These are the sources and citations used to research Music diplomacy US and China. This bibliography was generated on Cite This For Me on
In-text: (Andrea Beck, 2015)
Your Bibliography: Andrea Beck, T., 2015. The Shanghai Ballet: A Model for Chinese Cultural Diplomacy?. [online] The Diplomat. Available at: <http://thediplomat.com/2013/08/the-shanghai-ballet-a-model-for-chinese-cultural-diplomacy/> [Accessed 20 January 2015].
In-text: (Baranovitch, 2003)
Your Bibliography: Baranovitch, N., 2003. China's new voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997. Berkeley: University of California Press.
In-text: (Breckenridge, 2013)
Your Bibliography: Breckenridge, M., 2013. Willis Conover's International Jazz Diplomacy through Fandom: The Friends of Music USA Newsletter (1964–1969). Jazz Perspectives, 7(2), pp.91-109.
In-text: (Fauser, 2013)
Your Bibliography: Fauser, A., 2013. Sounds of war: Music in the United States during World War II. Oxford University Press.
In-text: (Hunter, 2009)
Your Bibliography: Hunter, A., 2009. Soft Power: China on the Global Stage. The Chinese Journal of International Politics, 2(3), pp.373-398.
In-text: (Jones, 2001)
Your Bibliography: Jones, A., 2001. Yellow music: Media Culture and Colonial Modernity in the Chinese Jazz Age. Durham: Duke University Press.
In-text: (Kurlantzick, 2007)
Your Bibliography: Kurlantzick, J., 2007. Charm Offensive: How China's Soft Power Is Transforming the World. New Haven: Yale University Press.
In-text: (Levine, 1989)
Your Bibliography: Levine, L., 1989. Jazz and American Culture. The Journal of American Folklore, 102(403), p.6.
In-text: (Sacks, 2006)
Your Bibliography: Sacks, O., 2006. The power of music. Brain, 129(10), pp.2528-2532.
In-text: (Wang, 2008)
Your Bibliography: Wang, Y., 2008. Public Diplomacy and the Rise of Chinese Soft Power. The ANNALS of the American Academy of Political and Social Science, 616(1), pp.257-273.
In-text: (Yang, 2007)
Your Bibliography: Yang, H., 2007. Power, Politics, and Musical Commemoration: Western Musical Figures in the People's Republic of China 1949-1964. Music and Politics, I(2).
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