Guide: How to cite a Journal in Molecular Psychiatry (letters to the editor) style

Guide: How to cite a Journal in Molecular Psychiatry (letters to the editor) style

Cite A Journal in Molecular Psychiatry (letters to the editor) style

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Use the following template to cite a journal using the Molecular Psychiatry (letters to the editor) citation style. For help with other source types, like books, PDFs, or websites, check out our other guides. To have your reference list or bibliography automatically made for you, try our free citation generator.

Key:

Pink text = information that you will need to find from the source.
Black text = text required by the Molecular Psychiatry (letters to the editor) style.

Reference list

Place this part in your bibliography or reference list at the end of your assignment.

Template:

1. Author Surname Author Initial. Publication Title [Internet] Year Published [cited 2013 Oct 10]; Volume number: Pages Used. Available from: http://Website-Url

Example:

1. the Guardian. Addiction in the orchestra: classical music's drink and drugs problem [Internet]. 2014 [cited 2015 Apr 29];Available from: http://www.theguardian.com/music/2014/aug/26/classical-music-alcohol-substance-abuse-addicts-symphony

In-text citation

Place this part right after the quote or reference to the source in your assignment.

Template

1

Example

‘I remember being in the National Youth Orchestra as a teenager, and we were doing the BBC Proms. I had this overpowering feeling of not being able to move in the way I wanted to – I felt trapped. I couldn’t cope with the adrenaline and I felt myself tipping into panic attacks. When I drank, these attacks stopped. I also took Valium and beta-blockers. So you could block the adrenal gland and still hang on to your mental capacity. Addiction problems are widespread among classical musicians, for many reasons,’ ‘There is the lifestyle, the odd hours, working weekends, post-concert socialising. Many players use alcohol and beta-blockers to control their performance anxiety and then, after the “high” of a performance, musicians can struggle to “come down” and therefore drink to relax – which becomes habitual.’ 1

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