why office work is bad for us and fixing things feels good

    2011 - Penguin - London

    different. Each offers its own intrinsic satisfactions, characteristic frustrations, and cognitive challenges; sometimes these challenges are rich enough to be totally absorbing. Crawford, Matthew. The Case for Working with Your Hands (p. 36). Penguin Books Ltd. Kindle Edition.

    In-text: (Crawford, 2011)

    Your Bibliography: Crawford, M., 2011. The Case For Working With Your Hands, Or, Why Office Work Is Bad For Us And Fixing Things Feels Good. London: Penguin, p.36.

  • Book

    Crawford, M. B.

    The case for working with your hands, or, Why office work is bad for us and fixing things feels good

    2011 - Penguin - London

    I want to avoid the kind of mysticism that gets attached to “craftsmanship” while doing justice to the very real satisfactions it offers. I won’t be talking about Japanese sword makers or any such thing, and generally prefer to use the term “trade” over “craft” to emphasize the everyday nature of my subject

    In-text: (Crawford, 2011)

    Your Bibliography: Crawford, M., 2011. The Case For Working With Your Hands, Or, Why Office Work Is Bad For Us And Fixing Things Feels Good. London: Penguin, p.5.

  • Book

    Crawford, M. B.

    The case for working with your hands, or, Why office work is bad for us and fixing things feels good

    2011 - Penguin - London

    But more often than not, I will bill for much less time. This was especially so when I first started. Early on, I decided it was best to lie about how much time it took me to do things, because the time I was spending seemed implausible. Partly it is inexperience that slows me down, and partly it is my disposition to get totally absorbed in the details, and forget that the clock is ticking. Crawford, Matthew. The Case for Working with Your Hands (p. 113). Penguin Books Ltd. Kindle Edition.

    In-text: (Crawford, 2011)

    Your Bibliography: Crawford, M., 2011. The Case For Working With Your Hands, Or, Why Office Work Is Bad For Us And Fixing Things Feels Good. London: Penguin, p.113.

  • Book

    Crawford, M. B.

    The case for working with your hands, or, Why office work is bad for us and fixing things feels good

    2011 - Penguin - London

    The wad of cash in my pants feels different than the checks I cashed in my previous job. Following a doctorate in political philosophy at the University of Chicago, I took a job as executive director of a Washington “think tank.” Crawford, Matthew. The Case for Working with Your Hands (p. 4). Penguin Books Ltd. Kindle Edition.

    In-text: (Crawford, 2011)

    Your Bibliography: Crawford, M., 2011. The Case For Working With Your Hands, Or, Why Office Work Is Bad For Us And Fixing Things Feels Good. London: Penguin, p.4.

  • Website

    Averagely Unique with Lin Cheung

    2020

    In-text: (Averagely Unique with Lin Cheung, 2020)

    Your Bibliography: CURRENT OBSESSION. 2020. Averagely Unique With Lin Cheung. [online] Available at: <https://www.current-obsession.com/averagely-unique-with-lin-cheung/>.

  • Website

    Development, D. P.

    Design Product and Development

    2020

    In-text: (Development, 2020)

    Your Bibliography: Development, D., 2020. Design Product And Development. [online] Design2market.co.uk. Available at: <https://www.design2market.co.uk/design/?gclid=EAIaIQobChMIzs6Yxvu46wIVhe3tCh3i_wapEAAYASAAEgKpdvD_BwE>.

  • Website

    Directory, T. G.

    Kathy Vones

    2014

    In-text: (Directory, 2014)

    Your Bibliography: Directory, T., 2014. Kathy Vones. [online] Directory.thegoldsmiths.co.uk. Available at: <https://directory.thegoldsmiths.co.uk/designers/kathy-vones/>.

  • Website

    Dormer, P.

    Wishful thinking : a thesis on skill and the studio crafts.

    1992

    He intervened at crucial stages - stages which as an experienced teacher and practitioner he knew were coming up" pp 198/199

    In-text: (Dormer, 1992)

    Your Bibliography: Dormer, P., 1992. Wishful Thinking : A Thesis On Skill And The Studio Crafts.. [online] Ethos.bl.uk. Available at: <https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363821>.

  • Book

    Dormer, P.

    The art of the maker

    1994 - Thames and Hudson - London

    how process and content are interdependent and mutually enriching; how the artist can use the communal culture of discovery, invention, innovation, technique and insight to transform his or her own self-expression

    In-text: (Dormer, 1994)

    Your Bibliography: Dormer, P., 1994. The Art Of The Maker. London: Thames and Hudson.

  • Website

    Ecology, S.

    Shop — Simple Ecology

    2020

    In-text: (Ecology, 2020)

    Your Bibliography: Ecology, S., 2020. Shop — Simple Ecology. [online] Simple Ecology. Available at: <https://www.simpleecology.com/shop?category=Kitchen%20Tools> [Accessed 6 August 2020].

  • Website

    Elisa, R. and Andrew, T.

    Is there demographic information about people that participate in crafts in the UK? | Wonder

    the data available show that the majority of participants in the U.K. crafts industry are white, female and on average 48.7 years old. The majority of those involved are in sole proprietorships. According to Bain, the industry has been "transformed by online marketplaces, like Etsy," which let the artisans distribute their creations world wide.

    In-text: (Elisa and Andrew, n.d.)

    Your Bibliography: Elisa, R. and Andrew, T., n.d. Is There Demographic Information About People That Participate In Crafts In The UK? | Wonder. [online] Askwonder.com. Available at: <https://askwonder.com/research/demographic-information-people-participate-crafts-uk-xm1s7wqh2>.

  • Website

    The Essential Chemical Industry (online)

    2020

    In-text: (The Essential Chemical Industry (online), 2020)

    Your Bibliography: Essentialchemicalindustry.org. 2020. The Essential Chemical Industry (Online). [online] Available at: <https://www.essentialchemicalindustry.org/>.

  • Journal

    Fillis, I.

    An aesthetic understanding of the craft sector

    2012 - Creative Industries Journal

    In-text: (Fillis, 2012)

    Your Bibliography: Fillis, I., 2012. An aesthetic understanding of the craft sector. Creative Industries Journal, 5(1-2), pp.23-41.

  • Book

    Florida, R. L.

    The rise of the creative class

    2019 - Basic Books - New York

    In-text: (Florida, 2019)

    Your Bibliography: Florida, R., 2019. The Rise Of The Creative Class. New York: Basic Books, pp.This book describes the emergence of a new social class. If you are a scientist or engineer, an architect or designer, a writer, artist, or musician, or if your creativity is a key factor in your work in business, education, health care, law, or some other profession, you are a member. With 38 million members, more than 30 percent of the nation’s workforce, the Creative Class has shaped and will continue to shape deep and profound shifts in the ways we work, in our values and desires, and in the very fabric of our everyday lives. As with other classes, the defining basis of this new class is economic. Just as the feudal aristocracy derived its power and identity from its hereditary control of land and people, and the bourgeoisie from its members’ roles as merchants and factory owners, the Creative Class derives its identity from its members’ roles as purveyors of creativity. Because creativity is the driving force of economic growth, the Creative Class has become the dominant class in society in terms of its influence. Only by understanding the rise of this new class and its values can we begin to understand the sweeping and seemingly disjointed changes in our society and begin to shape our future more intelligently. Florida, Richard. The Rise of the Creative Class (p. xxiii). Basic Books. Kindle Edition.

  • Book

    Florida, R. L.

    The rise of the creative class

    Surely some creative people are inspired by money, but studies find that truly creative individuals, from artists & writers to scientists and open-source software developers are driven primarily by internal motivations, by the intrinsic rewards and satisfactions of their pursuits.

    In-text: (Florida, n.d.)

    Your Bibliography: Florida, R., n.d. The Rise Of The Creative Class. p.(p. 21).

  • Book

    Furrow, D.

    American foodie

    2016 - Roman and Littlefied - London

    . Food is deeply meaningful and plays a central role in human sociality

    In-text: (Furrow, 2016)

    Your Bibliography: Furrow, D., 2016. American Foodie. London: Roman and Littlefied, p.25.

  • Book

    Furrow, D.

    American foodie

    2016 - Rowman & Littlefield Publishers

    All artistic interpretation depends on context, but just as with a painting such as Munch’s The Scream described in the previous chapter, edible art reveals context through the aesthetic features of the work, through the flavors and textures that speak so eloquently of the flavor sensibilities of a people. Historical and cultural context is not a mere appendage added to supply meaning, as the skeptic about food as art argues, but is the very subject matter of the work

    In-text: (Furrow, 2016)

    Your Bibliography: Furrow, D., 2016. American Foodie. Rowman & Littlefield Publishers, p.118.

  • Website

    Goldsmiths, I. O.

    Katharina Vones Creates Jewellery from Waste Materials | The Ethical Making Blog

    2020

    In-text: (Goldsmiths, 2020)

    Your Bibliography: Goldsmiths, I., 2020. Katharina Vones Creates Jewellery From Waste Materials | The Ethical Making Blog. [online] Ethical Making Resource. Available at: <http://www.ethicalmaking.org/blog-article-katharina-vones-research/>.

  • Website

    process integration meaning - Google Search

    2020

    In-text: (process integration meaning - Google Search, 2020)

    Your Bibliography: Google.com. 2020. Process Integration Meaning - Google Search. [online] Available at: <https://www.google.com/search?q=process+integration+meaning&rlz=1C1FGUR_enGB911GB911&oq=process+integration+&aqs=chrome.5.69i57j0l7.7244j0j15&sourceid=chrome&ie=UTF-8>.

  • Website

    what are smart materials - Google Search

    2020

    In-text: (what are smart materials - Google Search, 2020)

    Your Bibliography: Google.com. 2020. What Are Smart Materials - Google Search. [online] Available at: <https://www.google.com/search?q=what+are+smart+materials&rlz=1C1FGUR_enGB911GB911&oq=what+are+smart+materials&aqs=chrome..69i57j0l7.4656j0j7&sourceid=chrome&ie=UTF-8>.

  • Website

    gosili UK

    2020

    In-text: (gosili UK, 2020)

    Your Bibliography: GoSili UK. 2020. Gosili UK. [online] Available at: <https://gosili.co.uk/>.

  • Website

    Gueta, T.

    One of a kind pieces of Jewelry - Tzuri Gueta

    2020 - Avendia

    In-text: (Gueta, 2020)

    Your Bibliography: Gueta, T., 2020. One Of A Kind Pieces Of Jewelry - Tzuri Gueta. [online] Tzuri Gueta. Available at: <https://tzurigueta.com/en/one-of-a-kind-pieces-of-jewelry/>.

  • Website

    Gueta, T.

    The designer

    2020

    He challenged the conventions of the trade by approaching traditional handicraft with unprecedented techniques. This innovative approach gave rise to surprising materials that verged on sculpture – materials that deceive the senses of touch and vision.

    In-text: (Gueta, 2020)

    Your Bibliography: Gueta, T., 2020. The Designer. [online] Tzuri Gueta. Available at: <https://tzurigueta.com/en/le-createur/>.

  • Website

    Gueta, T.

    The designer - Tzuri Gueta

    2020

    nothing can replace handiwork and skill. We take care to convey this appreciation to everyone who comes to see us

    In-text: (Gueta, 2020)

    Your Bibliography: Gueta, T., 2020. The Designer - Tzuri Gueta. [online] Tzuri Gueta. Available at: <https://tzurigueta.com/en/the-designer/>.

  • E-book or PDF

    Haines-Gadd, M., Chapman, J., Lloyd, P., Mason, J. and Aliakseyeu, D.

    Emotional Durability Design Nine—A Tool for Product Longevity

    2018 - Creative Commons Attribution

    In-text: (Haines-Gadd et al., 2018)

    Your Bibliography: Haines-Gadd, M., Chapman, J., Lloyd, P., Mason, J. and Aliakseyeu, D., 2018. Emotional Durability Design Nine—A Tool For Product Longevity. Creative Commons Attribution.

  • Website

    Press Release Added Value?

    2020

    In-text: (Press Release Added Value?, 2020)

    Your Bibliography: Harleygallery.co.uk. 2020. Press Release Added Value?. [online] Available at: <https://www.harleygallery.co.uk/wp-content/uploads/2014/02/Added-Value.pdf>.

  • Website

    Hemsley, S.

    How to become a 'craft' brand by using content – Marketing Week

    2016

    In-text: (Hemsley, 2016)

    Your Bibliography: Hemsley, S., 2016. How To Become A 'Craft' Brand By Using Content – Marketing Week. [online] Marketing Week. Available at: <https://www.marketingweek.com/how-to-become-a-craft-brand-by-using-content/>.

  • Website

    Heritage, S.

    Gary Rhodes: the spiky-haired scoundrel who became the first superstar chef

    2020

    In-text: (Heritage, 2020)

    Your Bibliography: Heritage, S., 2020. Gary Rhodes: The Spiky-Haired Scoundrel Who Became The First Superstar Chef. [online] the Guardian. Available at: <https://www.theguardian.com/tv-and-radio/2019/nov/27/gary-rhodes-the-spiky-haired-scoundrel-who-became-the-first-superstar-chef#:~:text=Television-,Gary%20Rhodes%3A%20the%20spiky%2Dhaired%20scoundrel%20who%20became%20the%20first,incident%20with%20a%20giant%20crumpet%20%E2%80%A6>.

  • Website

    Silicones

    2019

    In-text: (Silicones, 2019)

    Your Bibliography: https://www.essentialchemicalindustry.org/polymers/silicones.html. 2019. Silicones. [online] Available at: <https://www.essentialchemicalindustry.org/> [Accessed 18 August 2020].

  • Website

    Institute, K.

    What is KAIZEN™

    2020

    In-text: (Institute, 2020)

    Your Bibliography: Institute, K., 2020. What Is KAIZEN™. [online] Kaizen.com. Available at: <https://www.kaizen.com/what-is-kaizen.html> [Accessed 6 August 2020].

  • Conference proceedings

    Jackson, A.

    Against the Autonomy of the Craft Object. In Obscure Obects of Desire: Reviewinq the crafts in the 20th Century

    1997 - Crafts Council - London

    "....realigned as signifiers of lifestyle or cultural capital, rather than items of utility"

    In-text: (Jackson, 1997)

    Your Bibliography: Jackson, A., 1997. Against the Autonomy of the Craft Object. In Obscure Obects of Desire: Reviewinq the crafts in the 20th Century. In: Against the Autonomy of the Craft Object. In Obscure Obects of Desire: Reviewinq the crafts in the 20th Century. London: Crafts Council, p.288.

  • Website

    Jenkins, K.

    Why is Silicone so Expensive? - Learn with Silicone Engineering

    2020

    In-text: (Jenkins, 2020)

    Your Bibliography: Jenkins, K., 2020. Why Is Silicone So Expensive? - Learn With Silicone Engineering. [online] Silicone Engineering. Available at: <https://silicone.co.uk/news/silicone-seems-to-be-more-expensive-than-other-rubber-why-is-this/>.

  • Website

    Kehret-Ward, T., Johnson, M. W. and Louie, T. A.

    Improving Recall By Manipulating the Syntax of Consumption Rituals

    2020

    In-text: (Kehret-Ward, Johnson and Louie, 2020)

    Your Bibliography: Kehret-Ward, T., Johnson, M. and Louie, T., 2020. Improving Recall By Manipulating The Syntax Of Consumption Rituals. [online] Acrwebsite.org. Available at: <http://www.acrwebsite.org/volumes/6408/volumes/v12/NA-12>.

  • E-book or PDF

    Korn, P.

    Why We Make Things and Why it Matters . .

    2013 - Random House Kindle Edition.

    Finding creative passion that governs your life may be a curse as well as a blessing, but I would not trade it for anything else I know. Korn, Peter. Why We Make Things and Why it Matters . Random House. Kindle Edition.

    In-text: (Korn, 2013)

    Your Bibliography: Korn, P., 2013. Why We Make Things And Why It Matters . .. [ebook] Random House Kindle Edition., p.2026. Available at: <http://ISBN 9780224101097> [Accessed 15 September 2020].

  • Book

    Korn, P.

    Why we make things and why it matters

    2015

    "What lures them is the hope of finding deeper meaning by learning to make things well with their own hands"

    In-text: (Korn, 2015)

    Your Bibliography: Korn, P., 2015. Why We Make Things And Why It Matters. p.79.

  • Website

    Kusumoto, M.

    Mariko Kusumoto

    2020

    In-text: (Kusumoto, 2020)

    Your Bibliography: Kusumoto, M., 2020. Mariko Kusumoto. [online] Google.com. Available at: <https://www.marikokusumoto.com/>.

  • Website

    Laden, T. M.

    Good vs. Evil in Scott Hove’s Pastry Wonderland

    2020

    In-text: (Laden, 2020)

    Your Bibliography: Laden, T., 2020. Good Vs. Evil In Scott Hove’S Pastry Wonderland. [online] KCET. Available at: <https://www.kcet.org/shows/southland-sessions/good-vs-evil-in-scott-hoves-cake-y-wonderland-the-beauty-war>.

  • Website

    Lesser, C.

    The Bakers Elevating Cakes to an Art Form

    2020

    In-text: (Lesser, 2020)

    Your Bibliography: Lesser, C., 2020. The Bakers Elevating Cakes To An Art Form. [online] Artsy. Available at: <https://www.artsy.net/article/artsy-editorial-artists-turning-cakes-dazzling-decadent-sculptures>.

  • Website

    Artisan | Definition of Artisan by Oxford Dictionary on Lexico.com also meaning of Artisan

    2020

    In-text: (Artisan | Definition of Artisan by Oxford Dictionary on Lexico.com also meaning of Artisan, 2020)

    Your Bibliography: Lexico Dictionaries | English. 2020. Artisan | Definition Of Artisan By Oxford Dictionary On Lexico.Com Also Meaning Of Artisan. [online] Available at: <https://www.lexico.com/definition/artisan>.

  • Website

    Lovelace, J.

    Craft: Seriously, What Does the Word Mean? | American Craft Council

    2018 - American Craft Magazine

    Craft is a broad and slippery word. It can refer to types of objects – 'contemporary craft' – especially those made of ceramics, fiber, glass, metal, or wood. These can be functional, sculptural, or conceptual. Craft can also refer to how someone practices a trade, whether an artisan, actor, playwright, or accountant.Fabio Fernández, artist; past executive director, Society of Arts + Crafts, Boston "Craft to me is a particular skill combined with artistic integrity, created and developed into something that is appreciated by people. Nathan East, musician, recording artist, longtime bassist for Eric Clapton

    In-text: (Lovelace, 2018)

    Your Bibliography: Lovelace, J., 2018. Craft: Seriously, What Does The Word Mean? | American Craft Council. [online] American Craft Council. Available at: <https://www.craftcouncil.org/magazine/article/craft-seriously-what-does-word-mean#:~:text=It%20can%20refer%20to%20types,actor%2C%20playwright%2C%20or%20accountant.>.

  • Website

    Lowrey, T. M.

    The Relation Between Syntactic Complexity and Advertising Persuasiveness

    2020

    In-text: (Lowrey, 2020)

    Your Bibliography: Lowrey, T., 2020. The Relation Between Syntactic Complexity And Advertising Persuasiveness. [online] Acrwebsite.org. Available at: <http://www.acrwebsite.org/volumes/7308/volumes/v19/NA-19>.

  • Book

    Luckman, S.

    Craft and the creative economy

    2015 - Palgrave Macmillan - Basingstoke, Hampshire

    For example in the UK the substantial 2012 investigation into the size, scale and qualities of the commercial craft scene commissioned by the Crafts Council....... found that while most of the 23,000 contemporary craft businesses.....may well fall below the VAT threshold in terms of income, the sector nonetheless generated an estimated income of £475 million, over £140 million more than music downloads....However, at the individual level and despite explicity looking at commercially active craftspeople ove half the makers interviewed reported net profit of less than £5.00 a year (BOP Consulting 2012 p3)

    In-text: (Luckman, 2015)

    Your Bibliography: Luckman, S., 2015. Craft And The Creative Economy. Basingstoke, Hampshire: Palgrave Macmillan.

  • Book

    Luckman, S.

    Craft and the creative economy

    2015 - Palgrave Macmillan - Basingstoke, Hampshire

    the data available show that the majority of participants in the U.K. crafts industry are white, female and on average 48.7 years old. The majority of those involved are in sole proprietorships.

    In-text: (Luckman, 2015)

    Your Bibliography: Luckman, S., 2015. Craft And The Creative Economy. Basingstoke, Hampshire: Palgrave Macmillan.

  • Website

    Experimental textile design - MaterialDistrict

    2020

    In-text: (Experimental textile design - MaterialDistrict, 2020)

    Your Bibliography: MaterialDistrict. 2020. Experimental Textile Design - Materialdistrict. [online] Available at: <https://materialdistrict.com/material/experimental-textile-design/>.

  • Website

    materials, S., agents, C., method, C., chloride, S., process, M., rubbers, S., Foam, P., method, D., Bodies, F., Reaction, F., reactions, C., diacetate, E., Wall, T., processes, E., urethane, E., polyethylene, H. and polyethylene, H.

    US5007929A - Open-cell, silicone-elastomer medical implant - Google Patents

    2020

    In-text: (materials et al., 2020)

    Your Bibliography: materials, s., agents, c., method, c., chloride, s., process, m., rubbers, s., Foam, P., method, d., Bodies, F., Reaction, F., reactions, c., diacetate, E., Wall, T., processes, e., urethane, e., polyethylene, h. and polyethylene, h., 2020. US5007929A - Open-Cell, Silicone-Elastomer Medical Implant - Google Patents. [online] Patents.google.com. Available at: <https://patents.google.com/patent/US5007929A/en>.

  • Website

    McKenzie, J.

    Celia Pym: ‘I didn’t ever see the point of invisible mending’

    2020

    In-text: (McKenzie, 2020)

    Your Bibliography: McKenzie, J., 2020. Celia Pym: ‘I Didn’T Ever See The Point Of Invisible Mending’. [online] Studio International - Visual Arts, Design and Architecture. Available at: <https://www.studiointernational.com/index.php/celia-pym-interview>.

  • Website

    McNay, A.

    Laura Youngson Coll: ‘The real catharsis was in the making process, because that’s something that’s personal to me, and it’s the way in which I assimilate things’

    2020

    In-text: (McNay, 2020)

    Your Bibliography: McNay, A., 2020. Laura Youngson Coll: ‘The Real Catharsis Was In The Making Process, Because That’S Something That’S Personal To Me, And It’S The Way In Which I Assimilate Things’. [online] Studio International - Visual Arts, Design and Architecture. Available at: <https://www.studiointernational.com/index.php/laura-youngson-coll-the-real-catharsis-was-in-the-making-process-interview>.

  • Website

    Miller, R.

    Rosalind Miller Cakes

    2020

    In-text: (Miller, 2020)

    Your Bibliography: Miller, R., 2020. Rosalind Miller Cakes. [online] Rosalindmillercakes.com. Available at: <https://www.rosalindmillercakes.com/masterclasses/>.

  • Website

    MoMA | Participation and Audience Involvement

    2020

    In-text: (MoMA | Participation and Audience Involvement, 2020)

    Your Bibliography: Moma.org. 2020. Moma | Participation And Audience Involvement. [online] Available at: <https://www.moma.org/learn/moma_learning/themes/media-and-performance-art/participation-and-audience-involvement/>.

  • Website

    Patterson, H.

    The return of tripe (yes really): The unpopular cut of offal is back on menus | Metro News

    2013

    In-text: (Patterson, 2013)

    Your Bibliography: Patterson, H., 2013. The Return Of Tripe (Yes Really): The Unpopular Cut Of Offal Is Back On Menus | Metro News. [online] Metro.co.uk. Available at: <https://metro.co.uk/2013/10/17/the-return-of-tripe-yes-really-the-unpopular-cut-of-offal-is-back-on-menus-4111210/>.

  • Website

    Pook, L.

    Why the art world is finally waking up to the power of female craft skills

    2019

    In-text: (Pook, 2019)

    Your Bibliography: Pook, L., 2019. Why The Art World Is Finally Waking Up To The Power Of Female Craft Skills. [online] Stylist. Available at: <https://www.stylist.co.uk/life/womens-textiles-crafts-female-skills-sexism-not-seen-as-art-anni-albers-tate/233457>.

  • Journal

    Press, M.

    The Culture of Craft: Status and Future Peter Dormer (Editor)

    1998 - The Design Journal

    In-text: (Press, 1998)

    Your Bibliography: Press, M., 1998. The Culture of Craft: Status and Future Peter Dormer (Editor). The Design Journal, 1(2), pp.50-54.

  • Website

    Quaid, J.

    US5007929A - Open-cell, silicone-elastomer medical implant - Google Patents

    1990 - https://patentimages.storage.googleapis.com/b4/6c/46/c4b8d570fc7470/US5007929.pdf

    In-text: (Quaid, 1990)

    Your Bibliography: Quaid, J., 1990. US5007929A - Open-Cell, Silicone-Elastomer Medical Implant - Google Patents. [online] Patents.google.com. Available at: <https://patents.google.com/patent/US5007929A/en>.

  • Journal

    Ranson, B.

    “Craftwork, Ideology and the Craft Life Cycle.”

    2020 - Journal of Design History, vol. 2, no. 2/3, 1989,

    "Sociologically the situation of craftsmen is of considerable interest since, in many ways they may see to have rejected the values of industrial capitalism, yet they are none the less forced to operate in a dominantly capitalist society" "It is clear that, for those who have chosen to be craftsmen, this has involved not simply learning a new set of values about themselves, their work and the social world in which they live" p89

    In-text: (Ranson, 2020)

    Your Bibliography: Ranson, B., 2020. “Craftwork, Ideology and the Craft Life Cycle.”. Journal of Design History, vol. 2, no. 2/3, 1989,, [online] Vol 2(2/3), pp.pp. 77–92. Available at: <http://www.jstor.org/stable/1315799> [Accessed 6 September 2020].

  • Website

    Non-traditional natural textile fibres: Production and applications

    2020

    In-text: (Non-traditional natural textile fibres: Production and applications, 2020)

    Your Bibliography: ResearchGate. 2020. Non-Traditional Natural Textile Fibres: Production And Applications. [online] Available at: <https://www.researchgate.net/publication/283595693_Non-traditional_natural_textile_fibres_Production_and_applications>.

  • Website

    Richmond-Abdou, K.

    Architect-Turned-Baker Designs Beautiful, Bold Cakes Inspired by Art and Math

    2017 - My Modern Met

    In-text: (Richmond-Abdou, 2017)

    Your Bibliography: Richmond-Abdou, K., 2017. Architect-Turned-Baker Designs Beautiful, Bold Cakes Inspired By Art And Math. [online] My Modern Met. Available at: <https://mymodernmet.com/math-cake-dinara-kasko/>.

  • Book

    Risatti, H.

    A theory of craft

    2007 - The University of North Carolina Press - Chapel Hill

    A Designer is a person who conceives and creates a design; in this sense design is a product of the creative imagination. A Worker is the person who realises a design by first interpreting the notion and then translating this notion into actual material

    In-text: (Risatti, 2007)

    Your Bibliography: Risatti, H., 2007. A Theory Of Craft. Chapel Hill: The University of North Carolina Press, p.163.

  • Website

    The Peter Dormer Lecture

    2020

    In-text: (The Peter Dormer Lecture, 2020)

    Your Bibliography: Royal College of Art. 2020. The Peter Dormer Lecture. [online] Available at: <https://www.rca.ac.uk/schools/school-of-arts-humanities/peter-dormer/>.

  • Website

    Salter, G.

    Op-Ed | From Luxury to Craft: Climbing the ‘Discernment Curve’

    2016

    In-text: (Salter, 2016)

    Your Bibliography: Salter, G., 2016. Op-Ed | From Luxury To Craft: Climbing The ‘Discernment Curve’. [online] The Business of Fashion. Available at: <https://www.businessoffashion.com/community/voices/discussions/how-can-traditional-craftsmanship-survive-in-the-modern-world/op-ed-from-luxury-to-craft-climbing-the-discernment-curve>.

  • Journal

    Schmitt, B.

    The consumer psychology of brands

    2012 - Journal of Consumer Psychology

    In-text: (Schmitt, 2012)

    Your Bibliography: Schmitt, B., 2012. The consumer psychology of brands. Journal of Consumer Psychology, 22(1), pp.7-17.

  • Website

    We all want high social status

    2015

    They defined status as comprising three components: respect or admiration; voluntary deference by others; and social value. Social value (also known as prestige) is bestowed upon individuals whose advice is sought by others. Prestige can also be measured by how much others defer to an individual.

    In-text: (We all want high social status, 2015)

    Your Bibliography: ScienceDaily. 2015. We All Want High Social Status. [online] Available at: <https://www.sciencedaily.com/releases/2015/05/150506094925.htm>.

  • Website

    Scotland, C.

    Make Your Own Story: Cutting-edge jewellery artist Katharina Vones - Craft Scotland

    2017

    Silicone can be an exciting material, and people react in different ways to it – some really enjoy its tactile qualities, while others feel uncomfortable about its yielding softness. In combination with smart materials, it really comes to life and surprises its wearer by reacting to touch and light exposure by changing colour.

    In-text: (Scotland, 2017)

    Your Bibliography: Scotland, C., 2017. Make Your Own Story: Cutting-Edge Jewellery Artist Katharina Vones - Craft Scotland. [online] Craft Scotland. Available at: <https://www.craftscotland.org/journal/article/cutting-edge-jewellery-artist-katharina-vones>.

  • Website

    Scullin, S.

    To Craft Is Woman?

    2019

    In-text: (Scullin, 2019)

    Your Bibliography: Scullin, S., 2019. To Craft Is Woman?. [online] Medium. Available at: <https://eidolon.pub/to-craft-is-woman-1c0abfb3af77>.

  • Website

    Selim, M. S., Elmarakbi, A., Azzam, A. M., Shenashen, M. A., EL-Saeed, A. M. and El-Safty, S. A.

    Eco-friendly design of superhydrophobic nano-magnetite/silicone composites for marine foul-release paints

    2020

    In-text: (Selim et al., 2020)

    Your Bibliography: Selim, M., Elmarakbi, A., Azzam, A., Shenashen, M., EL-Saeed, A. and El-Safty, S., 2020. Eco-Friendly Design Of Superhydrophobic Nano-Magnetite/Silicone Composites For Marine Foul-Release Paints.

  • Website

    Sennet, R.

    Together by Richard Sennett - Justin McGuirk

    2020

    In-text: (Sennet, 2020)

    Your Bibliography: Sennet, R., 2020. Together By Richard Sennett - Justin Mcguirk. [online] Justin McGuirk. Available at: <http://justinmcguirk.com/together>.

  • Book

    Sennett, R.

    The craftsman

    2009 - Penguin - London

    Pride in one's work lies at the heart of craftsmanship as the reward for skill and commitment"

    In-text: (Sennett, 2009)

    Your Bibliography: Sennett, R., 2009. The Craftsman. London: Penguin, p.294.

  • Dissertation

    Shaw, E.

    Re-locating ceramics: art, craft, design? A practice-based, critical exploration of ceramics which re-locates the discipline in the context of consumption, the home and the everyday.

    2007

    Ideas about femininity influence all aspects of craft. Ideas about craft are informed by notions of femininity, ides about women's work, domesticity, the home-made and the amateur. Home is both a site of the production and of consumption of ceramics and craft. This gendering of craft and its associations with domesticity, femininity and amateurism affect notions of quality and value. (p120)

    In-text: (Shaw, 2007)

    Your Bibliography: Shaw, E., 2007. Re-Locating Ceramics: Art, Craft, Design? A Practice-Based, Critical Exploration Of Ceramics Which Re-Locates The Discipline In The Context Of Consumption, The Home And The Everyday.. Ph.D. The University of Westminster.

  • Dissertation

    Shaw, E.

    Re-locating ceramics: art, craft, design? A practice-based, critical exploration of ceramics which re-locates the discipline in the context of consumption, the home and the everyday.

    2007

    It is this approach I propose to employ to the subject of ceramics. To privilege the idea over the object and to investigate the meaning, roles and functions of ceramics - p144 to employ a conceptual approach to ceramics and craft.

    In-text: (Shaw, 2007)

    Your Bibliography: Shaw, E., 2007. Re-Locating Ceramics: Art, Craft, Design? A Practice-Based, Critical Exploration Of Ceramics Which Re-Locates The Discipline In The Context Of Consumption, The Home And The Everyday.. Ph.D. University of Westminster.

  • Dissertation

    Shaw, E.

    Re-locating ceramics: art, craft, design? A practice-based, critical exploration of ceramics which re-locates the discipline in the context of consumption, the home and the everyday.

    2007

    The value of craft is dependant on the time taken to learn craft skills as wells as the time spent/ taken to make the work. p114

    In-text: (Shaw, 2007)

    Your Bibliography: Shaw, E., 2007. Re-Locating Ceramics: Art, Craft, Design? A Practice-Based, Critical Exploration Of Ceramics Which Re-Locates The Discipline In The Context Of Consumption, The Home And The Everyday.. Ph.D. The University of Westminster.

  • Website

    The History of the Silicone Elastomer | SIMTEC

    2020

    In-text: (The History of the Silicone Elastomer | SIMTEC, 2020)

    Your Bibliography: SIMTEC Silicone Parts. 2020. The History Of The Silicone Elastomer | SIMTEC. [online] Available at: <https://www.simtec-silicone.com/the-history-of-the-silicone-elastomer/#:~:text=In%201854%2C%20Henry%20Sainte%2DClaire,they%20were%20%E2%80%9Csticky%20messes%E2%80%9D.>.

  • Book

    Sternberg, R. J.

    Handbook of creativity

    1999 - The Press Syndicate of the university of cambridge - Cambridge

    'What do we mean by creative work? Like most definitions of creativity, ours involves novelty and value: The creative product must be new and must be given value…" Doris B Wallace and Howard E Gruber Creative People at Work 1992

    In-text: (Sternberg, 1999)

    Your Bibliography: Sternberg, R., 1999. Handbook Of Creativity. Cambridge: The Press Syndicate of the university of cambridge, p.94.

  • Website

    Strauss, C. F. and Fuad-Luke, A.

    The Slow Design Principles A new interrogative and reflexive tool for design research and practice

    2020

    In-text: (Strauss and Fuad-Luke, 2020)

    Your Bibliography: Strauss, C. and Fuad-Luke, A., 2020. The Slow Design Principles A New Interrogative And Reflexive Tool For Design Research And Practice. [online] Static1.squarespace.com. Available at: <https://static1.squarespace.com/static/52dfe66be4b0cad36168429a/t/53499733e4b09ac51176571d/1397331763401/CtC_SlowDesignPrinciples.pdf>.

  • Website

    Why the art world is finally waking up to the power of female craft skills

    2020

    In-text: (Why the art world is finally waking up to the power of female craft skills, 2020)

    Your Bibliography: Stylist. 2020. Why The Art World Is Finally Waking Up To The Power Of Female Craft Skills. [online] Available at: <https://www.stylist.co.uk/life/womens-textiles-crafts-female-skills-sexism-not-seen-as-art-anni-albers-tate/233457>.

  • Website

    Craft – Art Term | Tate

    2020

    In-text: (Craft – Art Term | Tate, 2020)

    Your Bibliography: Tate. 2020. Craft – Art Term | Tate. [online] Available at: <https://www.tate.org.uk/art/art-terms/c/craft>.

  • Website

    Taylor, D. S.

    The rise and rise of craft business – the craft takeover? – Birmingham Business School Blog

    2018

    In-text: (Taylor, 2018)

    Your Bibliography: Taylor, D., 2018. The Rise And Rise Of Craft Business – The Craft Takeover? – Birmingham Business School Blog. [online] Blog.bham.ac.uk. Available at: <https://blog.bham.ac.uk/business-school/2018/03/19/the-rise-and-rise-of-craft-business-the-craft-takeover/>.

  • Book

    Taylor, L. and Redhead, D.

    Industry of one

    2001 - Crafts Council Gallery - London

    "differentiate a new group from the previously acceptable (though uncomfortably gender specific) "artist craftsman"

    In-text: (Taylor and Redhead, 2001)

    Your Bibliography: Taylor, L. and Redhead, D., 2001. Industry Of One. London: Crafts Council Gallery, p.7.

  • Website

    Textiles Intelligence || Technical Textile Markets

    2020

    In-text: (Textiles Intelligence || Technical Textile Markets, 2020)

    Your Bibliography: Textilesintelligence.com. 2020. Textiles Intelligence || Technical Textile Markets. [online] Available at: <http://www.textilesintelligence.com/tisttm/index.cfm?pageid=3&repid=TISTTM&issueid=71&artid=1363>.

  • Website

    Thomas, N. R.

    Frederic Stanley Kipping—Pioneer in Silicon Chemistry: His Life & Legacy

    2010 - Springer

    In-text: (Thomas, 2010)

    Your Bibliography: Thomas, N., 2010. Frederic Stanley Kipping—Pioneer In Silicon Chemistry: His Life & Legacy. [online] Core.ac.uk. Available at: <https://core.ac.uk/reader/81846800>.

  • Website

    IS THIS FABRIC - Tiffany Loy

    2020

    In-text: (IS THIS FABRIC - Tiffany Loy, 2020)

    Your Bibliography: Tiffanyloy.com. 2020. IS THIS FABRIC - Tiffany Loy. [online] Available at: <https://tiffanyloy.com/IS-THIS-FABRIC>.

  • Online image or video

    TV Guide

    The Cover Archive. Mock the Vote. Jon Stewart

    2004

    In-text: (TV Guide, 2004)

    Your Bibliography: TV Guide, 2004. The Cover Archive. Mock The Vote. Jon Stewart. [image] Available at: <https://www.tvguidemagazine.com/archive/suboffer/2000s/2004/20041017_c1.jpg.html> [Accessed 14 September 2020].

  • Website

    United, F.

    Fendi design performances

    2009

    In-text: (United, 2009)

    Your Bibliography: United, F., 2009. Fendi Design Performances. [online] Fashionunited.uk. Available at: <https://fashionunited.uk/news/fashion/fendi-design-performances/2009042832537>.

  • Website

    Ceramics Resident: Phoebe Cummings - Victoria and Albert Museum

    2020

    In-text: (Ceramics Resident: Phoebe Cummings - Victoria and Albert Museum, 2020)

    Your Bibliography: Vam.ac.uk. 2020. Ceramics Resident: Phoebe Cummings - Victoria And Albert Museum. [online] Available at: <http://www.vam.ac.uk/content/articles/c/phoebe-cummings/>.

  • Website

    V&A · Woman's Hour Craft Prize

    2020

    In-text: (V&A · Woman's Hour Craft Prize, 2020)

    Your Bibliography: Victoria and Albert Museum. 2020. V&A · Woman's Hour Craft Prize. [online] Available at: <https://www.vam.ac.uk/exhibitions/womans-hour-craft-prize>.

  • Book

    Watterson, B.

    There's treasure everywhere

    1996 - Warner books - London

    We don't value craftsmanship anymore! All we value is ruthless efficiency, and I say we deny our own humanity that way! Without appreciation for grace and beauty, there's no pleasure in creating things and no pleasure in having them! Our lives are made drearier, rather than richer! How can a person take pride in his work when skill and care are considered luxuries! We're not machines! We have a human need for craftsmanship!”

    In-text: (Watterson, 1996)

    Your Bibliography: Watterson, B., 1996. There's Treasure Everywhere. London: Warner books.

  • Website

    Elements of art value – definition of value in art – 10 factors

    2017

    In-text: (Elements of art value – definition of value in art – 10 factors, 2017)

    Your Bibliography: What is it worth?. 2017. Elements Of Art Value – Definition Of Value In Art – 10 Factors. [online] Available at: <https://blog.mearto.com/2017/09/25/10-factors-that-determine-the-value-of-art/> [Accessed 6 August 2020].

  • Broadcast

    World of Business Ideas

    2020

    In-text: (World of Business Ideas, 2020)

    Your Bibliography: World of Business Ideas, 2020. [TV programme] https://www.youtube.com/watch?v=wdR49ui0f04.

  • Journal

    Yair, K. and Schwarz, M.

    Making value: craft in changing times

    2011 - Cultural Trends

    In-text: (Yair and Schwarz, 2011)

    Your Bibliography: Yair, K. and Schwarz, M., 2011. Making value: craft in changing times. Cultural Trends, 20(3-4), pp.309-316.

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